Jenö (Eugene) Zádor [1894-1977]

Started by Scion7, August 22, 2016, 12:42:34 PM

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Scion7

http://eugenezador.com/about/       <---  excellent bio



Hungarian composer who emmigrated to the U.S. at the age of 37.
The works that I have heard sound very "American" - a niche perhaps somewhere between Copland and Schuman?

selective works list from The New Grove:

Orchestral: Hungarian Caprice, 1935; Children's Sym., 1941; Biblical Triptych, 1943; Fugue Fantasia, 1958; The Remarkable Adventures of Henry Bold, nar, orch, 1963; Festival Ov., 1964; Variations on a Merry Theme, 1965; 5 Contrasts, 1965; Aria and Allegro, 1967; Trbn Conc., 1967; Music for Cl and Str, 1968; Cimb Conc., 1969; Studies, 1970; Db Conc., 1971; Accordion Conc., 1971; Duo Fantasy, 2 vc, str, hp, 1973; Suite, hn, str, perc, 1974; Hungarian Scherzo, 1975; Conc, ob, str, 1975
Choral: Cant. technica, 1961; Scherzo domestico, 1961; The Judgement (orat, P. Mahony), 1974; Cain (melodrama, Mahony, Hughes), Bar, orch, 1976

Chamber: Wind Qnt, 1972; Brass Qnt, 1973; Fantasy for Two Cellos

Opera: X-mal Rembrandt [Forever Rembrandt] (1, K. Pálffy-Waniek), 1930; Christopher Columbus (1, J. Mohácsi), New York, 1939; The Virgin and the Fawn (1, L. Zilahy), Los Angeles, 1964; The Magic Chair (1, G. Jellinek, after F. Karinthy), Baton Rouge, LA, 1966; The Scarlet Mill (2, Jellinek, after F. Molnár), New York, 1968; The Inspector General (3, Zador, after N. Gogol), Los Angeles, 1971; Yehu, a Christmas Legend (A. Együd, after Bible), Los Angeles, 1974
Saint-Saëns, who predicted to Charles Lecocq in 1901: 'That fellow Ravel seems to me to be destined for a serious future.'

Scion7

Saint-Saëns, who predicted to Charles Lecocq in 1901: 'That fellow Ravel seems to me to be destined for a serious future.'

Scion7

#2
[asin]B00ARL9P8K[/asin]   

[asin]B007N0SW14[/asin]
Saint-Saëns, who predicted to Charles Lecocq in 1901: 'That fellow Ravel seems to me to be destined for a serious future.'

Scion7

#3
[asin]B01H5JT0LS[/asin] 

[asin]B0176N4C2U[/asin]
Saint-Saëns, who predicted to Charles Lecocq in 1901: 'That fellow Ravel seems to me to be destined for a serious future.'

Scion7

Saint-Saëns, who predicted to Charles Lecocq in 1901: 'That fellow Ravel seems to me to be destined for a serious future.'

Scion7

Fans of Malcolm Arnold, Aaron Copland, and the like should have no trouble enjoying Zádor's music.
Saint-Saëns, who predicted to Charles Lecocq in 1901: 'That fellow Ravel seems to me to be destined for a serious future.'

Mirror Image

So there's no Hungarian residue in any of his music?

Christo

Quote from: Mirror Image on August 23, 2016, 10:44:45 AMSo there's no Hungarian residue in any of his music?
The first Naxos release claims some of his pieces to be "overtly 'Hungarian' in style" and the cover certainly alludes to that:
Quote from: Scion7 on August 22, 2016, 12:49:50 PM [asin]B00ARL9P8K[/asin]
... music is not only an 'entertainment', nor a mere luxury, but a necessity of the spiritual if not of the physical life, an opening of those magic casements through which we can catch a glimpse of that country where ultimate reality will be found.    RVW, 1948

Scion7

Not in the same way that Bartok or Kodaly or Dohnányi (and to the incorrect degree of Liszt) incorporated more nationalist elements.  I've not heard his chamber music, and the majority of his music remains unrecorded. He's not a major composer - just a good one that made fairly uplifting music.
Saint-Saëns, who predicted to Charles Lecocq in 1901: 'That fellow Ravel seems to me to be destined for a serious future.'

Symphonic Addict

To be released on August 23rd:

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

kyjo

Anyone heard any of Zador's music? I'm completely unfamiliar with it.
"Music is enough for a lifetime, but a lifetime is not enough for music" - Sergei Rachmaninoff

Symphonic Addict

Quote from: kyjo on June 30, 2024, 07:04:48 AMAnyone heard any of Zador's music? I'm completely unfamiliar with it.

His Biblical Triptych is the only work I know by him and yes, the music has this epic feel to it that is proper of pieces on this subject. My only quibble is the lack of memorability, but the music manages to entertain.

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.