What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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Karl Henning

Another first listen:

Birtwistle
Tragœdia (1965)
Melos Ensemble


[asin]B004HF0PFE[/asin]
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Brahmsian

Quote from: Brian on February 09, 2016, 09:54:48 AM
I'm listening to the piece now, myself. Florestan started a listening party!



Now, on my 4th or 5th listen, finally realized that the pianist foreshadows the largo/passacaglia by playing its main theme, in full, at the end of the scherzo.

By the way, I sampled a couple minutes of the Yudina recording on YouTube and, aside from the 1957 sound, the 2-3 clips seemed good enough.

Pounds the table.  Without vehicle.

North Star

Quote from: karlhenning on February 09, 2016, 10:54:54 AM
Another first listen:

Birtwistle
Tragœdia (1965)
Melos Ensemble

A cool piece, as far as I recall (it's been a long while, though). What do you think of it, Karl?
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

Todd





Disc 1 again.  One of my purchases of the year, no doubt about it.
The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Panem et Artificialis Intelligentia

Karl Henning

Quote from: North Star on February 09, 2016, 11:09:29 AM
A cool piece, as far as I recall (it's been a long while, though). What do you think of it, Karl?

Agreed!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Camphy


Sergeant Rock

#61186
Quote from: Brian on February 09, 2016, 09:54:48 AM
I'm listening to the piece now, myself. Florestan started a listening party!

I'd like to join the party. I bought the same performance Brian has but it's lost in one of the uncatalogued piles that clutter my house  :(  I'll keep looking.

Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Sergeant Rock

K.A. Hartmann Adagio (Symphony No.2), Dohnányi conducting the Cleveland




Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Karl Henning

Hat tip to our Brian (a first listen):

Mendelssohn
Prelude & Fugue in e minor, Op.35 № 1
Frith


[asin]B00000140U[/asin]
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Tsaraslondon



This is a gorgeous disc. It starts with the Serenade to Music, in its original version, which was written for 16 famous soloists, who performed it at its premiere at the Royal Albert Hall on October 5th, 1938, on the occasion of Sir Henry Wood's "Jubilee". The soloists here (names of originals in brackets) are
Elizabeth Connell (Eva Turner)
Anne Dawson (Stiles Allen)
Linda Kitchen (Elsie Suddaby)
Amanda Roocroft (Isobel Baillie)
Diana Montague (Mary Jarred)
Jean Rigby (Astra Desmond)
Sarah Walker (Muriel Brunskill)
Catherine Wyn-Rogers (Margaret Balfour)
John Mark Ainsley (Heddle Nash)
Arthur Davies (Walter Widdop)
Maldwyn Davies (Parry Jones)
Martyn Hill (Frank Titterton)
Thomas Allen (Roy Henderson)
Alan Opie (Robert Easton)
John Connell (Norman Allin)
Gwynne Howell (Harold Williams).

Though some of these names may not resonate in the mind as some of their illustrious predecessors, they nevertheless give a beautiful performance.

It is followed by the Five Mystical Songs and Fantasia on Christmas Carols, both featuring Thomas Allen as soloist, and the disc finishes with that beautifully strange work Flos Campi, for viola (Nobuko Imai), small wordless chorus and chamber orchestra, one of the most haunting pieces Vaughan Williams ever wrote.

The Corydon Singers and English Chamber Orchestra are conducted by Matthew Best.
\"A beautiful voice is not enough.\" Maria Callas

NikF

Quote from: karlhenning on February 09, 2016, 11:51:17 AM
Hat tip to our Brian (a first listen):

Mendelssohn
Prelude & Fugue in e minor, Op.35 № 1
Frith


[asin]B00000140U[/asin]

My copy is on the way. And it'll be a first listen for me too.
Hope you enjoy yours!
"You overestimate my power of attraction," he told her. "No, I don't," she replied sharply, "and neither do you".

Karl Henning

Quote from: NikF on February 09, 2016, 11:57:07 AM
My copy is on the way. And it'll be a first listen for me too.
Hope you enjoy yours!

