What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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Harry

Quote from: Que on September 14, 2016, 01:15:58 AM
I think René Jabobs' career change to (glorious) conducting must have been a matter of Divine Intervention... :D

Q

I think we all agree about this horrible time when he tried to sing. I did not even keep those discs in the SEON box, threw them away when I opened the box. Still have nightmares about his voice, but as a conductor he is quite good.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Harry

Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Harry

Quote from: Jeffrey Smith on September 13, 2016, 06:55:33 PM
The SEON box has the Kiukjens's Couperin recordings, which should be on everyone's need-to-have list.  At least a couple of them are unobtainable any other way.
I also liked the Leonhardt Bach recordings much better than Harry.


I liked all the Leonhardt recordings for what they are, excellent interpretations belonging firmly to their time. Some of them, especially the organ recordings from Northern Italy are sublime and for me reference. It is true that I have problems with how he plays all the music in this box, but that's just detail criticism and never a doubt about his musicianship. I find that Dutch people are more critical about him and Bruggen for instance as in the rest of the world.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

The new erato

Quote from: Que on September 14, 2016, 01:15:58 AM
I think René Jabobs' career change to (glorious) conducting must have been a matter of Divine Intervention... :D

Q
Yes, as a singer he was a hoot.

Florestan



Kyrie in F major KV 33 (1766)

Only the pure heart of a child can supplicate God in such a jocund manner. Haydn would have been delighted to hear it.
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

Reckoner


Florestan

#72826
Quote from: Florestan on September 14, 2016, 03:04:08 AM


Kyrie in F major KV 33 (1766)

Only the pure heart of a child can supplicate God in such a jocund manner. Haydn would have been delighted to hear it.

Same work, different performance



Dagmar Schellenberger-Ernst (Soprano), Michael-Christfried Winkler (Organ), Herbert Kegel (Conductor)
Leipzig Radio Chorus
Leipzig Radio Symphony Orchestra

Now I am really confused. Kegel´s version is much slower (3:45) and reverential than Harnoncourt´s (1:38). The differences are striking, it´s as if you´re listening to two different pieces. Who is right? Musically and psychologically my preference goes to Harnoncourt, but is he historically accurate?

EDIT: I see the score is marked Larghetto but Harnconcourt sounds more like Andantino... I think both versions are very good and work equally well, but my romantic self has a soft spot for Harnoncourt.  :)

Oh, and btw: why is there a metronome marking in the score? Who came up with it? Certainly not Wolfferl neither Leopold.  ???



"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

Wanderer


Mister Sharpe

"Don't adhere pedantically to metronomic time...," one of 20 conducting rules posted at L'École Monteux summer school.

Harry

What better in this hot weather outside (32 degrees Celsius) than music from Shakespeare's time? Well okay, a cold beer maybe.... :laugh:

http://walboi.blogspot.nl/2016/09/the-sound-of-shakespeare-go-crystal.html?spref=tw
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Que

#72830
Quote from: Harry's corner on September 14, 2016, 02:52:03 AM
I liked all the Leonhardt recordings for what they are, excellent interpretations belonging firmly to their time. Some of them, especially the organ recordings from Northern Italy are sublime and for me reference. It is true that I have problems with how he plays all the music in this box, but that's just detail criticism and never a doubt about his musicianship. I find that Dutch people are more critical about him and Bruggen for instance as in the rest of the world.

I do like his organ recordings best as well, and already had them since they were included in the Sony Leonhardt Edition.  :)

Quote from: Harry's corner on September 14, 2016, 04:39:23 AM
What better in this hot weather outside (32 degrees Celsius) than music from Shakespeare's time? Well okay, a cold beer maybe.... :laugh:

http://walboi.blogspot.nl/2016/09/the-sound-of-shakespeare-go-crystal.html?spref=tw

Cold beer sounds excellent, as does that box set with music from Shakespeare's time.

Q


Karl Henning

I actually listen to Игорь Фëдорович:

Symphonie de psaumes
London Symphony Chorus & Orchestra
MTT
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

North Star

G'day, Karl!

I actually listened to Renard from the Stravinsky box on Sony last night.

Now, after continuing my second complete run through the Suzuki Bach cantata set, some more Haydn symphpnies..

Haydn
Symphony No. 56 in C major (1774)
The Academy of Ancient Music
Hogwood

[asin]B01BHFPU3S[/asin]

Bach
Gott ist unsre Zuversicht, BWV 197
Hana Blazíkova, Damien Guillon, Gerd Türk, Peter Kooij
Bach Collegium Japan
Suzuki

[asin]B00N9LNLOY[/asin]
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

Madiel

Quote from: Florestan on September 14, 2016, 01:06:40 AM
And the first composer whose music I´ll explore in chronological order is...



Scherzo in B-flat minor op. 4
Piano Sonata No. 2 in F-sharp minor op. 2
Piano Sonata No. 1 in C major op. 1
Six Songs op. 3

Wilhelm Kempff (S)
Anatol Ugorsky (PS1, PS2)
Jessye Norman, Dietrich Fischer-Diskau, Daniel Barenboim (SS)

A fine choice, Sir!
Nobody has to apologise for using their brain.

Karl Henning

Quote from: North Star on September 14, 2016, 05:19:21 AM
G'day, Karl!

I actually listened to Renard from the Stravinsky box on Sony last night.

Now, after continuing my second complete run through the Suzuki Bach cantata set, some more Haydn symphpnies..

Haydn
Symphony No. 56 in C major (1774)
The Academy of Ancient Music
Hogwood



Bach
Gott ist unsre Zuversicht, BWV 197
Hana Blazíkova, Damien Guillon, Gerd Türk, Peter Kooij
Bach Collegium Japan
Suzuki



A thoroughly outstanding program, Karlo!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Quote from: ørfeø on September 14, 2016, 05:21:38 AM

Quote from: Florestan on September 14, 2016, 01:06:40 AM
And the first composer whose music I´ll explore in chronological order is...



Scherzo in B-flat minor op. 4
Piano Sonata No. 2 in F-sharp minor op. 2
Piano Sonata No. 1 in C major op. 1
Six Songs op. 3

Wilhelm Kempff (S)
Anatol Ugorsky (PS1, PS2)
Jessye Norman, Dietrich Fischer-Diskau, Daniel Barenboim (SS)

A fine choice, Sir!

"When you're right, you're right."
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot


Madiel

Finding myself unexpectedly charmed by op.14/2, the last work in my 1798-1800 "chunk" of Beethoven.

[asin]B0000DB55A[/asin]
Nobody has to apologise for using their brain.

ComposerOfAvantGarde

Dean: Eclipse  (string quartet no. 1)



Wow this is more intense than I remember!!!!