What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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Que

Quote from: North Star on June 10, 2015, 10:36:03 PM
Liszt
Années de pèlerinage
Grimwood

[asin]B001O3MLN6[/asin]

Nice, I like that recording! :)

Q

North Star

Quote from: Que on June 10, 2015, 10:38:31 PM
Nice, I like that recording! :)

Q
Yes, a great one indeed. I should investigate more PI Liszt - I know there are at least the two Immerseel discs.
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

Harry

Quote from: Que on June 10, 2015, 10:19:00 PM
Perhaps I should Friedhelm Flamme another try, he never quite appealed to me...

Q

I recently relisten to a CD by Flamme with the works of W.F. Bach (Complete Organ Works)
Last time I had it in my player was in 2012, so I have given it a second run.
Only my wife prevented me to break it into pieces.
Flamme is simply burning in the wrong direction.
Terrible performance!
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Wanderer

.[asin]B000A1G9IQ[/asin]

New arrival:

[asin]B00UUXT62K[/asin]

Moonfish

Quote from: king ubu on June 10, 2015, 12:09:03 PM
Love her recordings! There are several ones of her doing the Brahms concerto. She also did the Sibelius concerto, but alas her career was so short, there aren't nearly as many recordings as one would wish for. Her Brahms though is terrific! Vibrant and full of passion indeed! Not sure what's the best way to get hold of her recordings these days, I've got a mix of discs on Dutton Vocalion, Tahra, Music & Arts. For the studio recordings, there's a cheapo four disc set on Documents/Membran, if you're not opposed to those kind of releases.



Quote from: ZauberdrachenNr.7 on June 10, 2015, 02:06:34 PM
Nope, the Brahms (of which she was reckoned a specialist) is a singleton for me.  This is on my wishlist :  [asin]B00CIJZJG6[/asin]  I'm always wary of such phenoms, we're a giddy lot and Death, esp. Tragic Death, imparts its own curious - and curiosity-inducing - aura.  But she's the real deal (she beat out David Oistrakh, who took second!, in the Wieniawski Violin Competition, 1935).   About which : http://www.wieniawski.com/1ivc.html

Thanks for all those recommendations, Ubu and Z7! 8)   I (impulsive as always) already went for the 4 disk set so I could sample her artistry. I presume those recordings aren't remastered?  Regardless, I am very eager to hear her Brahms and Sibelius performances.  :)     Impressive that she won in the violin competition with Oistrakh in 1935!
"Every time you spend money you are casting a vote for the kind of world you want...."
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listener

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king ubu

#46966
Quote from: Moonfish on June 10, 2015, 11:29:59 PM

Thanks for all those recommendations, Ubu and Z7! 8)   I (impulsive as always) already went for the 4 disk set so I could sample her artistry. I presume those recordings aren't remastered?  Regardless, I am very eager to hear her Brahms and Sibelius performances.  :)     Impressive that she won in the violin competition with Oistrakh in 1935!

Happy to spread the word, she was great!
You might want to consider adding this double disc:

[asin]B000001OGJ[/asin]

More recent incarnation looks different (might be found cheaper):
http://www.musicandarts.com/ginette-neveu-1949-concert-performances.html

The Brahms with Schmidt-Isserstedt (the pink one mentioned above) I still don't have, but there's one on Tahra with Desormière as well ... guess I finally have to get the pink one (it's on one of those Membran labels as well, I think - hate them actually, though the big Furtwängler legacy box is pretty darn amazing, and the moronically presented Raucheisen box, too).

No thread duty, alas ... clicking of keyboards and chatting of co-workers is all there is.
Es wollt ein meydlein grasen gan:
Fick mich, lieber Peter!
Und do die roten röslein stan:
Fick mich, lieber Peter!
Fick mich mehr, du hast dein ehr.
Kannstu nit, ich wills dich lern.
Fick mich, lieber Peter!

http://ubus-notizen.blogspot.ch/

Camphy


prémont

#46968
Quote from: Harry's on June 10, 2015, 10:48:09 PM
I recently relisten to a CD by Flamme with the works of W.F. Bach (Complete Organ Works)
Last time I had it in my player was in 2012, so I have given it a second run.
Only my wife prevented me to break it into pieces.
Flamme is simply burning in the wrong direction.
Terrible performance!

I admit, that he is variable, but some of his recordings appeal very much to me. F.i. most of the chorale arrangements in his Böhm set (not however the preludes, which I find he plays in an unimaginative way). I also prefer his Weckmann set to Zehrer´s and Foccroulle´s, even if Davisson (particularly his first set) is to be preferred to all of them.

And I think that W F Bach´s organ works are relatively uninteresting. and I will not blame Flamme in this context.
Reality trumps our fantasy far beyond imagination.

