Bach Johannes-Passion / St. John Passion

Started by Bogey, August 01, 2009, 06:08:26 AM

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chasmaniac

A new release from Cantus Colln. Oddly, it's on Accent. Have they left Harmonia Mundi?

If I have exhausted the justifications, I have reached bedrock and my spade is turned. Then I am inclined to say: "This is simply what I do."  --Wittgenstein, PI §217

Pat B

Bump!

A few weeks ago I mentioned Koopman's SJP (ASIN: B000005EBW) in the purchases thread and somebody asked for my thoughts on it.

Full disclosure: I've only listened to it once. I'm not familiar with other versions. My background is in string music. Normally I wouldn't post any sort of review at this point, but since someone asked:

I thought it was really good.

Hope that helps. :D

Marc

Agreed. :)

Quote from: Marc on March 02, 2010, 02:44:51 AM
[....] Somehow I feel that the Johannes-Passion is closer to Koopman's own personality than the Matthäus. At least I prefer his studio recording of the first by far. The latter sounding too much 'investigated' and studious, IMO. [....]

Opus106

Regards,
Navneeth

Marc


Marc

A new (live) recording by Peter Dijkstra and his Bayerischer/Kölner forces:



http://www.amazon.com/Bach-John-Passion-Tilman-Lichdi/dp/B018KT7E88/?tag=goodmusicguideco

I listened to Part 1 and I think I slightly like it better than his recording of the Matthäus-Passion, buy maybe that's mainly caused by the lady vocalists.

prémont

Well. Dijkstras SJP as well as his other Bach recordings are on my wishlist, but I have to take my wallet into account
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Gorio1968

Please can I thank all of you who posted, this has proved very helpful. I have relied on the Gardiner for years and decided I really should treat myself to another recording. After reading all your suggestions I have gone with Herreweghe but added the 2017 Minkowski. I would be interested in any opinions of the Minkowski.

Mandryka

Quote from: Gorio1968 on March 07, 2018, 04:16:09 AM
but added the 2017 Minkowski. I would be interested in any opinions of the Minkowski.

Thrilling, lots of momentum forward. I enjoyed the sound of it, as a sensual/visceral sonic experience.
Wovon man nicht sprechen kann, darüber muss man schweigen

Gorio1968


Mandryka

Wovon man nicht sprechen kann, darüber muss man schweigen

prémont

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Gorio1968

For a few years, Gardiners was the only copy I had and it will always be special. I do enjoy Minkowski's and feel the review was harsh, however now I want to listen to Jeannette Sorrell's recording. I never seem to be content with one recording of Bach's music.

prémont

Quote from: Gorio1968 on March 12, 2018, 06:45:25 AM
I never seem to be content with one recording of Bach's music.

Don't worry. This is a good prerequisite for participating in the discussions here.  :)
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Gorio1968

Good to hear as I am not sure I have any other credentials, just a love for music - particularly Bach - a reasonable collection and an opinion. Thank you for making me feel welcome.

Mandryka

Johan van Veen is very sensitive about vibrato, as far as I can see he doesn't want to hear any of it basically, in baroque music. In a recent Grigny review by him, where I liked the singing, he grumbled about vibrato which I hardly noticed at all.  I don't know if this is based on HIP considerations or just his taste or what  , , ,  but I suspect  that the issue is complicated, and may depend on where in the note the singer starts the wobbling.
Wovon man nicht sprechen kann, darüber muss man schweigen

Mandryka

Quote from: Gorio1968 on March 12, 2018, 07:44:36 AM
Good to hear as I am not sure I have any other credentials, just a love for music - particularly Bach - a reasonable collection and an opinion. Thank you for making me feel welcome.

Sorry, I was forgetting my manners and in truth, I didn't notice it was your first post. Welcome!
Wovon man nicht sprechen kann, darüber muss man schweigen

Gorio1968

#137
Thankfully I missed the HIP wars, that said I prefer minimal vibrato and by default - not choice - had mainly HIP recordings available to me and bad internet access until recently. That said, I have enjoyed discovering Coates, Karajan, Shaw, Klemperer etc and their recordings of the MBM. I remember the shock of listening to a friend's Benjamin Britten recording of St. John Passion in English which I would still recommend to anyone who wanted to listen to the Passion with a very different interpretation. I am pleased that conductors like Stephen Layton now feel free to remove the straight-jacket of HIP fundamentalism and make choices based on the music alone.

Do I now need to put on protective headgear..  ;)

prémont

Quote from: Gorio1968 on March 12, 2018, 07:44:36 AM
Good to hear as I am not sure I have any other credentials, just a love for music - particularly Bach - a reasonable collection and an opinion. Thank you for making me feel welcome.

This is a forum for music lovers, and we are many Bach lovers here, so also a warm welcome from me.
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Marc

"Why isn't it allowed to sing baroque music with any vibrato, mum?"
"Because it's written, that's why!"

To some people, rule = taste.

Oh, and btw, Gorio1968, welcome here, plz enjoy the music, enjoy your own taste and enjoy the forum!