Ye Old English Melodies that Made it Big in the 20th Century

Started by Opus106, April 25, 2009, 02:07:39 AM

Previous topic - Next topic

0 Members and 1 Guest are viewing this topic.

Opus106

I have the Tallis Fantasia, Fantasia on Greensleeves, and the theme from Britten's Young Person's Guide to the Orchestra in mind. There's something I find very alluring about the tunes from many centuries ago put in a modern orchestral setting.

What else is there? Your favourites? Once we're done with the English, we can go to other cultures. ;)
Regards,
Navneeth

Lethevich

Vaughan Williams' wonderful English Folk Song Suite has its tentacles quite far back. I think that the first and possibly second movement tunes aren't that old (perhaps 200 years or so), but a couple of the tunes quoted in the final movement are veifiably older. More importantly, it's great fun. The orchestration is not by the composer (it was originally scored for military band), but I find that its popularity is justified - it's very well done.
Peanut butter, flour and sugar do not make cookies. They make FIRE.

Opus106

Quote from: Lethe on April 25, 2009, 04:17:39 AM
Vaughan Williams' wonderful English Folk Song Suite has its tentacles quite far back. I think that the first and possibly second movement tunes aren't that old (perhaps 200 years or so), but a couple of the tunes quoted in the final movement are veifiably older. More importantly, it's great fun. The orchestration is not by the composer (it was originally scored for military band), but I find that its popularity is justified - it's very well done.

*Check* Thanks, Lethe. :) I'll give it a listen.
Regards,
Navneeth

jimmosk

Gordon Jacob's "William Byrd, a Suite": http://www.gordonjacob.org/w_william_byrd_suite.html

And, this doesn't quite fit your category, but it's so well done that I have to mention it: Camille Saint-Saëns' ballet-divertissement from "Henry VIII": http://www.naxos.com/catalogue/item.asp?item_code=8.553338-39 

-J
Jim Moskowitz / The Unknown Composers Page / http://kith.org/jimmosk
---.      ---.      ---.---.---.    ---.---.---.
"On the whole, I think the whole musical world is oblivious of all the bitterness, resentment, iconoclasm, and denunciation that lies behind my music." --Percy Grainger(!)

Cato

One British melody that is still big today, but which made first made it big in the early 1800's, was John Stafford Smith's song The Anacreontic Song.   ;)
"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

karlhenning

Quote from: Cato on April 27, 2009, 10:37:00 AM
One British melody that is still big today, but which made first made it big in the early 1800's, was John Stafford Smith's song The Anacreontic Song.   ;)

But he never really had publicity until they started singing it at the start of televised sporting events.

Sorin Eushayson

QuoteYe Old English Melodies that Made it Big in the 20th Century

Shouldn't that be "Ye Olde English Melodies"?  ;D

Cato

Quote from: k a rl h e nn i ng on April 27, 2009, 11:52:16 AM
But he never really had publicity until they started singing it at the start of televised sporting events.

And that Act of Congress helped too!   8)

The famous Cuckoo Song, which I like in an Appalachian banjo version, is also available here:

http://video.google.com/videoplay?docid=8732591353988999263
"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

Opus106

Quote from: jimmosk on April 27, 2009, 08:47:19 AM
Gordon Jacob's "William Byrd, a Suite": http://www.gordonjacob.org/w_william_byrd_suite.html

And, this doesn't quite fit your category, but it's so well done that I have to mention it: Camille Saint-Saëns' ballet-divertissement from "Henry VIII": http://www.naxos.com/catalogue/item.asp?item_code=8.553338-39 

-J


Thanks.

Quote from: Sorin Eushayson on April 27, 2009, 03:09:02 PM
Shouldn't that be "Ye Olde English Melodies"?  ;D

Yea. I realised that a little too late.
Regards,
Navneeth

canninator

Britten's Op.70 Nocturnal (based on Come Heavy Sleep by John Dowland)


Opus106

Regards,
Navneeth