Henning's Headquarters

[Karl Henning]

(And we've been exchanging e-mail this morning, so I've got his ear; always a good sign.)

[TheGSMoeller]

Greg, my publisher is thinking of Atlanta sopranos, so who knows?  We just may mystify in a neighborhood near you!

I'll begin working on my falsetto immediately.  . Just in case.

[Karl Henning]

Well, not the Trumpeter alone will be mystic, then....

[Karl Henning]

These unlikely events may launch in the southlands!  My publisher is preparing them for the Gremlins Duo, who will tour in April.

[Karl Henning]

O Atlantans, there is news, and near-news:

The Reinhardt University Percussion Ensemble will perform Journey to the Dayspring on Tuesday evening, 29 October.

And my publisher has contacted a soprano who is willing to take a look at The Mystic Trumpeter; so, you never know!

[Cato]

And my publisher has contacted a soprano who is willing to take a look at The Mystic Trumpeter; so, you never know!

The work most excellently melts the music into the words, and evokes the 19th-Century world of Whitman most subtly, as occasional faint whiffs of that era are in the work's unconscious.

And for those of you who have downloaded the scores, tell me if you agree that the Largo finale of the second version is the better choice.

[TheGSMoeller]

O Atlantans, there is news, and near-news:

The Reinhardt University Percussion Ensemble will perform Journey to the Dayspring on Tuesday evening, 29 October.

And my publisher has contacted a soprano who is willing to take a look at The Mystic Trumpeter; so, you never know!

Yahoo!

[Karl Henning]

Thanks, gents!

[Karl Henning]

The Reinhardt University Percussion Ensemble begin rehearsing Journey to the Dayspring.  Director Olivia Kieffer writes, Everyone likes your piece.

[Sergeant Rock]

The Reinhardt University Percussion Ensemble begin rehearsing Journey to the Dayspring.  Director Olivia Kieffer writes, Everyone likes your piece.

Excellent. Maybe Sean will attend the performance 

Sarge

[Karl Henning]

No, no, Sarge, I cannot hope for so much.  Of everything that's been written since Tristan, only Nixon in China is really worth listening to . . . .

[Sergeant Rock]

No, no, Sarge, I cannot hope for so much.  Of everything that's been written since Tristan, only Nixon in China is really worth listening to . . . .

I would hope he'd create a Le Sacre-like riot and scandal, giving you much needed publicity 

Sarge

[Karl Henning]

(* chortle *)

Separately . . . I think it's time I created a YouTube vid for Lunar Glare.

[Karl Henning]

Après-mystère for flute and clarinet (Opus 113 № 2) is all done.

[Karl Henning]

And for the sonically daring, an mp3 from Sibelius:

[Karl Henning]

Peter wants to try it with piccolo. Well, why not?

[Karl Henning]

Paul wants a piece for violin & harpsichord, 7-12 minutes.

[springrite]

Peter wants to try it with piccolo. Well, why not?

Paul wants a piece for violin & harpsichord, 7-12 minutes.

Made to order? Karl, you are so gourmet!

[Karl Henning]

Closing in on the end of Nicodemus, and I've gotten a good start on just what everyone was expecting, the clarinet/marimba duet.

[Karl Henning]

Nicodemus is getting there . . . .

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