Harry

Quote from: (: premont :) on June 11, 2015, 12:26:20 AM
I admit, that he is variable, but some of his recordings appeal very much to me. F.i. most of the chorale arrangements in his Böhm set (not however the preludes, which I find he plays in an unimaginative way). I also prefer his Weckmann set to Zehrer´s and Foccroulle´s, even if Davisson (particularly his first set) is to be preferred to all of them.

And I think that W F Bach´s organ works are relatively uninteresting. and I will not blame Flamme in this context.

Also true, even if W F Bach was considered a virtuoso on the organ, his works for this instrument are most of the time uninteresting. That's also an angle to consider. So in this I stand corrected.
On another note, there are recordings by Flamme which I enjoy, after some acclimatisation, but I always feel a tad uncomfortable with him.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

jlaurson

Quote from: Que on June 10, 2015, 10:38:31 PM
Quote from: North Star on June 10, 2015, 10:36:03 PM

[asin]B001O3MLN6[/asin]
Liszt
Années de pèlerinage
Grimwood
Nice, I like that recording! :)

Q

Seconded! Indeed, by far my favorite recording of these works. Completely changed my outlook on Liszt as a composer. (For the better, to wit.)

Camphy


jlaurson

#46972
Quote from: Jeffrey Smith on June 10, 2015, 06:07:07 PM
Quote

G. Mahler,
Symphony No.9
Fischer, Ivan / Budapest FO
Channel Records SACD

German link - UK link
How is it? It sits in my cart alongside Elder's.
(Of course I will get it, even if you said it's the worst recording since John Wayne's cover of Winter Wonderland).


It didn't knock me over on the first two, fairly casual listenings... which is to suggest (but hardly determine) that it might not be as spectacular a success as, say, his Sixth... But I will lend a more careful ear to it, for sure.


Thread duty:


Toni Bruckner,
Symphony No.1
J.v.Zweeden / Netherlands RPO
Challenge Records SACD

German link - UK link

North Star

Chopin
Piano Concerto No 2 in f minor, Op 21
Janusz Olejniczak
Orchestra of the Eighteenth Century
Frans Brüggen
https://www.youtube.com/v/gBwvysZeh7w
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

San Antone

Quote from: North Star on June 10, 2015, 07:57:00 PM
You might be interested in this, it was broadcast in Finland on Saturday.
https://www.youtube.com/v/eYlIk19CbBI

Thanks;  interesting.  I wonder how the acoustics of playing outside were?  Also, while I think her playing is very good I am not so interested in the market's need to exploit her good looks and create a star.  I hope she continues to develop as a artist and does not succumb to mere celebrity status.

;)

San Antone

Quote from: North Star on June 10, 2015, 10:36:03 PM
Liszt
Années de pèlerinage
Grimwood

[asin]B001O3MLN6[/asin]

Looks like something for me to hear.  I am slowly making my way through the long journey through Liszt's piano music recordings.  Is it a period instrument?

North Star

Quote from: sanantonio on June 11, 2015, 02:47:28 AM
Looks like something for me to hear.  I am slowly making my way through the long journey through Liszt's piano music recordings.  Is it a period instrument?

Run, don't walk. 8)
Grimwood plays an 1851 Érard.

Quote from: sanantonio on June 11, 2015, 02:45:28 AM
Thanks;  interesting.  I wonder how the acoustics of playing outside were?  Also, while I think her playing is very good I am not so interested in the market's need to exploit her good looks and create a star.  I hope she continues to develop as a artist and does not succumb to mere celebrity status.

Very good points, all.

Unsurprisingly, Olejniczak & Brüggen's Chopin is superb.
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

king ubu

Quote from: sanantonio on June 11, 2015, 02:45:28 AM
Thanks;  interesting.  I wonder how the acoustics of playing outside were?  Also, while I think her playing is very good I am not so interested in the market's need to exploit her good looks and create a star.  I hope she continues to develop as a artist and does not succumb to mere celebrity status.

;)

Agree on all accounts. Also enjoyed this one when it was initially broadcast (though her dress here is somewhat problematic as far as paying attention goes ...):

https://www.youtube.com/v/3jbHbDena_U
Es wollt ein meydlein grasen gan:
Fick mich, lieber Peter!
Und do die roten röslein stan:
Fick mich, lieber Peter!
Fick mich mehr, du hast dein ehr.
Kannstu nit, ich wills dich lern.
Fick mich, lieber Peter!

http://ubus-notizen.blogspot.ch/

NikF

Bonnal: Streichquartette Nr.1 & 2 - Le Quatuor Debussy

[asin]B0098PC7YK[/asin]
"You overestimate my power of attraction," he told her. "No, I don't," she replied sharply, "and neither do you".

Henk

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'... the cultivation of a longing for the absolute born of a desire for one another as different.' (Luce Irigaray)