Dmitri's Dacha

Started by karlhenning, April 09, 2007, 08:13:49 AM

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Brahmsian

Listened to this yesterday evening.  Great performance!  :)

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Karl Henning

I think it may be his best yet.  Of course, I've not yet heard his Fourteenth . . . .
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Brahmsian

Quote from: karlhenning on June 26, 2014, 04:40:49 AM
I think it may be his best yet.  Of course, I've not yet heard his Fourteenth . . . .

Karl, it is close IMO.  Even though the 14th isn't my absolute favourite Shostakovich symphony, it is the pinnacle of the Petrenko/RLPO recordings.  I will listen to it again today!  :)

For the almost complete Petrenko cycle, my favourite performances are (in approximate order):

14th
4th
7th
10th and 9th


Karl Henning

You're certainly right about the Opp. 43, 60, 70 & 93.  And as noted, I simply cannot comment yet on the Op.135  ;)
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Brahmsian

Quote from: karlhenning on June 26, 2014, 05:00:45 AM
And as noted, I simply cannot comment yet on the Op.135  ;)

I shall look forward to your thoughts, indeed!  8)

snyprrr

Quote from: ChamberNut on June 26, 2014, 04:50:57 AM
Karl, it is close IMO.  Even though the 14th isn't my absolute favourite Shostakovich symphony, it is the pinnacle of the Petrenko/RLPO recordings.  I will listen to it again today!  :)

For the almost complete Petrenko cycle, my favourite performances are (in approximate order):

14th
4th
7th
10th and 9th

I feel Petrenko's important enough to at least try what is considered the Pinnacle o fhis Cycle. I will be keeping tabs.




Otherwise I'm in a bind checking out all possible issues for each Sym. Each one has a plethora of different conductors, and it really is fun checking out which conductor takes to which Sym. Currently I'm considering Litton in 10...


ANY SLATKIN WORTHY????

Brahmsian

Was listening again to the magnificent Op. 135 earlier today!

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Now listening to the Leningrad Symphony, another great performance!

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Brahmsian

First Listen!   Hat tip to Don for the recommendation.  :)

I am simply blown away.  Fantastic!

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Ken B

Quote from: ChamberNut on July 08, 2014, 12:39:11 PM
First Listen!   Hat tip to Don for the recommendation.  :)

I am simply blown away.  Fantastic!

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Oh that is my favourite! Most people like her other set, and I have seen a number of disses of this set, but it was this recording that convinced me these pieces warrant talking about "the 72".  Shosty's best music.

Brahmsian

Another Maiden Listen.  Amazing music!  :)

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Madiel

Quote from: ChamberNut on July 08, 2014, 12:39:11 PM
First Listen!   Hat tip to Don for the recommendation.  :)

I am simply blown away.  Fantastic!

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Love this. This is how I originally heard the pieces (thanks to my piano teacher), and after sampling the other recording I went for this one. As much as anything I just prefer the acoustic. Nice liner notes also are a plus in my book.
Nobody has to apologise for using their brain.

Brahmsian

Maiden Listen!

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Karl Henning

Quote from: ChamberNut on July 08, 2014, 02:36:38 PM
Another Maiden Listen.  Amazing music!  :)

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Beauty!  You must see the Kozintsev film someday, Ray!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Brahmsian

Quote from: karlhenning on July 09, 2014, 06:40:27 AM
Beauty!  You must see the Kozintsev film someday, Ray!

Aye, Karl.  The music was incredible!  :)

Karl Henning

Marvelously powerful movie, to which the music (as you can see) contributes :)
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Madiel

Good to know about these film score recordings. It does seem odd, though, to talk about them as "first recordings", because one would have thought the first recording had to be when the film was being made.

There may well have been bits that didn't end up being used in the film, but you'd still think that it would've been recorded at the time.
Nobody has to apologise for using their brain.

Brahmsian

Another highly enjoyable, first listen!  :)

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Karl Henning

Quote from: ChamberNut on July 10, 2014, 06:08:51 AM
Another highly enjoyable, first listen!  :)

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Yes!

I don't say I am uniformly thrilled with all the soundtrack music I have heard.  But, in addition to (obviously) the Kozintsev Shakespeare films, Odna and New Babylon are simply first-rate music.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Brahmsian

Quote from: karlhenning on July 10, 2014, 06:15:10 AM
Yes!

I don't say I am uniformly thrilled with all the soundtrack music I have heard.  But, in addition to (obviously) the Kozintsev Shakespeare films, Odna and New Babylon are simply first-rate music.

New Babylon is one I don't yet have.  Will likely be purchased in the next Shostakovich binge installment.  :)

Brahmsian

Quote from: ChamberNut on July 10, 2014, 06:08:51 AM
Another highly enjoyable, first listen!  :)

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What a colourful, unique score.  So varied, yet it is absolutely 100% Shostakovich.

Love the use of various instruments such as the barrel organ, theremin and overtone/throat singing.