What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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otare

Cilea - Adriana Lecouvreur.
Wonderful music. I have not really listened tothis opera before.

From this box:

Harry

Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Daverz

Just the thing when the world is FU&BS:

[asin]B000E6EH0E[/asin]  [asin]B00000E2PR[/asin]

Christo

Quote from: Mirror Image on November 26, 2014, 08:16:06 PM
Now:

Listening to Harrison's Seven Pastorales. Simply exquisite.

But hard to get ...  :-[
... music is not only an 'entertainment', nor a mere luxury, but a necessity of the spiritual if not of the physical life, an opening of those magic casements through which we can catch a glimpse of that country where ultimate reality will be found.    RVW, 1948

amw



Large stretches of Symphony No. 1 remind me of Maurizio Pollini's performances of the piano works. Murray Perahia's, in some places. More to the point, I rarely if ever hear performances of the Schumann symphonies that make them sound like they're by the composer of Kreisleriana, Davidsbündlertänze, Papillons and etc—this is one.

SurprisedByBeauty


Sergeant Rock

Simpson Symphony No.4, Handley conducting the Bournemouth




Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Harry

Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Sergeant Rock

the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Sergeant Rock

Mozart Piano Sonata K.332 played by Uchida




Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Mookalafalas

really refined, tasteful, classy Mozart.  Frankly, that's not my favorite kind, but am really enjoying this right now.

[asin]B000003FHH[/asin]
It's all good...

Mirror Image

Happy Thanksgiving everyone!

Now playing:





Listening to Harrison's Elegiac Symphony. Beautiful work.

Moonfish

Quote from: Daverz on November 26, 2014, 11:59:07 PM
Just the thing when the world is FU&BS:

[asin]B000E6EH0E[/asin]

+1
Lovely rendition! I was quite surprised to hear Marriner do so well with Vivaldi's "Four Seasons"!
"Every time you spend money you are casting a vote for the kind of world you want...."
Anna Lappé

Moonfish

Quote from: Sergeant Rock on November 27, 2014, 04:15:32 AM
Mozart Piano Sonata K.332 played by Uchida




Sarge

What do you think about Uchida vs Kraus, Sarge?  I haven't compared K 332, but suspect that it could be a close call?
"Every time you spend money you are casting a vote for the kind of world you want...."
Anna Lappé

Moonfish

Quote from: Baklavaboy on November 27, 2014, 05:36:44 AM
really refined, tasteful, classy Mozart.  Frankly, that's not my favorite kind, but am really enjoying this right now.

[asin]B000003FHH[/asin]

It seems like Davis has had some kind of stigma attached to him? However, every time I hear his Mozart recordings I am pleasantly surprised. Now I am even thinking about listening to his renditions of Mozart's operas.  8)    What is your favorite "kind" of Mozart?   
"Every time you spend money you are casting a vote for the kind of world you want...."
Anna Lappé

Moonfish

#35215
Quote from: otare on November 26, 2014, 11:35:29 PM
Cilea - Adriana Lecouvreur.
Wonderful music. I have not really listened to this opera before.

From this box:


I started listening to Aida from that set, but was not very impressed. Tebaldi's voice was a bit too much for me compared to Callas' and Milanov's (my favorites for Aida), but perhaps Cilea is a better starting point for Tebaldi? Hmm, perhaps Madama Butterfly....    Ahh, soo much to listen to!   :)
"Every time you spend money you are casting a vote for the kind of world you want...."
Anna Lappé

otare

My favourite Aida recording (I have not heard all that many) is Caballé/Muti on EMI. Caballé is fantastic in the final scene.

Sergeant Rock

Quote from: Moonfish on November 27, 2014, 05:46:53 AM
What do you think about Uchida vs Kraus, Sarge?  I haven't compared K 332, but suspect that it could be a close call?

Close, yes. I enjoy them both. But I marginally prefer Uchida. Kraus's phrasing and dynamics can be a bit precious. Uchida brings out the drama.

Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Mookalafalas

Quote from: Moonfish on November 27, 2014, 05:50:17 AM
It seems like Davis has had some kind of stigma attached to him? However, every time I hear his Mozart recordings I am pleasantly surprised. Now I am even thinking about listening to his renditions of Mozart's operas.  8)    What is your favorite "kind" of Mozart?

   I like my Mozart tart and snappy, most of the time, anyway. 

   I haven't listened to too much of the Davis box, but that is just due to box-overload.  I've liked everything I've heard from it, and look forward to hearing his Mozart operas.  Actually, I was playing the Lohengrin the other day (which isn't that loved, apparently) and liked it a lot.  Davis just has great taste, in my opinion, and really knows how to dot the I's and cross the T's.
It's all good...

Mirror Image

Quote from: Christo on November 27, 2014, 12:36:47 AM
But hard to get ...  :-[

What do you mean by hard to get? You mean hard to obtain a copy of the recording itself or difficult to understand from a musical viewpoint?