Miloslav Kabelac(1908-79)

Started by Dundonnell, February 11, 2012, 10:41:18 AM

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Mister Sharpe

Quote from: Cato on June 29, 2025, 01:24:02 PMConcerning Kabelac's Symphonies 1 and 8:







From the notes on YouTube for the Eighth Symphony:





So, topical, in another word. Thanks, Cato.
"It's often said it's better to be sharp than flat," when discussing tuning instruments.

pjme

#201
https://miloslav-kabelac.com/en/works

Overture No. 1 for Orchestra, op.6, N6 (1939)
3 (3. anche picc.), 2, 2 in B (1. anche fag. in F; 2. anche cl. in B), 3 (3. anche fag. in F) - 4, 4 - 3, pos. - 1 tb - 1 pk, 6 sz - archi: vn I (14), vn II (12), vle (10), vcl (8), cb (6)
Duration approx. 9'

Overture No. 2 for Large Orchestra, op.17, N17 (1947)
3 (3. anche picc.), 2, 2 in B (1. anche fag. in F; 2. anche cl. in B), 3 (3. anche fag. in F) - 4, 3 - 3, pos. - 1 tb - 1 pk, 6 sz - archi: vn I (14), vn II (12), vle (10), vcl (8), cb (6)
Duration approx. 8'40''

I look forward to hear these works. There isn't really that much symphonic music in Kabelac output , apart from the symphonies, Mystery of time, Hamlet improvisation, the Reflections and Metamorphosis 2 (piano & orchestra). His opus 1 is a Fantasy for piano and orchestra.
There is a quite large amount of works for children/childrens choruses with or without orchestra.! I wonder how these works sound. 
Many years ago I found in Prague a 1997 Vltava cd with some really beautiful works for choir by Jaroslav Doubrava, Ilja Hurnik, Zdenek Lukas, Milan Jira and a short work by Kabelac, Milostna (1962) for male chorus and (small) orchestra. I find it extremely touching. It is totally different from the forbidding, grim world of the large orchestral works. Milostna is almost pastoral and ends with a ravishing hymn-like cantilena. 


«I am convinced that had he lived in an environment of artistic freedom, he would have become a major international composer — not just a regional one.»
— Jakub Hrůša, conductor

His music makes me often very sad...

pjme