Finnissy's Wake

Started by snyprrr, February 19, 2010, 11:19:03 PM

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not edward

Quote from: Mandryka on August 23, 2020, 11:26:24 AM



Booklet to the above new recording is here

https://www.naxosmusiclibrary.com/sharedfiles/booklets/SIG/booklet-SIGCD624.pdf
This is an interesting recording, I think; Finnissy effortlessly switching between Renaissance-era-but-with-something-not-quite-right and dissonant modern styles.

Not sure I'd listen to the whole of it in one session again, but there's plenty to enjoy here.
"I don't at all mind actively disliking a piece of contemporary music, but in order to feel happy about it I must consciously understand why I dislike it. Otherwise it remains in my mind as unfinished business."
-- Aaron Copland, The Pleasures of Music

Mandryka

Quote from: edward on August 24, 2020, 08:08:17 AM
This is an interesting recording, I think; Finnissy effortlessly switching between Renaissance-era-but-with-something-not-quite-right and dissonant modern styles.

Not sure I'd listen to the whole of it in one session again, but there's plenty to enjoy here.

This is also in that style and I think rather good -- I need more time to concentrate on the new recording before commenting.

Wovon man nicht sprechen kann, darüber muss man schweigen

Mandryka

https://www.youtube.com/v/PKRQ7MFvVg0

Fifth political Agenda, a piano piece, very nice IMO. Preceded by an interview.
Wovon man nicht sprechen kann, darüber muss man schweigen

Mandryka

Wovon man nicht sprechen kann, darüber muss man schweigen

T. D.


Mandryka

Quote from: T. D. on March 04, 2021, 10:49:03 AM
That's a good one.

I think I shall listen to some more of Eve Egoyan.
Wovon man nicht sprechen kann, darüber muss man schweigen

bhodges

Michael Finnissy turns 75 today. Over the years, his works have given me much pleasure, from his massive The History of Photography in Sound (1995-2001), to his arrangements of English country tunes and Gershwin. Below, Ian Pace in "A Foggy Day (In London Town)," with beautiful black-and-white film footage of old London.

https://www.youtube.com/watch?v=QHJP_DoaCoA

--Bruce

bhodges

More Finnissy to celebrate his birthday: Snowdrift (1972) performed by Mari Kawamura, June 20, 2019 at Jordan Hall, Boston, at the Summer Institute for Contemporary Performance Practice. He's been quite prolific, writing for all types of forces, but his solo piano output might be my favorite of all.

https://www.youtube.com/watch?v=BnaDm4iWUDY

--Bruce

bhodges

Extraordinarily beautiful: "O, Schöner Mai," the second of Finnissy's three J. Strauss waltz arrangements from 1967 (rev. 1989), written for Nic Hodges. (Not sure if Nic is the uncredited pianist here.) In any case, always fun to follow along with the score, scarcely 3 minutes long.

https://www.youtube.com/watch?v=kjGVy3oslDg

--Bruce

Mandryka

Quote from: Brewski on March 19, 2021, 07:53:01 AM
Extraordinarily beautiful: "O, Schöner Mai," the second of Finnissy's three J. Strauss waltz arrangements from 1967 (rev. 1989), written for Nic Hodges. (Not sure if Nic is the uncredited pianist here.) In any case, always fun to follow along with the score, scarcely 3 minutes long.

https://www.youtube.com/watch?v=kjGVy3oslDg

--Bruce

Whoever's playing there it's not Eve Egoyan, who, as far as I know, is the only one who's made a commercial recording of it.
Wovon man nicht sprechen kann, darüber muss man schweigen

bhodges

Quote from: Mandryka on March 19, 2021, 09:09:21 AM
Whoever's playing there it's not Eve Egoyan, who, as far as I know, is the only one who's made a commercial recording of it.

I found the email for the poster, Richard Hering in the UK, and have written him! Stay tuned.

--Bruce

Mandryka

https://www.youtube.com/v/sLr6KjQWUvE

Transcription of Folklore II by Akihiko Matsumoto. Nice! And not uninteresting to compare with Finnissy's performance of the original.
Wovon man nicht sprechen kann, darüber muss man schweigen

Mandryka

FInnissy playing English Country Tunes and someone dancing

https://www.youtube.com/v/kXBR0JcFO48

Wovon man nicht sprechen kann, darüber muss man schweigen