Can you compare Hofmann to anyone? I'm curious where he fits in. I've been listening to some Krommer off and on from the CPO label (another neglected figure from the high classical period) and for some reason link him to Hofmann, although I don't know why.
Actually, lately I've been thinking of going mainstream. I'm something of a contrarian, and have sort of always resisted Mozart, probably because he is so often pointed to as the ne plus ultra of musical genius--especially by those who don't really listen to classical music at all.
Anyway, I recently sort of stumbled into some WAM that I'd never heard (the organ sonatas in the big Paillard box, for example), and had to smack myself for being such a dunce. I started listening to various disks floating around my collection, and realized, duh, Mozart is awesome. I bought the Brilliant Haydn box several years ago, and its been an investment that never stops paying back. So I looked into the Brilliant WAM boxes. There was a 170 disk 2005 version used on German Amazon for 32 Pounds! I am having it shipped to my home in Taiwan for $50, cost+shipping. Insane. I'm oddly excited about it. If my university goes into full lockdown mode, maybe I will just binge on Mozart for a few weeks.
Hello - way back on the first page of this thread in 2009,
Gurn left two posts w/ a list of 'classical era' composers born between 1730-1770 - below I've combined the list of about 50 names total; for myself, I own music of nearly 30 of these composers, including
Leopold Hofmann - so, there were plenty of individuals writing music similar to the Viennese 'Holy Trinity' of
Haydn, Mozart, & Beethoven (although not usually at their levels). However,
Hofmann was a well respected Viennese composer during his best years and likely would have been talked about in the 'same breath' as Haydn (see the attached reviews of a number of the recordings posted earlier for some more biographical comments).
Thus, there are many composers on the list below that were writing music in a similar manner, e.g.
Ditters, Vanhal, Pichl, or
Stamitz, just to mention a few from the same generation as
Hofmann. After listening to Leopold's recordings the last couple of days, he indeed wrote some excellent music - the 'Flute Concertos, are wonderful; in fact, I just listened to the recently released Naxos V. 3 (added below) off Spotify (different performers) and enjoyed (plus, no duplications) - don't know if you use Spotify, but all of
Hofmann's CDs are available for a listen. Dave
