Topic: Kenneth Leighton(1929-1988)

[SymphonicAddict]

My favorites are the 1st and the 2nd symphonies. I too like the grim mood of his style. It's bleak music but at the same time is engaging and has substance.

[Ghost of Baron Scarpia]

I have a strong impression of the works of Leighton, but can't seem to find my listening notes and don't quite remember what I listened to. (I know it was from the Chandos series). I wouldn't say bleak. My overall impression is grim determination to overcome difficult circumstances.

[Irons]

Apparently a very nice man and without ego. He enjoyed friendship and support from Gerald Finzi.

Anyone quoting source is threatened with legal action. So I won't! 

[kyjo]

I wouldn't say bleak. My overall impression is grim determination to overcome difficult circumstances.

I agree. Dark, certainly, but hardly approaching the bleakness of, say, the Pettersson or later Weinberg symphonies. There’s a strong, purposeful backbone to Leighton’s music which ensures that it doesn’t drift off into helpless self-pity.

[Ghost of Baron Scarpia]

If I had to use one word to characterize his music it would be struggle.

[Mirror Image]

If I had to use one word to characterize his music it would be struggle.

My sentiments exactly.

[vandermolen]

Am really enjoying the poignant, poetic and eloquent Symphony 3 'Laudes Musicae' this evening:

 I recall that one of my young, musical students really enjoying Leighton's vocal music. There is something very sad about this music. Leighton, who was evidently a very nice individual, died prematurely and apparently had a drink problem. I find this symphony very moving.

[kyjo]

Am really enjoying the poignant, poetic and eloquent Symphony 3 'Laudes Musicae' this evening:

 I recall that one of my young, musical students really enjoying Leighton's vocal music. There is something very sad about this music. Leighton, who was evidently a very nice individual, died prematurely and apparently had a drink problem. I find this symphony very moving.

Thanks for this, Jeffrey; I’ll have to give it a spin. Did you manage to locate your CD of the First Symphony, by chance?

[vandermolen]

Thanks for this, Jeffrey; I’ll have to give it a spin. Did you manage to locate your CD of the First Symphony, by chance?

Yes, indeed Kyle - just a couple of days ago. I started to listen to it but was then interrupted by something or other. I really liked what I heard and will try to listen to it right through later today.

[Ghost of Baron Scarpia]

I recently listened to Leighton's music for strings. The Symphony for Strings, I later read, was a student work and rather dull, though skillfully done. However, I found the "Concerto for String Orchestra" to be very impressive. It is in a sort of slow-fast-slow scheme, with the central movement a scherzo of sorts and the outer movements more extensive in scope. It has some of the strong functional dissonance which seems to be the convention of English String music of the early 20th century. Almost Finzi-esque. I have to start listening to the symphonies again.

[vandermolen]

I've really enjoyed hearing this (twice) today. Thank you Kyle and also Cesar for the recommendations. I became more gripped as this searching and rather troubled symphony went along.

[Ghost of Baron Scarpia]

Listened to the Concerto for String Orchestra again, it grows more interested each time I listen. Also had time to listen to the Organ Concerto. The first movement "lament" seemed flat but the second movement (toccata) was extremely impressive and the final theme with variations made wonderful use of the palette of tone colors available from the organ and string orchestra. My regard for this composer continues to grow.

[Irons]

Listened to the Concerto for String Orchestra again, it grows more interested each time I listen. Also had time to listen to the Organ Concerto. The first movement "lament" seemed flat but the second movement (toccata) was extremely impressive and the final theme with variations made wonderful use of the palette of tone colors available from the organ and string orchestra. My regard for this composer continues to grow.

The Concerto for String Orchestra and Organ Concerto are the (only) two recordings I have by Leighton. After your positive impression of the former I will give it a spin. The Organ Concerto I rate highly, as highly as the one for the same instrument by Poulenc.
The 1st Symphony sounds most interesting indeed.

[Ghost of Baron Scarpia]

The Concerto for String Orchestra and Organ Concerto are the (only) two recordings I have by Leighton. After your positive impression of the former I will give it a spin. The Organ Concerto I rate highly, as highly as the one for the same instrument by Poulenc.
The 1st Symphony sounds most interesting indeed.

Turns out I was thinking of the Poulenc concerto as well and listened to that last evening. I have a number of recordings but choose Hickox/London Sinfonietta.



I was surprised. Poulenc's Gaelic, witty style was no where in evidence. It opened with a Gothic blast from the organ reminiscent of Bach's (or someone's) Toccata and Fugue in d-minor. It continued with alternation between gothic outbursts, vigorous fast-tempo passages and gentle pastorales. An interesting work, no doubt. A contrast with the Piano Concerto, which has charming passages that alternate with Bruckneresq brass outbursts. I get the impression of Poulenc trying on different hats.

It occurs to me, this isn't the Poulenc thread...

[kyjo]

Am really enjoying the poignant, poetic and eloquent Symphony 3 'Laudes Musicae' this evening:

 I recall that one of my young, musical students really enjoying Leighton's vocal music. There is something very sad about this music. Leighton, who was evidently a very nice individual, died prematurely and apparently had a drink problem. I find this symphony very moving.

Recently listened to this and found it very enjoyable and quite moving as well. Leighton was undoubtedly a composer of great integrity and sincerity.

[Ghost of Baron Scarpia]

Recently listened to this and found it very enjoyable and quite moving as well. Leighton was undoubtedly a composer of great integrity and sincerity.

I like Leighton, but I don't think that good music has anything to do with good character or integrity on the part of the composer. (Not that I have any ideas about Leighton's personal integrity.)