What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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Listening to Orpheus. Such a beautiful work and highly underrated amongst Stravinsky's other ballets.

Todd

The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Karl Henning

Quote from: TheGSMoeller on February 17, 2014, 01:31:35 PM
Henning: Op114a just what everyone was expecting II

Totally groovy, full of life, and just flat out wonderful.

Thank you!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Wakefield

Purcell - XII Sonnatas of III Parts/ Ten Sonatas in IV Parts



François Fernandez, Enrico Gatti, violins
Philippe Pierlot, viola da gamba (basse de viole)
Bernard Foccroulle, organ
Pierre Hantaï, harpsichord

Predictably, this is a great interpretation by this "dream team", originally released as two separate CDs, recorded in 1990 & 1994.  :)

"Isn't it funny? The truth just sounds different."
- Almost Famous (2000)

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Listening to Piano Concerto in G. Awesome performance from Bavouzet/Tortelier.

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Listening to String Quartet No. 6. What a sinewy little hairball. I like it. 8) It's really been too long since I've listened to any of Bartok's SQs.

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Listening to Concerto for Two Pianos, Percussion, and Orchestra. Stellar performance.

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#18207
Quote from: Mirror Image on February 17, 2014, 06:42:08 PM
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Now listening to Violin Concerto No. 2 from this same set. I'm not a huge Isaac Stern fan, but I'll be damned if he's not winning me over here with his ferocious approach to Bartok. The accompaniment from Bernstein is right there with him and, like Stern, he's completely fearless.

Someone on Amazon gave the Stern/Bernstein performance of Violin Concerto No. 2 a horrible rating and attempted to just pick it apart complaining about how the score wasn't followed, which the reviewer attempts to break down by measures and how the audio quality is subpar compared to Boulez's later recording with Gil Shaham. I just had to laugh at the absurdity of this review as this recording sounds damn good to be recorded in 1958. The reviewer also thinks the New York Philharmonic are pathetic. I would hate to see who they thought was a good orchestra. ;)

I do think Isaac Stern uses too much vibrato for my tastes, but the overall impact of his performance comes across loud and clear. He clearly knew this music well and as well as any violinist performing in his own time and today.

TheGSMoeller

Comparative listening to these 2013 releases of Poulenc's Stabat Mater. Interpretively, Stéphane Denève delivers a more complete, lyrical and fluid sounding Stabat Mater that is more consistent from movement to movement, not to mention the better sounding choir and recording quality. Jarvi's is a good performance, but just seems to offer less interest in some of the beautiful touches that Poulenc filled this piece with. Both soprano soloists are very good, Petibon is light and delicate and performs more like a separate figure of the score than Marlis Petersen. But Petersen's voice is strong.
Also, it's refreshing that the Denève has Les Biches accompanying rather than the often recorded Gloria.

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Listening to Le tombeau de Couperin. Excellent performance from Ozawa/BSO. I've always liked Ozawa in Impressionistic music. I think this is where he truly comes alive.

Harry

Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Harry

First listen. Oops, yet another Belgian, and a very good composer too! See review. :)

http://walboi.blogspot.nl/2014/02/mortelmans-lodewijk-1868-1952.html?spref=tw
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

wintersway

"Time is a great teacher; unfortunately it kills all its students". -Berlioz

Harry

Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

North Star

Reich
Music for 18 Musicians

http://www.youtube.com/v/ZXJWO2FQ16c

Earlier:
Mussorgsky
St. John's Night on the Bare Mountain for bass-baritone, children's choir, choir & orchestra
Khovanshchina excerpts & al.
Anatoli Kotcherga (bbar), Marianna Tarasova (msop), Abbado & BPO

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"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

Sergeant Rock

Haydn Symphonies #65 A major and #41 C major, Pinnock conducting the English Concert




Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

wintersway

"Time is a great teacher; unfortunately it kills all its students". -Berlioz

Harry

Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Sergeant Rock

Othmar Schoeck (1886-1957) Notturno op.47 (Five Movements for Baritone and String Quartet)




Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

ritter

Last night:

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Christine Schäfer and Eric Schneider's very personal (and very, very interesting) recital, combining Purcell and Crumb (interspersed by Shakespeare's sonnets declaimed--most engagingly--by a young boy).

I should explore more of George Crumb (who's music is completely unknown to me--apart from the songs included in this Cd).