Unpopular Opinions

Started by The Six, November 11, 2011, 10:32:51 AM

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Wanderer


Lisztianwagner

Quote from: Wanderer on May 09, 2022, 12:14:41 AM
*cliffhanger*

Such as?

Falstaff, Otello, Tosca and Madame Butterfly.
"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

Brahmsian

Great C minor Mass > Requiem in D minor

Jo498

Quote from: OrchestralNut on May 09, 2022, 07:30:37 AM
Great C minor Mass > Requiem in D minor
I agree. With some qualifications. They are both uneven works mostly but not only because of their state of incompletion and the Introitus (despite being strong indebted to both Handel's "Ways of Zion..." and Michael Haydn's Requiem) and maybe two more pieces of the Requiem I find more convincing than the c minor mass. But the Requiem is far more incomplete and more uneven than the c minor Mass.
Tout le malheur des hommes vient d'une seule chose, qui est de ne savoir pas demeurer en repos, dans une chambre.
- Blaise Pascal

MusicTurner

Quote from: OrchestralNut on May 09, 2022, 07:30:37 AM
Great C minor Mass > Requiem in D minor

The Great c-minor Mass has suffered from a lot of rather poor recordings and performances, not giving the work sufficient justice.

Jo498

I am not sure about that but I think it might be more demanding than the Requiem in some ways. One needs a great soprano, especially for the Et incarnatus, some of the ensemble pieces also need both virtuoso and homogeneous soloists and some of the choirs are 8 part double choirs although I don't know in which work the choir parts are more difficult.
Tout le malheur des hommes vient d'une seule chose, qui est de ne savoir pas demeurer en repos, dans une chambre.
- Blaise Pascal

DavidW

Quote from: OrchestralNut on May 09, 2022, 07:30:37 AM
Great C minor Mass > Requiem in D minor

I would say that they are on par with each other, but the Requiem is so overplayed that it is hard not to appreciate the C minor mass more.

Spotted Horses

I find the Kyrie of the c-minor mass miraculous. I normally don't listen to the rest. In the Requiem, the Requiem aeternam and especially the Kyrie fugue are miraculous. I normally don't list to the rest.

Mirror Image

Quote from: Lisztianwagner on May 08, 2022, 12:50:09 PM
Ditto, indeed a great favourite of mine is Ottorino Respighi.

Respighi wrote some fine operas! For me, his opera Belfagor is one of his great masterpieces. You should definitely check it out along with La fiamma.

Lisztianwagner

#2969
Quote from: Mirror Image on May 09, 2022, 08:47:43 AM
Respighi wrote some fine operas! For me, his opera Belfagor is one of his great masterpieces. You should definitely check it out along with La fiamma.

Yes, that's true, but he is best known for his symphonic music and anyway he was an eclectic composer (orchestral and chamber works, ballets, operas, etc). What I meant, he can't be considered an opera composer like Verdi.
Thank you for the suggestion, John, I know them, but I have never listened to those works.

On second thought, more than Italian Opera, I should have said Melodrama.
"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

Mirror Image

Quote from: Lisztianwagner on May 09, 2022, 09:55:29 AM
Yes, that's true, but he is best known for his symphonic music and anyway he was an eclectic composer (orchestral and chamber works, ballets, operas, etc). What I meant, he can't be considered an opera composer like Verdi.
Thank you for the suggestion, John, I know them, but I have never listened to those works.

On second thought, more than Italian Opera, I should have said Melodrama.

He was rather eclectic, but I generally like composers who wore many different hats as long as they wrote within each genre convincingly, which I believe Respighi did. I think you'll enjoy the sound-world of Belfagor. It's a magical opera.

LKB

Most new music sucks a$$.
Mit Flügeln, die ich mir errungen...

Madiel

#2972
Quote from: LKB on May 09, 2022, 10:20:55 PM
Most new music sucks a$$.

This has in fact been a VERY popular opinion for many centuries, only the definition of what counts as "new music" keeps getting revised by each succeeding generation.

Plus, a lot of what previously sucked is simply forgotten by the time anyone is doing the revising. I suspect the truth might actually be that a lot of MUSIC sucks a$$, and the main difference between new music and old music is that the new stuff hasn't had time for the crud to be filtered out.

But of course there's also stuff that is famous now that wasn't much liked when it was new.
Nobody has to apologise for using their brain.

Lisztianwagner

Quote from: Mirror Image on May 09, 2022, 07:28:47 PM
He was rather eclectic, but I generally like composers who wore many different hats as long as they wrote within each genre convincingly, which I believe Respighi did. I think you'll enjoy the sound-world of Belfagor. It's a magical opera.

Certainly, me too.  Thank you anyway, I'll try Belfagor after exploring Zemlinsky a little longer.  :)
"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

Florestan

Quote from: Lisztianwagner on May 09, 2022, 09:55:29 AM
On second thought, more than Italian Opera, I should have said Melodrama.

A few examples would be helpful, Ilaria, please.
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

Lisztianwagner

Quote from: Florestan on May 10, 2022, 01:07:47 AM
A few examples would be helpful, Ilaria, please.

Well, about Italian Opera, despite many attempts, I have never been particularly interested in Rossini, Bellini, Donizetti, Leoncavallo, Mascagni and Verdi. Their music is not appealing to me, I'm sorry.
"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

Florestan

Quote from: Lisztianwagner on May 10, 2022, 01:42:07 AM
Well, about Italian Opera, despite many attempts, I have never been particularly interested in Rossini, Bellini, Donizetti, Leoncavallo, Mascagni and Verdi. Their music is not appealing to me, I'm sorry.

Okay, thanks --- but why calling them melodramas instead of operas?
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

Lisztianwagner

Quote from: Florestan on May 10, 2022, 01:44:19 AM
Okay, thanks --- but why calling them melodramas instead of operas?

I apologize, I recognize it wasn't correct.
But apart from Mascagni and Leoncavallo, those composers are included in the Melodrama.
"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

Florestan

Quote from: Lisztianwagner on May 10, 2022, 01:56:46 AM
I apologize, I recognize it wasn't correct.

No, it's actually my bad, I had in mind only a particular meaning of melodrama. You were correct.

QuoteBut apart from Mascagni and Leoncavallo, those composers are included in the Melodrama.

Well, Pagliacci and Cavalleria rusticana are typical melodramas when it comes to the operatic sense of the word.  :D

Once again, it's my bad. Never mind any more.



"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

71 dB

Quote from: Lisztianwagner on May 10, 2022, 01:42:07 AM
Well, about Italian Opera, despite many attempts, I have never been particularly interested in Rossini, Bellini, Donizetti, Leoncavallo, Mascagni and Verdi. Their music is not appealing to me, I'm sorry.

Same here, but I certainly enjoy Puccini!  0:)
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