What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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SurprisedByBeauty

Listening to

Fugue for Thought's podcast with Gurn Blanston.

http://fugueforthought.podbean.com/

SimonNZ

#78241
Quote from: zamyrabyrd on November 17, 2016, 11:53:38 PM
His 6th what? (I am interested to know.)

****

playing now:



Messiaen's La nativité du seigneur - Jennifer Bate, organ

Madiel

#78242
First listen: Schumann, 'Zwickau' Symphony

[asin]B00H5DNC32[/asin]

EDIT: There's definitely a fair bit of Beethoven influence in there, at least in this recording.
Nobody has to apologise for using their brain.

anothername


Georg Solti conducts: Strauss- Der Rosenkavalier.

Madiel

Schubert, Moments Musicaux, Brendel

[asin]B0000041MS[/asin]

The Moments Musicaux are the one thing in this collection I already have a recording of, with Andras Schiff playing. I've always struggled a bit with that particular Schiff recording, feeling that it lacked energy or presence. I like the Brendel better already.

Looking forward to the rest of the set.
Nobody has to apologise for using their brain.

Sergeant Rock

Stravinsky Jeu de cartes, Kegel conducting the RSO Leipzig




Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Madiel

Nielsen, Symphony No.1

[asin]B005FF2U2Q[/asin]

Great stuff. And very extensive essays in the booklet for this box.

I can well understand why, in the age of late Romanticism, the first reviewers were struck by the "breathlessness" of Nielsen's music. There's no wallowing and lingering here.
Nobody has to apologise for using their brain.

andolink

Stereo: PS Audio DirectStream Memory Player>>PS Audio DirectStream DAC >>Dynaudio 9S subwoofer>>Merrill Audio Thor Mono Blocks>>Dynaudio Confidence C1 II's (w/ Brick Wall Series Mode Power Conditioner)

Mister Sharpe

Koechlin's Sur les flots lointains, comes in two packages, for strings or small orchestra :

"Don't adhere pedantically to metronomic time...," one of 20 conducting rules posted at L'École Monteux summer school.

zamyrabyrd

Quote from: Don Carlo on November 18, 2016, 03:06:29 AM
Georg Solti conducts: Strauss- Der Rosenkavalier.

How interesting! I would never associate Crespin with the Marschallin but the reviews are very good. She has more of a mezzo quality and the Fach if this role is very high. I would really like to hear this recording. Thanks for posting.
"Men, it has been well said, think in herds; it will be seen that they go mad in herds, while they only recover their senses slowly, one by one."

― Charles MacKay, Extraordinary Popular Delusions and the Madness of Crowds

Karl Henning

Quote from: ørfeo on November 18, 2016, 04:15:52 AM
Nielsen, Symphony No.1

[asin]B005FF2U2Q[/asin]

Great stuff. And very extensive essays in the booklet for this box.

I can well understand why, in the age of late Romanticism, the first reviewers were struck by the "breathlessness" of Nielsen's music. There's no wallowing and lingering here.

Splendid.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Thread duty . . . the accompaniment to (variously) a composed percussion solo, and to a quartet of winds in guided improvisation:

http://www.youtube.com/v/dcofMh91_7M
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Sergeant Rock

Delius Appalachia, Barbirolli conducting the Hallé




Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Mirror Image

Quote from: ørfeo on November 18, 2016, 04:15:52 AMI can well understand why, in the age of late Romanticism, the first reviewers were struck by the "breathlessness" of Nielsen's music. There's no wallowing and lingering here.

And this is a quality that was prominent not only in his music, but his own life as well. As I said in another thread, the guy never stopped. He always was on a forward-looking path.

Thread duty:



Listening to Apollo. Really gorgeous work.

bhodges

Still replaying (in my head) two quite different versions of Ravel's Daphnis et Chloé, heard just 5 days apart: first with Vladimir Jurowski and the New York Philharmonic, and then with Yannick Nézet-Séguin and the Philadelphia Orchestra. Both excellent, but I give Jurowski the win by a hair: an "on fire" reading, with unexpected emphasis on the score's flashes of Stravinsky.

--Bruce

Mirror Image

Now:



Listening to the whole disc. Abbado's mastery of Mussorgsky's idiom is quite apparent from the beginning.

Sergeant Rock

Delius In a Summer Garden, Barbirolli conducting the Hallé




Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Papy Oli

Good afternoon all,

Shostakovich - Jazz Suites (Chailly, Concertgebouw)

[asin]B0000041ZT[/asin]

Olivier

Mirror Image

Quote from: Papy Oli on November 18, 2016, 07:29:24 AM
Good afternoon all,

Shostakovich - Jazz Suites (Chailly, Concertgebouw)

[asin]B0000041ZT[/asin]

Great stuff. 8)

Papy Oli

Quote from: Mirror Image on November 18, 2016, 07:52:47 AM
Great stuff. 8)

yup, I had forgotten how much fun this one was. I'll re-line up the Dance Album next again  :laugh:
Olivier