What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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mc ukrneal

Be kind to your fellow posters!!

Mirror Image

Quote from: North Star on November 06, 2015, 02:04:59 AM
First-Listen Fridays

Prokofiev
Divertimento, Op. 43
Sinfonia Concertante, Op. 125*
Sinfonietta, Op. 5/48
Raphael Wallfisch, vc*
Scottish National Orchestra
Neeme Järvi

[asin]B0009F66PE[/asin]

Thumbs up! I knew you would like this recording. ;) ;D

Harry

Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

listener

FRIDAY = VIERNEs  Symphony no. 2 in e op. 20 for organ
Rollin Smith, Aeolian-Skinner organ op.909, 1933   All Saints Church, Worcester, Mass
BEETHOVEN:  Piano Concerto no.2 in Bb op. 19  32 Variations on an Original Theme G.191
Emil Gilels, piano   The Cleveland Orch.,   Szell, cond.
LULLY:  Highlights from Thésée
Anne Ayer, Hugues Cuénod, Mimi Mattei   Vienna Volksoper Orch.,  Willard Straight, cond.
"Keep your hand on the throttle and your eye on the rail as you walk through life's pathway."

AnthonyAthletic

Third listen : Schubert arr Mahler, Death and the Maiden Quartet, adagietto 5th Symphony.  Marvellous.

[asin]B000EQIOBW[/asin]
I don't have many cd/sacd on this label MDG, but the ones I do have are outstanding in sound quality.

"Two possibilities exist: Either we are alone in the Universe or we are not. Both are equally terrifying"      (Arthur C. Clarke)

Karl Henning

Quote from: AnthonyAthletic on November 06, 2015, 05:07:02 AM
Third listen : Schubert arr Mahler, Death and the Maiden Quartet, adagietto 5th Symphony.  Marvellous.

[asin]B000EQIOBW[/asin]

I don't have many cd/sacd on this label MDG, but the ones I do have are outstanding in sound quality.

The Adagietto is exquisite!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

AnthonyAthletic

Quote from: karlhenning on November 06, 2015, 05:10:37 AM
The Adagietto is exquisite!

Certainly is, Karl.  There's a richness in the quartet for orchestra which I really adore.  Not as personal as in the quartet form, but still great to hear it performed this way.

"Two possibilities exist: Either we are alone in the Universe or we are not. Both are equally terrifying"      (Arthur C. Clarke)

AnthonyAthletic

#54267
Just revisiting these two works (yesterday & today) in meditation mode whilst
watching the outside view, and listening to the rain intermittently pitter patter down.

Bryars...Jesus blood...& Sinking of the Titanic

[asin]B0000040UT[/asin] [asin]B0000040UW[/asin]
It has been a wet & gloomy, lazy week off
work.....but it has been a week OFF work  ;)

"Two possibilities exist: Either we are alone in the Universe or we are not. Both are equally terrifying"      (Arthur C. Clarke)

NikF

Bonnal: Streichquartette Nr.1 & 2 - Le Quatuor Debussy.

[asin]B0098PC7YK[/asin]

I'm loathe to say that these works remind me a little of Ravel, because I feel they can stand on their own. However I believe that's a reasonably fair way to describe them.
"You overestimate my power of attraction," he told her. "No, I don't," she replied sharply, "and neither do you".

SonicMan46

Mozart, WA - Keyboard Sonatas w/ Bart van Oort on several different fortepianos - just arrived in the mail today and will start w/ the first disc after the Diane Rehm shows on NPR - Dave :)


king ubu

from the mighty haul:

[asin]B001NZA0TW[/asin]
never heard these peformed by such a small group (one string instrument per part, adding up to 5) - sounds good!
Es wollt ein meydlein grasen gan:
Fick mich, lieber Peter!
Und do die roten röslein stan:
Fick mich, lieber Peter!
Fick mich mehr, du hast dein ehr.
Kannstu nit, ich wills dich lern.
Fick mich, lieber Peter!

http://ubus-notizen.blogspot.ch/

Brian

This is a fairly entertaining, and very colorful, CD of new music.



