Author Topic: What are you listening to?  (Read 1588844 times)

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Kullervo

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Re: What are you listening to?
« Reply #8800 on: August 21, 2007, 02:06:08 PM »


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Offline Solitary Wanderer

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Re: What are you listening to?
« Reply #8801 on: August 21, 2007, 02:15:54 PM »


Ravel ~ La Valse



Bartok ~ Concerto for Orchestra



Debussey ~ La Mer








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'I lingered round them, under that benign sky: watched the moths fluttering among the heath and harebells, listened to the soft wind breathing through the grass, and wondered how any one could ever imagine unquiet slumbers for the sleepers in that quiet earth.' ~ Emily Bronte

Kullervo

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Re: What are you listening to?
« Reply #8802 on: August 21, 2007, 03:02:48 PM »
Chausson - String Quartet (QT Ludwig)

Offline Ring of Fire

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Re: What are you listening to?
« Reply #8803 on: August 21, 2007, 03:28:44 PM »
Shostakovich:  Theme and Variations Op. 3 Botstein/LSO

A very interesting early work of Shostakovich.  Very different from his later works, that's for sure :)
Trying to figure things out about oneself is a slow process.  Impatience impedes the process, which in turn, makes it even slower.
My Youtube channel, which has my recital on it.

Kullervo

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Re: What are you listening to?
« Reply #8804 on: August 21, 2007, 03:57:50 PM »
Something different tonight:


Offline Barak

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Re: What are you listening to?
« Reply #8805 on: August 21, 2007, 04:01:22 PM »
Stravinsky: most of an EMI Double Forte  2-disc set comprising performances by Muti-Philadelphia (Sacre and Pétrouchka), and ASMIF, LACO, Marriner (Pulcinella , Danses concertantes and 2 Suites. I haven't listened to the Pulcinella, although I've heard it many years ago. The rest was new to me (heard Sacre on radio a few weeks ago, and the experience prompted me to buy this set).

This Sacre is probably one of the very best performances around. It's not only superbly played and recorded, but there's an exciting, riveting momentum from first note to last. This is one of the least sectionalized, most organic readings I've heard. Goes straight to the top, next to the amazing Markevitch Suisse romande version. Interestingly, both date from 1981.

Pétrouchka OTOH suffers from a slightly glassy recorded ambience, as well as a speedy, unsentimental view of the work. I find it is bettered by a number of alternatives. My personal favourite is a very long shot indeed, by Klemperer and the New Philharmonia. More mainstream great versions include the magical Boston-Monteux. Still, this Muti version is no slouch, maybe just too straight for is own good.

The Marriner-led performances are excellent. This neoclassical repertoire finds perfect advocates with the  Academy or the LA Chamber Orchestra. Polished, gleaming, yet vibrant performances. The Suites are very close to the themes and orchestration of Petroushka. At super budget price, this album is a steal.

Karlowicz: 3 tone Poems, interpreted by the apaprently legendary Grzegor Fitelberg, plus the same composer's Lithuanian Rhapsody under Karel Stryja. I say "apparently" because I had never heard of this conductor's work before. Hearing these, it's obvious we have the same kind of partnership as that of a contemporary legend of the podium like Talich-CzPO. These are dated but wide-ranging mono recordings, and the intensity of the music-making kept me on edge throughout. OTOH, more than once the thought passed through my mind that these were somewhat overwrought, long-winded works. In all honesty, I think they could be more concise, trimming the works' length from 20 to 15 minutes without any damage. Karlowicz has striking themes, but they're not melodies, and IMO there's only so many transformations of a single theme you can hear without experiencing an out of body exerience (IOW the attention wanders). This is confirmed by hearing the Lithuanian Rhapsody, where Karlowicz evidently used some excellent folk melodies to great effect. Hearing those long, sinuous, infectious tunes and comparing them to the short, somewhat curt themes of the other works is revealing. Those lithuanian themes are very close to those heard in Borodine's Prince Igor Overture. This should not come as a surprise, as the Novgorod of Igor was neighbour to the gigantic contemporary Grand Duchy of Lithuania.

Karlowicz' talents as an orchestrator are quite impressive. He evidently loved and was quite an expert at, writing for horns, bassoon and contrabassoon. These works call to mind the late Dvorak, Suk or Nowak tone poems in their richness of harmonies and orchestration and imaginative pictorial imaging. They can certainly be compared to Suk's or Nowak's shorter works. But not to the best of Dvorak's. After all, these are unassailable, aren't they?

Clementi
: pianoforte sonatas: the 3-disc Brilliant set. I have less to say about this one. I still have to listen to the 3rd disc. Performances seem excellent, but I really wondered about strange sonic shifts (quasi-dropouts) in disc one (probably that particular pianoforte's tonal setup, but it made me feel uncomfortable). I have a few of those sonatas in other interpretations and will compare them pour en avoir le coeur net. Disc 2 is more consistently enjoyable. The best works are on the third disc. More to follow.

More hearings of the Pawel Szymanski works I've talked a few pages ago. I'm more and more convinced that some of these have real 'classic' staying power. A major late-20th century musical discovery. I urge anyone interested in quality modern works to sample the downloads available on this site.

