What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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North Star

#29400
Quote from: karlhenning on September 06, 2014, 12:22:14 PM
That one might be my favorite, Karlo.
Recording, symphony (out of the cycle) or both, Karl? It's certainly great, the recording and the piece itself, of course. I'm not sure I want to place one of Shosty's cycle ahead of all the others, though.
Quote from: Moonfish on September 06, 2014, 12:26:11 PM

Hmm, I still need to swallow my red Shostakovich pill. I have had Jansons' set for a while, but for some reason I tend to always avoid Shostakovich sessions.  >:D    I know that many here at GMG are great fans, so I guess I should read the S thread. How do the Jansons performances compare with Barshai's?
You already have the Jansons, so go with it (the Jansons). Karl doesn't care for the Barshai (ensemble issues IIRC, I don't know the recordings myself), but MI John likes it more than the Jansons.
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

Karl Henning

Quote from: Moonfish on September 06, 2014, 12:26:11 PM

Hmm, I still need to swallow my red Shostakovich pill. I have had Jansons' set for a while, but for some reason I tend to always avoid Shostakovich sessions.  >:D    I know that many here at GMG are great fans, so I guess I should read the S thread. How do the Jansons performances compare with Barshai's?

In general, I prefer J. to B..  I suggest the Eighth, Tenth & Fifteenth as initial points of comparison.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot


Karl Henning

Quote from: North Star on September 06, 2014, 12:36:00 PM
Recording, symphony (out of the cycle) or both, Karl?

Perhaps my favorite recording of the Tenth, Karlo (you're right, I was unclear)  :)
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

ritter

Quote from: Moonfish on September 06, 2014, 12:27:45 PM
We should all have an opera day!!!!   Hmm, perhaps we should run a thread called "The Opera of the Week" where we collectively tackle the morsels of the operatic realm?    :)
Seconded!  :)

North Star

That Elmira theme always sounds to me like it's a reference to Proky's Alexander Nevsky.
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

DavidRoss

Quote from: mc ukrneal on September 06, 2014, 03:37:40 AM
What do you think of this? I had it on my wishlist for ages, but never got it for some reason. Then one day I ended up getting a box with the Dvorak concerto and I really enjoyed the piece (in the Steinberg Icon box). I wondered then if I should get a more modern version in modern sound.
Hi, Neal!

For a big, brawny, sprawling, Romantic violin concerto, it's a bit spare. My go to for quite some time has been Fischer/Budapest/Suwanai. 


However, Sarge's recommendation (salt seldom required, except perhaps in connection with a certain wolf-loving pianist) combined with my own admiration for Ms Mutter's exquisite romantic sensibilty, Honeck's impressive Mahler, and the BP's reliable virtuosity, sent me scurrying to Spotify posthaste.

What a dazzling partnership!

Less than halfway through the first movement I added the disc to my shopping cart.



"Maybe the problem most of you have ... is that you're not listening to Barbirolli." ~Sarge

"The problem with socialism is that sooner or later you run out of other people's money." ~Margaret Thatcher

Wakefield

Quote from: Moonfish on September 06, 2014, 12:14:11 PM


Musique a Versailles: Marais, D'Anglebert, A. Forqueray       S. Kuijken/ W. Kuijken/Leonhardt

A peaceful day in Versailles......



Oh, yes, but not just that: also one of the greatest single disks built on this repertoire.
"Isn't it funny? The truth just sounds different."
- Almost Famous (2000)

Moonfish

Quote from: Gordo on September 06, 2014, 01:18:31 PM
Oh, yes, but not just that: also one of the greatest single disks built on this repertoire.

Ah, but lots of competition, don't you think?  The ensemble did a fantastic performance in the Marais piece!  :)  (but I am also a Marais maniac  >:D :D)
"Every time you spend money you are casting a vote for the kind of world you want...."
Anna Lappé

Wakefield

Quote from: Moonfish on September 06, 2014, 01:27:55 PM
Ah, but lots of competition, don't you think?  The ensemble did a fantastic performance in the Marais piece!  :)  (but I am also a Marais maniac  >:D :D)

Who knows, it's maybe right... but I don't worry about different versions if I discover some disk which I judge perfect and this one is just perfect.

In other words, when I find (what I consider) a perfect version, there is no room in my mind for comparative thoughts. Of course, I know other people react other way.  :) 
"Isn't it funny? The truth just sounds different."
- Almost Famous (2000)

SonicMan46

Well, I've spent the day & early evening going through the box below - varied & excellent performances - highly recommended to fans of the Red Priest - Dave :)

Quote from: SonicMan46 on September 06, 2014, 08:24:49 AM
New arrival today from the Amazon MP:

Vivaldi, Antonio - Concertos 2 - 6 CD Naive box - now listening to the Flute & next the Oboe Concertos - Dave :)

 

Wakefield

Beethoven: Irish & Scottish Songs
Sophie Daneman, soprano; Paul Agnew, tenor; Peter Harvey, baritone; Jerome Hantai, pianoforte; Alessandro Moccia, violin; Alix Verzier, cello.
Astrée, recorded June 2001.

sin]B00005RCZ0[/asin]

Delightful.  :)

"Isn't it funny? The truth just sounds different."
- Almost Famous (2000)

EigenUser

Currently, listening to Messiaen's Des Canyons aux Etoiles. And I am just listening (other than taking time to type this). I really, really like this piece. Is anyone else here a fan of it? I suppose it is "difficult" Messiaen.
Beethoven's Op. 133 -- A fugue so bad that even Beethoven himself called it "Grosse".

Moonfish

Marais: Pieces en Trio        Ricercar Consort/Pierlot

Had to get a larger dose of Marais after the Versailles recording....

[asin] B003PN5UFY[/asin]
"Every time you spend money you are casting a vote for the kind of world you want...."
Anna Lappé

Todd

The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Panem et Artificialis Intelligentia

SonicMan46

Quote from: Moonfish on September 06, 2014, 12:23:00 PM
Ah, that does sound very tempting Dave!  The Naive series seems endless, but these compilations are attractive. Are you enjoying the Flute Concertos?

Hi Peter - well, I've bought into both the Naive 'Concerto' boxes and enjoy all 12 CDs!  I'm a 'nut' for Baroque woodwinds - on the flute recording,  Bathold Kuijken uses a reproduction flute by Rudolph Tutz (Innsbruck, 2000) after I.H. Rottenburgh, Brussels ca. 1735 - tried to find a pic on the web of Kuijken w/ that flute but no luck - below is Tutz in his workshop playing a flute - Dave :)


André

Maxwell Davies: Symphony no 2. Plus the tone poem (?) St-Thomas Wake.

Cherubini: Requiem in c minor. Toscanini, NBC Symphony and Chorus. The sound is surprisingly good.


Wakefield

Quote from: Moonfish on September 06, 2014, 03:37:47 PM
Marais: Pieces en Trio        Ricercar Consort/Pierlot

Had to get a larger dose of Marais after the Versailles recording....

[asin] B003PN5UFY[/asin]

I decided to listen to this one:

[asin]B000GLKRVU[/asin]

:)
"Isn't it funny? The truth just sounds different."
- Almost Famous (2000)

ZauberdrachenNr.7

Quote from: EigenUser on September 06, 2014, 03:22:16 PM
Currently, listening to Messiaen's Des Canyons aux Etoiles. And I am just listening (other than taking time to type this). I really, really like this piece. Is anyone else here a fan of it? I suppose it is "difficult" Messiaen.

I have the Esa-Pekka Salonen recording with Paul Crossley and enjoy it very much, though it is not my fave Messiaen.  Would like to hear the Yvonne Loriod performance, of course.