The mood/color Garrop uses to capture various Greek mythological episodes is actually pretty spot-on. Don't mess with Medusa :)

Harry

Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Harry

Some Lute music to calm my nerves and close the listening day. New acquisition. From the SEON box.

http://walboi.blogspot.nl/2015/11/varietie-of-lute-lessons-renaissance.html?spref=tw
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

king ubu

the new one by L'Arpeggiata/Pluhar - with Nuria Rial and Hana Blazikova alternating as soloists:

[asin]B00Z54Z2JA[/asin]
Es wollt ein meydlein grasen gan:
Fick mich, lieber Peter!
Und do die roten röslein stan:
Fick mich, lieber Peter!
Fick mich mehr, du hast dein ehr.
Kannstu nit, ich wills dich lern.
Fick mich, lieber Peter!

http://ubus-notizen.blogspot.ch/

Harry

Quote from: king ubu on November 06, 2015, 07:34:00 AM
the new one by L'Arpeggiata/Pluhar - with Nuria Rial and Hana Blazikova alternating as soloists:

[asin]B00Z54Z2JA[/asin]

I am a bit off Pluhar, she is always messing with the scores, adding things, and taking things out. Rial I like but not always. Blazikova of course I know from the Suzuki Bach cantates series, also a soprano that can go terribly wrong, but most of the time has enough quality in her voice to charm and delight. So how is this one. Rial her vibrato for instance?
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Karl Henning

Дмитрий Дмитриевич [ Dmitri Dmitriyevich (Shostakovich) ]
Concertino for two pf, Opus 94
Дмитрий Дмитриевич и Максим Дмитриевич [ Shostakovich père et fils ]
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Brian

I don't quite know why, but after an hour of Stacy Garrop's musical language, putting on Maurice Ravel's string quartet feels like the most wonderful, refreshing thing. Like lying down for a nap after a hot afternoon.


king ubu

Quote from: Harry's corner on November 06, 2015, 07:37:11 AM
I am a bit off Pluhar, she is always messing with the scores, adding things, and taking things out. Rial I like but not always. Blazikova of course I know from the Suzuki Bach cantates series, also a soprano that can go terribly wrong, but most of the time has enough quality in her voice to charm and delight. So how is this one. Rial her vibrato for instance?
I enjoy what I've heard so far by Pluhar - the Purcell I found somewhat less interesting than other discs such as the Monteverdi Teatro d'Amore or Via Crucis (guess those two are my favourites). Rial's singing I love, she can do no wrong for me (does she ever apply too much vibrato? really? no need to start a fight over this, tastes differ, but if you can point to me to a piece where you think she does, please tell me and I'll re-listen). Blaziková is mostly new to me, but she's as charming as Rial here, I feel. And most of the charts seem quite reduced ... obviously there's some of that nutty baroque trumpet, but little drumming and fully-fledged "swinging" here.

I have the Cavalli double disc by Alarcon lined-up too - will be interesting to compare, I'm sure!
Es wollt ein meydlein grasen gan:
Fick mich, lieber Peter!
Und do die roten röslein stan:
Fick mich, lieber Peter!
Fick mich mehr, du hast dein ehr.
Kannstu nit, ich wills dich lern.
Fick mich, lieber Peter!

http://ubus-notizen.blogspot.ch/

Harry

Quote from: king ubu on November 06, 2015, 07:57:33 AM
I enjoy what I've heard so far by Pluhar - the Purcell I found somewhat less interesting than other discs such as the Monteverdi Teatro d'Amore or Via Crucis (guess those two are my favourites). Rial's singing I love, she can do no wrong for me (does she ever apply too much vibrato? really? no need to start a fight over this, tastes differ, but if you can point to me to a piece where you think she does, please tell me and I'll re-listen). Blaziková is mostly new to me, but she's as charming as Rial here, I feel. And most of the charts seem quite reduced ... obviously there's some of that nutty baroque trumpet, but little drumming and fully-fledged "swinging" here.

I have the Cavalli double disc by Alarcon lined-up too - will be interesting to compare, I'm sure!

Of course not we will not fight over this, unless you want to? :laugh:
I heard recently a sampler on which she sang something, I forgot what, but I was surprised about the vibrato, I will try to find which disc that was. And as you say tastes differ, and good that is!
I am sure what you have of Rial is all good. I am simply quickly put off by added vibrato. Still I find her a good singer.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"