GMG Classical Music Forum

The Music Room => Opera and Vocal => Topic started by: Rinaldo on August 14, 2016, 11:19:26 AM

Title: South Pole (2016)
Post by: Rinaldo on August 14, 2016, 11:19:26 AM
Miroslav Srnka's (http://www.srnka.cz/) new opera South Pole (https://www.staatsoper.de/en/staatsoper/south-pole.html), which premiered in January at the Bayerische Staatsoper: https://www.youtube.com/watch?v=MUQT156T_Ac (https://www.youtube.com/watch?v=MUQT156T_Ac)

QuoteThe opera tells of the simultaneous expeditions to the South Pole undertaken by two competing teams: the British, led by Robert Scott (Rolando Villazón), and the Norwegian, led by Roald Amundsen (Thomas Hampson).

(...)

The music of the opera works on the basis of superimpositions, overlaid in all sorts of different ways. The two narrative strands come closer and closer together, almost meeting at the South Pole and then moving apart again. For certain moments, there is "concrete" music: Both expeditions had taken gramophones along to entertain them. Scott's signature tune is the "flower aria" from Carmen (in the recording by Enrico Caruso), and Amundsen's is "Solveig's Song" from Peer Gynt; both of these can also be heard in the opera in the original recordings. Other significant moments with particular sound constructions are the moments when the participants in Scott's mission are freezing and dying.

The score is over half a metre in height. This format indicates how many tonal layers Srnka has overlaid; the printed pages come in poster size - otherwise it would not have been possible to show the many separate orchestra parts (100 independent parts are quite common, with each violin or each cello playing a separate part) in any legible form. The Bayerisches Staatsorchester will be about the size of a Strauss orchestra. In his composition, Miroslav Srnka has given the sledge dogs and ponies their own voices using six horns and six clarinets. Another leading role is played by the percussion, with such unusual instruments as cowbells, marimbas, a vibraphone and a glockenspiel. The score even makes use of standard kitchen appliances: Sometimes the string players are actually plucking the strings of egg slicers.
Title: Re: South Pole (2016)
Post by: Monsieur Croche on August 14, 2016, 09:14:35 PM
Thanks. Saved to a 'watch later / 21st century file.

Should, I suppose, be added to that small list of operas which use only male voices!
Title: Re: South Pole (2016)
Post by: Wendell_E on August 15, 2016, 03:13:10 AM
Quote from: Monsieur Croche on August 14, 2016, 09:14:35 PM
Should, I suppose, be added to that small list of operas which use only male voices!

Not according to the synopsis at the  Bayerische Staatsoper website:

QuoteIn the second part, during which the South Pole is reached, the women whom the expedition leaders have left behind (Tara Erraught as Kathleen Scott and Mojca Erdmann as the "Landlady", Amundsen's lover) appear as visions.
Title: Re: South Pole (2016)
Post by: Monsieur Croche on August 15, 2016, 01:57:48 PM
Quote from: Wendell_E on August 15, 2016, 03:13:10 AM
Not according to the synopsis at the  Bayerische Staatsoper website:

Ahh, then not!  A dramatic device, and a planned relief from the other timbrel palette.