What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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Todd

Quote from: Sergeant Rock on February 27, 2014, 05:50:00 AM
Ravel Le tombeau de Couperin orchestrated by Zoltan Kocsis




Sarge



Generally, I'm not a big fan of orchestrations by people other than the original composer (and I even dislike Ravel's Pictures), but I might make an exception for this.  Kocsis has displayed some skill in this area before, and he's a fine conductor.
The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Harry

First listen. A composer that deserves your attention. Yes he is that good!  See review.

http://walboi.blogspot.nl/2014/02/poot-marcel-belgian-composer-1901-1988.html?spref=tw

Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Sergeant Rock

Quote from: Todd on February 27, 2014, 05:53:19 AM


Generally, I'm not a big fan of orchestrations by people other than the original composer (and I even dislike Ravel's Pictures), but I might make an exception for this.  Kocsis has displayed some skill in this area before, and he's a fine conductor.

I just read the fine print: Kocsis only orchestrates the Fugue and Toccata in Tombeau. Most of the Debussy orchestrations are his.

Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Karl Henning

Quote from: Sergeant Rock on February 27, 2014, 05:57:29 AM
I just read the fine print: Kocsis only orchestrates the Fugue and Toccata in Tombeau.

Aye, Ravel himself orchestrated only four of the numbers.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Ken B

Harold in Italy, from Living Stereo 1

Mirror Image

Quote from: karlhenning on February 27, 2014, 04:33:24 AM

And another!  One of the first boxes ever I snaffled.

A fine set for sure, Karl. I had been looking at this box set for five years, but finally came across a seller that had a for an affordable price I snatched it up as quick as Amazon would let me. :)

Mirror Image

Quote from: EigenUser on February 27, 2014, 03:26:45 AM
The second of the "Two Pictures" is an arrangement of the 14th of the "14 Bagatelles for Piano", entitled "Valse: Ma Mie Quie Danse".

Thanks, EigenUser. I knew someone here knew which piano work it was. 8)

Ken B

Quote from: Mirror Image on February 27, 2014, 06:26:49 AM
A fine set for sure, Karl. I had been looking at this box set for five years, but finally came across a seller that had a for an affordable price I snatched it up as quick as Amazon would let me. :)
How's the Bluebeard.

All these are included in one or e other big mercury box I believe, for those thinking of that.

Mirror Image

Quote from: Ken B on February 27, 2014, 06:36:03 AM
How's the Bluebeard.

All these are included in one or e other big mercury box I believe, for those thinking of that.

I haven't heard the performance of Bluebeard yet, Ken, but I'm going to work my through the set over the next couple of nights. I'll start with disc two tonight (listened to the first disc last night).

Karl Henning

Quote from: Mirror Image on February 27, 2014, 06:38:47 AM

Quote from: Ken B on February 27, 2014, 06:36:03 AM
How's the Bluebeard.

All these are included in one or e other big mercury box I believe, for those thinking of that.

I haven't heard the performance of Bluebeard yet, Ken, but I'm going to work my through the set over the next couple of nights. I'll start with disc two tonight (listened to the first disc last night).

That's a question I ought to be able to answer, only it's several years since I've listened to that Bluebeard.  I remember thinking very well of it;  but of course, John has heard a good many more Bluebeards than have I.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Lisztianwagner

Richard Strauss
Symphonia Domestica


[asin]B000002S8B[/asin]
"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

Ken B

Schnittke, violin concerto 1, Kremer

ritter

In an operatic mood...

Gioacchino Rossini: La Scala di Seta (soloists, English Chamber Orchestra, conducted by Marcello Viotti)

Included in this set:
[asin]B0006B9680[/asin]

Delectable!  :)

Henk

Quote from: ritter on February 27, 2014, 08:12:42 AM
In an operatic mood...

Gioacchino Rossini: La Scala di Seta (soloists, English Chamber Orchestra, conducted by Marcello Viotti)

Included in this set:
[asin]B0006B9680[/asin]

Delectable!  :)

Pounds the table! The whole set is great at a bargain price.

NP: Beethoven Piano Concerto 4

[asin]B0043VQ1B4[/asin]
'The 'I' is not prior to the 'we'.' (Jean-Luc Nancy)

'... the cultivation of a longing for the absolute born of a desire for one another as different.' (Luce Irigaray)

Lisztianwagner

Quote from: ritter on February 27, 2014, 08:12:42 AM
In an operatic mood...

Gioacchino Rossini: La Scala di Seta (soloists, English Chamber Orchestra, conducted by Marcello Viotti)

Included in this set:
[asin]B0006B9680[/asin]

Delectable!  :)

I'm not incredibly fond of Rossini's music, apart from The Barber of Seville; but his ouvertures are extremely fine, and that one of La Scala di Seta in particular, such a lively, joyous piece it is.
"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

Ken B

Mr Underrated Symphonist, this time 7 and 8

[asin]B000XCTD5S[/asin]

Mandryka

#18757


Joseph Kelemen plays Matthias Weckmann's Es ist das Heil uns kommen her. This is the least academic, least dour, performance of this set of variations I've managed to find. It ecplodes with colour and energy, passion.

One of the versets, the third, uses Weckmann's own registrations apparently. Certainly that verse sounds like no other organ playing I've ever heard.
Wovon man nicht sprechen kann, darüber muss man schweigen

Harry

Quote from: Ken B on February 27, 2014, 08:52:46 AM
Mr Underrated Symphonist, this time 7 and 8

[asin]B000XCTD5S[/asin]

Seconded! He is far greater as today's musicologists will admit, but then again, what do they know!
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Harry

Quote from: Mandryka on February 27, 2014, 08:55:39 AM


Joseph Kelemen plays Matthias Weckmann's Es ist das Heil uns kommen her. This is the least academic, least dour, performance of this set of variations I've heard. It ecplodes with colour and energy, passion.

How original is this organ, did it have many restorations and changes?
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"