Recordings That You Are Considering

Started by George, April 06, 2007, 05:54:08 AM

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ChamberNut

Formerly Brahmsian, OrchestralNut and Franco_Manitobain

Brian

I'm just on my first journey through it right now, packing it as car listening. It will probably come down to your interest in the repertoire. First I suggest you go through Madiel's post history since he has been posting about each disc.

But if you love woodwinds - the repertoire is fun and fairly diverse, the album covers are amusing (shirtless Edo de Waart alert!), I wouldn't say the ensemble has a distinctive instrumental sound like, say, the 50s Czech winds or old Paris orchestras, but they are truly and consistently excellent.

There aren't exactly tons of woodwind box sets; I have this and the Philadelphia Quintet box, which have almost zero overlap of repertoire.

Madiel

#17262
Quote from: ChamberNut on April 02, 2025, 06:27:34 AMIs this required?



Yes.

I mean, not every single disc is a must have but to me it does SUCH a good job of hitting some really key works in the woodwind literature. You get all the Mozart (and even some spurious non-Mozart), all the Beethoven, the Strauss, the Stravinsky, the Dvorak serenade. I certainly don't regret it being in my collection.
Nobody has to apologise for using their brain.

SimonNZ

Considering:



Contents
CD 1

MATTEO DA PERUGIA Secular Works

CDs 2–6

DU FAY Complete Secular Music

CDs 7 & 8

OCKEGHEM Complete Secular Music

CD 9

Ce Diabolic Chant: Ballades, Rondeaus and Virelais of the late 14th century (GALIOT · GUIDO · OLIVIER · SENLECHES · SUZOY)

CD 10

MACHAUT 2 Polyphonic Lais

CD 11

Mi Verry Joy: Songs of 15th-century Englishmen (BEDYNGHAM · DUNSTABLE · FRYE · HERT)

CD 12

ISAAC Chansons, Frottole & Lieder

CD 13

JOSQUIN DESPREZ Missa di dadi · Missa "Faisant regretz"

CD 14

JOSQUIN Secular Music

JBS

#17264
Quote from: SimonNZ on June 04, 2025, 06:02:09 PMConsidering:



Contents
CD 1

MATTEO DA PERUGIA Secular Works

CDs 2–6

DU FAY Complete Secular Music

CDs 7 & 8

OCKEGHEM Complete Secular Music

CD 9

Ce Diabolic Chant: Ballades, Rondeaus and Virelais of the late 14th century (GALIOT · GUIDO · OLIVIER · SENLECHES · SUZOY)

CD 10

MACHAUT 2 Polyphonic Lais

CD 11

Mi Verry Joy: Songs of 15th-century Englishmen (BEDYNGHAM · DUNSTABLE · FRYE · HERT)

CD 12

ISAAC Chansons, Frottole & Lieder

CD 13

JOSQUIN DESPREZ Missa di dadi · Missa "Faisant regretz"

CD 14

JOSQUIN Secular Music

Ooh, thank you. I didn't know it existed. Just ordered it. (The Dufay and Ockeghem being the main attractions.)

Hollywood Beach Broadwalk

Que

Quote from: SimonNZ on June 04, 2025, 06:02:09 PMConsidering:



It's on sale at jpc, right?  :)  I did consider it as well.

Mandryka

Quote from: SimonNZ on June 04, 2025, 06:02:09 PMConsidering:



Contents
CD 1

MATTEO DA PERUGIA Secular Works

CDs 2–6

DU FAY Complete Secular Music

CDs 7 & 8

OCKEGHEM Complete Secular Music

CD 9

Ce Diabolic Chant: Ballades, Rondeaus and Virelais of the late 14th century (GALIOT · GUIDO · OLIVIER · SENLECHES · SUZOY)

CD 10

MACHAUT 2 Polyphonic Lais

CD 11

Mi Verry Joy: Songs of 15th-century Englishmen (BEDYNGHAM · DUNSTABLE · FRYE · HERT)