Very well!

Now:

Mendelssohn
Prelude & Fugue in D, Op.35 № 2
Prelude & Fugue in b minor, Op.35 № 3
Frith


[asin]B00000140U[/asin]
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Quote from: Greg Mitchell on February 09, 2016, 11:56:06 AM


This is a gorgeous disc. It starts with the Serenade to Music, in its original version, which was written for 16 famous soloists, who performed it at its premiere at the Royal Albert Hall on October 5th, 1938, on the occasion of Sir Henry Wood's "Jubilee". The soloists here (names of originals in brackets) are
Elizabeth Connell (Eva Turner)
Anne Dawson (Stiles Allen)
Linda Kitchen (Elsie Suddaby)
Amanda Roocroft (Isobel Baillie)
Diana Montague (Mary Jarred)
Jean Rigby (Astra Desmond)
Sarah Walker (Muriel Brunskill)
Catherine Wyn-Rogers (Margaret Balfour)
John Mark Ainsley (Heddle Nash)
Arthur Davies (Walter Widdop)
Maldwyn Davies (Parry Jones)
Martyn Hill (Frank Titterton)
Thomas Allen (Roy Henderson)
Alan Opie (Robert Easton)
John Connell (Norman Allin)
Gwynne Howell (Harold Williams).

Though some of these names may not resonate in the mind as some of their illustrious predecessors, they nevertheless give a beautiful performance.

It is followed by the Five Mystical Songs and Fantasia on Christmas Carols, both featuring Thomas Allen as soloist, and the disc finishes with that beautifully strange work Flos Campi, for viola (Nobuko Imai), small wordless chorus and chamber orchestra, one of the most haunting pieces Vaughan Williams ever wrote.

The Corydon Singers and English Chamber Orchestra are conducted by Matthew Best.

This can be no coincidence . . . that I ordered a copy of this very disc this past week . . . .
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Sergeant Rock

Quote from: karlhenning on February 09, 2016, 11:51:17 AM
Hat tip to our Brian Mendelssohn
Prelude & Fugue in e minor, Op.35 № 1
(a first listen):

Saul would be so proud  ;)

(Full disclosure...I love Mendelssohn-Bartholdy)

Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Brian

How are you liking it, Karl?

Since I'm going on a trip tomorrow, there will be no chance for classical music listening for me...until the NY Phil LIVE Saturday  8) 8) getting in a few beloved pieces and beloved performances to tide over my spirit, starting with this ultra-bold Dvorak account:


EigenUser

Quote from: Sergeant Rock on February 09, 2016, 12:08:37 PM
Saul would be so proud  ;)

(Full disclosure...I love Mendelssohn-Bartholdy)

Sarge
He's taking a break from composing The Worst Viola Sonata Ever.
Beethoven's Op. 133 -- A fugue so bad that even Beethoven himself called it "Grosse".

Tsaraslondon

Quote from: karlhenning on February 09, 2016, 12:06:50 PM
This can be no coincidence . . . that I ordered a copy of this very disc this past week . . . .

Really? I got it today.
\"A beautiful voice is not enough.\" Maria Callas

Karl Henning

Quote from: EigenUser on February 09, 2016, 12:16:48 PM
He's taking a break from composing The Worst Viola Sonata Ever.

That one's long done. Striving for The World's Worst Clarinet SonataI can do it!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

listener

I put this off for a long time because the disc and the booklet felt heavy, but the music isn't!!
SCHUMANN: Der Rose Pilgerfahrt  op. 112
Christian Oelze, Birgit Remmert, Werner Güra, Hanno Müller-Brachann  SATB,  RIAS-Kammerchor
Philip Mayer, piano (Streicher)    Marcus Creed, cond.
Schumann later orchestrated it, probably losing its intimacy.
nice, Romantic lieder/cantata, to be repeated soon

"Keep your hand on the throttle and your eye on the rail as you walk through life's pathway."