« Last Edit: August 21, 2007, 04:12:42 PM by Lilas Pastia »

Offline bhodges

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Re: What are you listening to?
« Reply #8806 on: August 21, 2007, 04:18:37 PM »
Stravinsky: most of an EMI Double Forte  2-disc set comprising performances by Muti-Philadelphia (Sacre and Pétrouchka), and ASMIF, LACO, Marriner (Pulcinella , Danses concertantes and 2 Suites. I haven't listened to the Pulcinella, although I've heard it many years ago. The rest was new to me (heard Sacre on radio a few weeks ago, and the experience prompted me to buy this set).

This Sacre is probably one of the very best performances around. It's not only superbly played and recorded, but there's an exciting, riveting momentum from first note to last. This is one of the least sectionalized, most organic readings I've heard. Goes straight to the top, next to the amazing Markevitch Suisse romande version. Interestingly, both date from 1981.



I have that Muti Sacre, too, and love it.  (Haven't heard the Petrouchka yet...I think they've combined several recordings in the reissue.)  But I totally agree: it is one of his best, and one of the great recordings of the piece.  It has a savage, yet not "out of control" quality, and the recording is really superb.  (I don't have the CD handy to check the venue, but it was definitely one of his best projects with Philadelphia.)  One of Muti's best mementos of his time there.

--Bruce
Music rots when it gets too far from the dance.  Poetry atrophies when it gets too far from music. 
     --Ezra Pound


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Re: What are you listening to?
« Reply #8807 on: August 21, 2007, 04:46:20 PM »
Bartók: Sonata for Two Pianos and Percussion (Argerich/Freire/Israelievitch/Zuber) - Another gem from this year's Verbier Festival.

--Bruce
Music rots when it gets too far from the dance.  Poetry atrophies when it gets too far from music. 
     --Ezra Pound


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George

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Re: What are you listening to?
« Reply #8808 on: August 21, 2007, 06:13:18 PM »
compared to a Pearl transfer, sure. But presuming Bryan Crimp transferred it, I doubt "overfiltered transfer" would be a negative thing.


Crimp did do it. Though there is still some surface noise, the highs are mostly gone. Very little of Horowitz's sparkle remains. I haven't heard the Pearl, but if the rest of the set is as good as the first CD, I will probably spring for it.

Kullervo

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Re: What are you listening to?
« Reply #8809 on: August 21, 2007, 06:13:46 PM »
Honegger - Symphony No. 2 (Dutoit et al)

Offline Bogey

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Re: What are you listening to?
« Reply #8810 on: August 21, 2007, 06:19:35 PM »
Haydn Divertimentos (String Trios) Nos. 19-24 Vienna Philharmonia Trio (Camerata)

George

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Re: What are you listening to?
« Reply #8811 on: August 21, 2007, 06:21:14 PM »
Beethoven

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Sublime!  8)

Offline js bach

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Re: What are you listening to?
« Reply #8812 on: August 21, 2007, 06:47:52 PM »
Beethoven Piano Sonata no. 29 (Rosen)
Brahms Cello Sonata no. 1 (Ma)
Bruckner Sym 9.1 (Boulez)
Mozart Sym 34.3 Allegro Vivace (Mackerras)

Offline Solitary Wanderer

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Re: What are you listening to?
« Reply #8813 on: August 21, 2007, 06:52:22 PM »


Ravel ~ La Valse



Bartok ~ Concerto for Orchestra



Debussey ~ La Mer
'I lingered round them, under that benign sky: watched the moths fluttering among the heath and harebells, listened to the soft wind breathing through the grass, and wondered how any one could ever imagine unquiet slumbers for the sleepers in that quiet earth.' ~ Emily Bronte

Offline edward

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Re: What are you listening to?
« Reply #8814 on: August 21, 2007, 06:53:15 PM »
Mahler 7 (Toronto SO/Scherchen).
Scherchen's Mahler always is something different. This is no exception, and I need to listen more before I decide what to think.
"I don't at all mind actively disliking a piece of contemporary music, but in order to feel happy about it I must consciously understand why I dislike it. Otherwise it remains in my mind as unfinished business."
 -- Aaron Copland, The Pleasures of Music

Offline Bogey

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Re: What are you listening to?
« Reply #8815 on: August 21, 2007, 07:27:18 PM »
Brahms Cello Sonata no. 1 (Ma)



I need the 411 here D.

Offline Bogey

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Re: What are you listening to?
« Reply #8816 on: August 21, 2007, 07:36:52 PM »
And speaking of Ma: Bach Sonatas:

« Last Edit: August 21, 2007, 08:04:07 PM by Bogey »

Offline js bach

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Re: What are you listening to?
« Reply #8817 on: August 21, 2007, 07:54:31 PM »

Offline Bogey

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Re: What are you listening to?
« Reply #8818 on: August 21, 2007, 08:04:32 PM »

Offline js bach

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Re: What are you listening to?
« Reply #8819 on: August 21, 2007, 08:13:18 PM »
Would this be it?




No.




By Ax Ma, I meant this:


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