CD 12

ISAAC Chansons, Frottole & Lieder

CD 13

JOSQUIN DESPREZ Missa di dadi · Missa "Faisant regretz"

CD 14

JOSQUIN Secular Music

Well I think it's very good indeed.
Wovon man nicht sprechen kann, darüber muss man schweigen

Mandryka

#17267



Wovon man nicht sprechen kann, darüber muss man schweigen

Mister Sharpe

Considered and Ordered. I remembered a promise to myself years ago to listen to Pimpinone : Die Ungleiche Heirat zwischen Vespetta und Pimpinone oder Das herrsch-süchtige Camer Mägden (The Unequal Marriage Between Vespetta and Pimpinone or The Domineering Chambermaid) and was convinced by a NYTimes article from June 28, 2025: "Pimpinone" belongs to a long-obsolete genre of classical music, the intermezzo, a short comedy intended to be broken up and performed between the acts of a dramatic or tragic opera. Its everyday characters have jobs, worry about money and fall prey to gossip, in stark contrast to the noble bearing and life-or-death stakes of the mythological and historical personages of opera seria." The story itself bears some similarity to Pergolesi's La Serva Padrona that followed 8 years later and I'm also curious to see what Telemann made of a plot that may have had similarities with his own high-living, cheating wife. 


"We need great performances of lesser works more than we need lesser performances of great ones." Alex Ross

Florestan

Quote from: Mister Sharpe on July 22, 2025, 04:27:07 AMConsidered and Ordered. I remembered a promise to myself years ago to listen to Pimpinone : Die Ungleiche Heirat zwischen Vespetta und Pimpinone oder Das herrsch-süchtige Camer Mägden (The Unequal Marriage Between Vespetta and Pimpinone or The Domineering Chambermaid) and was convinced by a NYTimes article from June 28, 2025: "Pimpinone" belongs to a long-obsolete genre of classical music, the intermezzo, a short comedy intended to be broken up and performed between the acts of a dramatic or tragic opera. Its everyday characters have jobs, worry about money and fall prey to gossip, in stark contrast to the noble bearing and life-or-death stakes of the mythological and historical personages of opera seria." The story itself bears some similarity to Pergolesi's La Serva Padrona that followed 8 years later and I'm also curious to see what Telemann made of a plot that may have had similarities with his own high-living, cheating wife. 




The same subject has been tackled by Albinoni as well:

"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

Que


Dry Brett Kavanaugh

Is this series the best remastering among various reissues?





Mandryka

Wovon man nicht sprechen kann, darüber muss man schweigen

Madiel

This box compiles Dutoit's recordings of Poulenc. I get the impression from some quarters that maybe some if it is very good, and some of it less so??

Nobody has to apologise for using their brain.

Anooj



I previously have Kempff's 1950s mono cycle, Pollini's late sonatas from the '70s, and some highlights from Brendel's 2nd cycle on Philips. I like them all, but I kind of want another cycle that's more on the intense side as a companion piece to the above (as Kempff and Brendel have rather introspective takes on this material - not in a bad sense). Is this set a good choice?

Madiel

Quote from: Anooj on September 13, 2025, 02:53:38 AM

I previously have Kempff's 1950s mono cycle, Pollini's late sonatas from the '70s, and some highlights from Brendel's 2nd cycle on Philips. I like them all, but I kind of want another cycle that's more on the intense side as a companion piece to the above (as Kempff and Brendel have rather introspective takes on this material - not in a bad sense). Is this set a good choice?

In my view yes. I have a different box (cover below) but I've just been able to check the recording dates and confirm it's the same series (recorded 1991-2002). It would definitely fit the bill of being more on the intense side. Only in the Appassionata do I personally find it a bit too much for my tastes. Otherwise I find it very engaging. And for example it made sense of the Hammerklavier for me when I hadn't found the piece held together with Brendel.

So I think you'd be happy with it.

Nobody has to apologise for using their brain.

Wanderer