Chez Stravinsky

Started by karlhenning, April 09, 2007, 08:24:18 AM

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Karl Henning

Quote from: ritter on February 17, 2014, 07:31:37 AM
If you haven't read his books of conversations with Robert Craft, they're a must, and highly entertaining (even if recent scholars have apparently proved that there's more Craft than Stravinsky in many of the composer's assertions).

I've not gotten around to them, mostly because that "textual cloud" hangs over them . . . .
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

ritter

#561
Quote from: karlhenning on February 17, 2014, 09:03:01 AM
I've not gotten around to them, mostly because that "textual cloud" hangs over them . . . .
Yep, that "textual cloud" is a problem, but they are GREAT FUN to read  :D ... I read the first 3 many, many years ago, and at that time the doubts about who actually was saying what in these conversations were not as strong as they are today. Even with our current knowledge, the books are delightful... :)

Will take note of Eric Walter White's book...thanks, Karlhenning!

Mirror Image

Quote from: karlhenning on February 17, 2014, 09:02:14 AM
Both volumes are essential reading, IMO.

Also essential reading:

Eric Walter White, Stravinsky: The Composer and His Works

[asin]0520039858[/asin]

Thanks for the feedback, Karl! Will definitely be considering them in the future.

Mirror Image

What do all of my fellow Stravinskians think of the ballet Orpheus? What do you think Stravinsky was trying to convey here? Any favorite performances?

Ken B

Quote from: Mirror Image on February 19, 2014, 05:42:19 PM
What do all of my fellow Stravinskians think of the ballet Orpheus? What do you think Stravinsky was trying to convey here? Any favorite performances?

I adore Orpheus. I had an old vinyl I liked on Philips, Colin Davis and maybe LSO. Chailly is good.
I think he was trying to not use flash and color.

Ken B

Quote from: karlhenning on February 13, 2014, 06:49:29 AM
My quick 25 Favorite Stravinsky Works list:

Le sacre
Symphony of Psalms
Symphonies d'instruments à vent
Concerto per due pianoforti
Les noces
L'histoire du soldat
Petrushka
Symphony in Three Movements
Orpheus
Agon
Le baiser de la fée
L'oiseau de feu
Canticum sacrum
Threni
Ragtime for Eleven Instruments
Mavra
Perséphone
Apollo
Danses concertantes
Feu d'artifice
Concerto for piano and winds
The three motets
Berceuses du chat
Dirge-Canons and Song In memoriam Dylan Thomas
the three Shakespeare Songs
the arrangement of the Bach canonic variations on Vom Himmel hoch


My top 3 are missing.
Dumbarton Oaks
Symphony in C
Jeu de Cartes
After that it's hard. Canticum, Apollo, Noces, Rite, Scenes, 3 mvmts, Psalms, Orpheus, Rex
Different order next week, but same top 3

Mirror Image

Quote from: Ken B on February 19, 2014, 06:52:05 PM
I adore Orpheus. I had an old vinyl I liked on Philips, Colin Davis and maybe LSO. Chailly is good.
I think he was trying to not use flash and color.

Yep, I think Stravinsky was trying to convey a different type of atmosphere with Orpheus. What's interesting is Apollo also conjures this dreamy, almost surreal, soundscape.

TheGSMoeller

I don't own, or haven't heard, nearly as much as some of you, but I do adore quite a bit from Stravinsky, mainly his neo-classical sound.

Favorites
Dumbarton Oaks
L'histoire du soldat
Symphony in Three Movements
Symphony in C
Symphony of Psalms
Petrushka


Ken B

Quote from: Ken B on February 19, 2014, 06:58:36 PM
My top 3 are missing.
Dumbarton Oaks
Symphony in C
Jeu de Cartes
After that it's hard. Canticum, Apollo, Noces, Rite, Scenes, 3 mvmts, Psalms, Orpheus, Rex
Different order next week, but same top 3
Eek. Forgot Ebony Concerto.

Ken B

If I ever got a chance to conduct I'd want to do Jeu de Cartes.
For one thing I know it cold, which is useful conducting when you don't read music!
But I think it's a hard piece to get right, and leaves lots of places for little touches.
Ashkenazy nails it.

