Your Favourite Theme-and-Variations

Started by Opus106, December 15, 2011, 07:47:54 AM

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listener

Since "greatness" does not seem to be the prime consideration, I'll add
ALKAN   Le festin d'Esope   
BEETHOVEN  for cello and piano: on "See the Conq'ring Hero Comes", "Ein Mädchen" and 'Bei Mannern..."
BRAHMS ...on a theme of Haydn (orchestra or piano 4-hands)
and the FRANCK  Symphonic Variations
and DOHNANYI' Variations on a Nursery Tune for piano and orch. which does have a tendency to wander but has magnificent orchestration.     I'll omit REGER (Mozart and Hiller) which do wander off as much as my mind does when I hear them.
"Keep your hand on the throttle and your eye on the rail as you walk through life's pathway."

Opus106

Quote from: listener on December 15, 2011, 08:25:20 PM
Since "greatness" does not seem to be the prime consideration, I'll add

;)

Thanks for the additions so far. I look forward to more off-the-beaten track stuff. :)
Regards,
Navneeth

TheGSMoeller

Britten's T&V of Purcell and Frank Bridge have both made it on this thread...another good one is Britten's Temporal Variations for Oboe and Piano, later transcribed for Oboe and Orchestra(not by Britten)

The Six


mszczuj

My personal Top 6:

Andante ma non troppo e molto cantabile - 4th movement of Op. 131
Arietta: Adagio molto, semplice e cantabile - 2nd movement of Op. 111
Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo - 3rd movement of Op. 109
Lento assai, cantante e tranquillo - 3rd movement of Op. 135
Adagio, ma non troppo e molto cantabile - 2nd movement of Op. 127
Adagio molto e cantabile – Andante Moderato - 3rd movement  of Op. 125

All by Ludwig van Beethoven



Florestan

In no particular order:

Brahms - Variations on a Theme by Haydn
Rachmaninoff - Rhapsody on a Theme by Paganini (favorite variation: yes, that one...)
Schubert - String Quintet "The Trout", Mvt. 4
Mozart - Duport Variations
"Great music is that which penetrates the ear with facility and leaves the memory with difficulty. Magical music never leaves the memory." — Thomas Beecham

madaboutmahler

Elgar Enigma Variations
Liszt Totentanz

and of course, cannot resist the:
Britten Variations and Fugue on a Theme of Purcell
"Music is ... A higher revelation than all Wisdom & Philosophy"
— Ludwig van Beethoven

Sergeant Rock

#27
Quote from: madaboutmahler on December 16, 2011, 07:18:12 AM
Elgar Enigma Variations

Enigma, of course, but I also love the British variations that came right before and right after:

Hubert Parry  Symphonic Variations (1897)

Havergal Brian   Burlesque Variations on an Original Theme (1903)

A few more favorites:

Ernst von Donányi   Variations on a Nursery Song Op.25

William Walton   Variations on a Theme by Hindemith

Max Reger    Variations and Fugue on a Theme by Mozart

Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

madaboutmahler

Quote from: Sergeant Rock on December 16, 2011, 07:47:08 AM
Hubert Parry  Symphonic Variations (1897)

Absolutely love that piece, Sarge. The others I will have to take a listen to sometime soon.
"Music is ... A higher revelation than all Wisdom & Philosophy"
— Ludwig van Beethoven

Lisztianwagner

#29
Some of mine:

Liszt Totentanz
Rachmaninov Rhapsody on a Theme of Paganini
Brahms Variations on a Theme of Paganini
Beethoven Diabelli Variations
Elgar Enigma Variations
"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

Holden

Numero Uno - LvB Diabelli Variations

In no particular order

LvB T&V From Kreutzer VS

LvB - 32 Vns in C minor on an Original Theme

Liszt Paganini Etude #6

Brahms - Haydn Variations

Schumann - Etudes Symphoniques Op 13
Cheers

Holden

Ten thumbs

Whilst there are many great sets of variations, here are my particular favorites:

Glazounov Op.72 I was almost brought up on this one. Not a dull variation amongst them.

