The Triad concerts are tonight and tomorrow night.
And the k a rl h e nn i ng Ensemble concert is Tuesday at lunchtime.
I am thinking about Mistaken for the Sacred, which I originally intended as a wooden percussion solo for Olivia Kieffer
accompanied by fixed media, and for which I wound up composing wind parts, in which form we have performed the piece twice.
After the reasonable success of this alternate version, I meant to compose out a solo for Liv, but other tasks distracted me.
Somehow it is today that I am considering this article of unfinished business. I began to wonder if the "solution" is to allow the percussionist free improvisatory rein; and I put this question to Liv (or is this a cop-out on my part?)
And altough she is capable of just improvising (and cooprtative so to do, if that be my wish), her suggestion was that even some kind of structgure/guidance would be a valuable springboard, so shall I soon act upon this capital suggestion.