Mirror Image

Quote from: Ken B on February 19, 2014, 07:11:01 PM
If I ever got a chance to conduct I'd want to do Jeu de Cartes.
For one thing I know it cold, which is useful conducting when you don't read music!
But I think it's a hard piece to get right, and leaves lots of places for little touches.
Ashkenazy nails it.

I like Abbado and Craft just fine. Haven't heard Ashkenazy, but I'm not fond of his conducting.

Dancing Divertimentian

Quote from: Ken B on February 19, 2014, 06:52:05 PM
I adore Orpheus. I had an old vinyl I liked on Philips, Colin Davis and maybe LSO. Chailly is good.
I think he was trying to not use flash and color.

Did Chailly record Orpheus? I know Ashkenazy did.


Veit Bach-a baker who found his greatest pleasure in a little cittern which he took with him even into the mill and played while the grinding was going on. In this way he had a chance to have the rhythm drilled into him. And this was the beginning of a musical inclination in his descendants. JS Bach

Ken B

Quote from: Dancing Divertimentian on February 19, 2014, 07:28:35 PM
Did Chailly record Orpheus? I know Ashkenazy did.
I might be confused, as I think it was concertgebouw. It's in the Decca box, and is good.
Kraft is certainly good as is Jarvi, but I liked Davis best.

Dancing Divertimentian

Quote from: Mirror Image on February 19, 2014, 05:42:19 PM
What do all of my fellow Stravinskians think of the ballet Orpheus? What do you think Stravinsky was trying to convey here? Any favorite performances?

I have the Orpheus Chamber Orchestra version. They make a solid case for the work. I think I have to be in the right mood for it, though, subdued as it is. But no doubt it's awesome Stravinsky.





Veit Bach-a baker who found his greatest pleasure in a little cittern which he took with him even into the mill and played while the grinding was going on. In this way he had a chance to have the rhythm drilled into him. And this was the beginning of a musical inclination in his descendants. JS Bach

Mirror Image

Quote from: Dancing Divertimentian on February 19, 2014, 07:47:52 PM
I have the Orpheus Chamber Orchestra version. They make a solid case for the work. I think I have to be in the right mood for it, though, subdued as it is. But no doubt it's awesome Stravinsky.



Yep, that's a great disc. Think I'll spin it tonight. 8)

Mirror Image

Quote from: Ken B on February 19, 2014, 07:31:01 PM
I might be confused, as I think it was concertgebouw. It's in the Decca box, and is good.
Kraft is certainly good as is Jarvi, but I liked Davis best.

Jarvi is a decent Stravinskian, but nowhere near a favorite of mine. Kraft makes some good cheese, but I know you meant Craft. ;) ;D

Mirror Image

Quote from: Dancing Divertimentian on February 19, 2014, 07:28:35 PM
Did Chailly record Orpheus? I know Ashkenazy did.

Nope, but he did record Apollo. :)

Dancing Divertimentian

Quote from: Mirror Image on February 19, 2014, 08:10:35 PM
Nope, but he did record Apollo. :)

I love Chaily's Stravinsky.

As far as what Stravinsky was trying to convey with Orpheus, well, the work has such a delicate, wispy feel that it's hard not to view it as something of an anti-Le Sacre. At least that's my impression. Dunno if there's any truth to that, though...


Veit Bach-a baker who found his greatest pleasure in a little cittern which he took with him even into the mill and played while the grinding was going on. In this way he had a chance to have the rhythm drilled into him. And this was the beginning of a musical inclination in his descendants. JS Bach

Ken B

Quote from: Mirror Image on February 19, 2014, 08:09:48 PM
Jarvi is a decent Stravinskian, but nowhere near a favorite of mine. Kraft makes some good cheese, but I know you meant Craft. ;) ;D
Actually I meant Stavinscy, the well known Dutch composer.

   :blank:

Mirror Image

Quote from: Dancing Divertimentian on February 19, 2014, 08:33:49 PM
I love Chaily's Stravinsky.

As far as what Stravinsky was trying to convey with Orpheus, well, the work has such a delicate, wispy feel that it's hard not to view it as something of an anti-Le Sacre. At least that's my impression. Dunno if there's any truth to that, though...

Do you find that Orpheus and Apollo share any similar musical qualities? Of course, Apollo is scored for just a string orchestra, but there is, as you state, a delicacy in Orpheus that takes me back to the Apollo sound-world even though the instrumentation is obviously quite different.