Medtner: Op.47 2nd Improvisation. These are not pure variations, being, as the title states, improvisations on the theme in various styles, but I think they qualify. This is a work of vast scope.
A day may be a destiny; for life
Lives in but little—but that little teems
With some one chance, the balance of all time:
A look—a word—and we are wholly changed.

Elgarian

1. Enigma Variations, pre-eminently. But also I'm thrilled to see that Sarge got there before me with:
2. Parry's Symphonic Variations. Great fun.


Sergeant Rock

Listening to Vaughan Williams this afternoon reminded me of another set of variations I love: Five Variants of Dives and Lazarus.

Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Christo

Quote from: Sergeant Rock on December 19, 2011, 09:00:04 AM
Listening to Vaughan Williams this afternoon reminded me of another set of variations I love: Five Variants of Dives and Lazarus.
Sarge

At its best - there are some fine performance to proof it - the piece is an understated equivalent to the Tallis Fantasia.
... music is not only an 'entertainment', nor a mere luxury, but a necessity of the spiritual if not of the physical life, an opening of those magic casements through which we can catch a glimpse of that country where ultimate reality will be found.    RVW, 1948

Brian

Bach: Ciaccona in D minor for the solo violin
Beethoven: String Quartet Op 127 (ii)
Beethoven: Piano Sonatas Opp 26 (i), 57 (ii), 109 (iii), 111 (ii)
Brahms: Symphony No 4 (iv)
Dvorak: Sextet (iv), Symphony No 8 (iv)

I also like Sarge's Dohnanyi pick!

Quote from: karlhenning on December 15, 2011, 07:51:09 AM
The Marcia funebre in the Sinfonia eroica, natch.

Now hang on a moment, there! When was that a theme-and-variations? I'd be more interested in the parallel movement from the Seventh, though...

listener

some more surfacing from distant memories:
Wilfred JOSEPHS  Variations on the theme of Beethoven  - not at all unpleasant considering he's a composer-dentist
- the 1st movement of GOLDMARK's  Rustic Wedding Symphony (the rest is worth hearing too)
KODALY "Peacock" Variations
and for organ, IVES Variations on "America"
and a couple of oddities: the RUBINSTEIN piano variations on  "Yankee Doodle", also WIENIAWSKY (violin and piano), and ERNST for solo violin on "The Last Rose of Summer"
"Keep your hand on the throttle and your eye on the rail as you walk through life's pathway."

Opus106

Quote from: Brian on December 19, 2011, 03:32:05 PM
Bach: Ciaccona in D minor for the solo violin

It's not a work on its own, you know. ;)

Quote
Dvorak: Symphony No 8 (iv)

A long-time fav. :)

Quote from: listener on December 20, 2011, 09:55:46 PM
the RUBINSTEIN piano variations on  "Yankee Doodle"

That ought to be fun.
Regards,
Navneeth

BobsterLobster

Well,if we're allowed Chaconnes, then of course I would include the Bach Chaconne for violin (surely this is all we need to describe it? If I said the Chaconne, I'm sure we'd all know what piece we were talking about. And I do think it stands on it's own... as well as being one of mankind's greatest achievements, along with putting a man on the moon :-) ).
Also the Vitali Chaconne... or the Chaconne by whoever wrote it and pretended to be Vitali.

But many of my favourite variations are by jazz musicians working on a classical theme. As well as the Loussier variations on the Allegretto from Beethoven 7, I absolutely adore this CD:



which has some beautiful jazz variations on the 'Libera Me' from the Faure Requiem. Yaron Herman is one of my favourite pianists... classical or otherwise.

I had a dig through my recordings to see what other variations I like and had a first listen to the Godowsky Passacaglia (played by Marc-Andre Hamelin), which is a theme and variations on Schubert's 'Unfinished' Symphony.

[asin]B00005UO88[/asin]

Really a very wonderful and profound piece of music.

I also enjoyed the Variations on La Folia from this CD:

[asin]B000KLQYCC[/asin]

Karl Henning

Quote from: BobsterLobster on December 21, 2011, 09:02:51 AM
Well, if we're allowed Chaconnes

Point of information:

The chaconne is a variation form, but . ..  not theme and variations, strictly speaking.

(I have no opinion on whether this is in compliance with the OP.)
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot