Wagner Opera Blowout! Choose Your Favorites!

Started by Mirror Image, March 15, 2012, 09:54:12 AM

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What are your favorite Wagner operas? You are allowed three choices.

Die Feen
0 (0%)
Das Liebesverbot
0 (0%)
Rienzi
0 (0%)
Der Fliegende Holländer
2 (7.7%)
Tannhäuser
1 (3.8%)
Lohengrin
5 (19.2%)
Das Rheingold
3 (11.5%)
Die Walküre
10 (38.5%)
Siegfried
5 (19.2%)
Götterdämmerung
7 (26.9%)
Tristan und Isolde
12 (46.2%)
Die Meistersinger von Nürnberg
3 (11.5%)
Parsifal
8 (30.8%)

Total Members Voted: 26

Voting closed: July 13, 2012, 09:54:12 AM

Karl Henning

Seems there must be a Domingo/Levine/Met out there . . . .
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

mc ukrneal

Quote from: karlhenning on March 15, 2012, 12:52:48 PM
Seems there must be a Domingo/Levine/Met out there . . . .
Yes. I found it.  It's this one:
[asin]B000001GHZ[/asin]
Be kind to your fellow posters!!

mszczuj

Das Rheingold, Die Walküre, Tristan und Isolde.


Elgarian

Quote from: Lisztianwagner on March 15, 2012, 10:31:44 AM
I usually consider Der Ring des Nibelungen as un unique, beautiful, absolutely thrilling work, I would have really liked to vote for the whole Ring Cycle; though I chose Tristan und Isolde, Siegfried and Götterdämmerung.

I was discomfited in a similar way; but then, I'm first and foremost a Ring fan, rather than a Wagner fan. So I opted for Rheingold, Walkure and Gotterdammerung. I couldn't contemplate life without them.

Mirror Image

I'm actually wrong with how many Parsifal recordings I have (I just checked :)) I own: Solti, Karajan, AND Barenboim.

Sergeant Rock

#45
Quote from: mc ukrneal on March 15, 2012, 12:51:45 PM
Ok. But Domingo also did one with Levine.  At least, I thought he did. Now I will need to check...

Yes, Levine made a Parsifal with Domingo and the Met. But that isn't the one Karl owns. His is from Bayreuth.

Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Sergeant Rock

Quote from: mc ukrneal on March 15, 2012, 01:00:19 PM
Yes. I found it.  It's this one:
[asin]B000001GHZ[/asin]

You beat me to it  :D

Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Sergeant Rock

the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

DavidW

Quote from: Mirror Image on March 15, 2012, 11:10:26 AM
Precisely, why I only allowed there to be three choices. It forces people to really think about their choices instead of just choosing the whole Ring.

That was pretty clever, but it made it frustrating for me to choose. ;D

Mirror Image

Quote from: DavidW on March 15, 2012, 01:44:56 PM
That was pretty clever, but it made it frustrating for me to choose. ;D

It shouldn't be too frustrating if you know deep down which operas you will cherish for the rest of your life.

Ten thumbs

#50
Die Walküre

I'm quite happy to start here - I love it.

Oh, and Tristan too. I'll forgive the Lenau chord! :) or is it Beethoven?

My final choice is Parsifal
A day may be a destiny; for life
Lives in but little—but that little teems
With some one chance, the balance of all time:
A look—a word—and we are wholly changed.

eyeresist

Quote from: Mirror Image on March 15, 2012, 12:46:42 PMI never have liked EMI's sonics for Karajan, so I'll pass on his Tristan und Isolde.

Mightn't they have used a different production group for the operas as opposed to plain symphonic works? Probably worth checking some samples just in case.

Mirror Image

Quote from: eyeresist on March 15, 2012, 02:54:43 PM
Mightn't they have used a different production group for the operas as opposed to plain symphonic works? Probably worth checking some samples just in case.

I've read some negative comments about Karajan's Tristan und Isolde audio quality, but I'm really happy with Bohm's performance. Many reasons why I have two or three recordings of the same opera is because I got them cheap like Parsifal for example. I believe Karajan's was around $25, got Barenboim's used, like new for $15 (the original with the large booklet), and got Solti's free because the seller misrepresented the condition of the item (I think the outer box wasn't "like new" but everything else was and the seller told me just to keep it :-\).

nico1616

Meistersinger is my number 1, it works perfectly on stage too and has a lightness that is rare in Wagner
Siegfried number 2 (the Solti recording  ;D )
Lohengrin 3 (again Solti + Domingo and Norman Wow!!!)

For me, Tristan und Isolde does not work in the opera house. I have never seen a production in which the act 2 duet does not seem ridiculously long. And then you still have act 3 waiting for you in which Tristan keeps on dying and dying.
The patience this opera requires is just to much for me  :-[
The first half of life is spent in longing for the second, the second half in regretting the first.

Mirror Image

Quote from: nico1616 on March 15, 2012, 03:21:13 PMLohengrin 3 (again Solti + Domingo and Norman Wow!!!)

That's the recording I own Lohengrin. Good to hear it's a good one. I have yet to listen to it unfortunately.