What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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Mahlerian

Schoenberg: Five Pieces for Piano, Op. 23
Glenn Gould
"l do not consider my music as atonal, but rather as non-tonal. I feel the unity of all keys. Atonal music by modern composers admits of no key at all, no feeling of any definite center." - Arnold Schoenberg

ritter

Well, OK then  ;)

Arnold Schoenberg: Five Pieces for Piano, op. 23 - Paul Jacobs


Sergeant Rock

Quote from: Mahlerian on November 26, 2016, 08:05:20 AM
Schoenberg: Five Pieces for Piano, Op. 23 Glenn Gould

Quote from: ritter on November 26, 2016, 08:18:55 AM
Well, OK then  ;)

Arnold Schoenberg: Five Pieces for Piano, op. 23 - Paul Jacobs

Me too.




Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Mandryka



Stanley Ritchie plays BWV 1004. once again I was struck by the way he makes the music come alive through the interplay of voices, rather than just through long singing melodies. He does this partly through the rhetorical (short cell) articulation, but also by exploiting the sonic qualities of the violin, which is very characterful in all registers , especially lower (I'm sorry if that's keyboard speak - you know what I mean I hope!) The tempos seem to help create the impression of spontaneous music making.

A brief and unscientific selective comparison with Fernandez and Terakado suggests that his contrapuntal style is not ubiquitous (guarding my words there), and if that's right he brings something new and interesting to the game.
Wovon man nicht sprechen kann, darüber muss man schweigen

Sergeant Rock

Schoenberg Suite for Piano op.25, Glenn Gould




Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Karl Henning

Quote from: Mahlerian on November 26, 2016, 08:05:20 AM
Schoenberg: Five Pieces for Piano, Op. 23
Glenn Gould


Quote from: ritter on November 26, 2016, 08:18:55 AM
Well, OK then  ;)

Arnold Schoenberg: Five Pieces for Piano, op. 23 - Paul Jacobs



Quote from: Sergeant Rock on November 26, 2016, 08:47:31 AM
Me too.




Sarge

A fine way to prepare for Advent I, eh?  0:)
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Mahlerian

"l do not consider my music as atonal, but rather as non-tonal. I feel the unity of all keys. Atonal music by modern composers admits of no key at all, no feeling of any definite center." - Arnold Schoenberg

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Sergeant Rock

Schoenberg Chamber Symphony No.1 op.9, Sieghart conducting Wiener Concert-Verein




Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Sergeant Rock

Quote from: k a rl h e nn i ng on November 26, 2016, 09:41:36 AM
A fine way to prepare for Advent I, eh?  0:)

Indeed...I always listen for the "Jingle Bells" quote in op.23  ;D

Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Dee Sharp

Schoenberg: Piano Music. Op. 11, Op.19 Pollini.


prémont

Tread duty:

Dieupart. Six suites for harpsichord.
Fernando Miguel Jaloto
Harpsichord by Klinkhammer after Labréche, A = 408 Hz.
Brilliant Classics doubleCD.

These suites are inventive and skilfully crafted and artistically at least at the level of d´Angelbert.
Jaloto's interpretation is naturally flowing, expressive and beautiful. Recorded sound is state of the art.
So I can not recommend these CDs too much.
Any so-called free choice is only a choice between the available options.

kishnevi

Quote from: SurprisedByBeauty on November 26, 2016, 02:57:54 AM
Quail-thanksgiving dinner went excellently well; preceded by Pumpkinparsnipapplesoup, served with Lardowalnutcognacbrusselssprouts and zestyorangecranberries, followed by a surprisingly successful Appleappleapplepie with triplezestwhippedcream.


#morninglistening to #MaxReger w/Bernhard Buttmann, far and away the most attractive Reger... http://ift.tt/2fnEMeR


Love this series! Vol.1 hooked me; v.4 continues the journey; must explore the two between.

I don't think I can write a review without resorting to puerile humor... But Benny, as no one calls Prof. Buttmann, just brings out the inner Bart Simpson in me.

It is good music--I went through the not actually complete Naxos set not long ago--but Reger seems to have no objection to that sort of humor.
TD
Schubert
Sonata for Arpeggione and Piano in a minor D821
Introduction, Theme and Variations Flute and Piano on "Trockne Blumen"  D 802 op post. 60

Klaus Stock arpeggione
Hans-Martin Linde transverse flute
Alfons Kontarsky fortepiano
CD 32 of the Arkiv Analogue box
I think this may be the first time I have heard a performance of the sonata with an actual arpeggione.

Todd




Sonata 3.  It reaffirms, if reaffirmation were needed, that this is one of my purchases of the year.
The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

North Star

First listen (to these recordings)
Mahler
Lieder eines fahrenden Gesellen*
Rückert-Lieder^
Kindertotenlieder"
Thomas Quasthoff*, Violeta Urmana^, Anne Sofie von Otter"
Wiener Philharmoniker
Boulez

[asin]B0006M4RPG[/asin]

From this recent arrival 8)
[asin]B004NO5HLG[/asin]
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

SimonNZ



Charles Avison: Concertos in Seven Parts Done From the Lessons of Domenico Scarlatti - Cafe Zimmermann

prémont

Quote from: SurprisedByBeauty on November 26, 2016, 11:43:32 AM
I strongly suspect I got that from Tully Potter's liner notes.

In this box??

http://www.prestoclassical.co.uk/r/Warner%2BClassics/2564601931

Because I own an older release of the Brandenburgs and suites.
Any so-called free choice is only a choice between the available options.

Sergeant Rock

#78857
Strauss/Schoenberg Kaiserwalzer for string quartet, flute, clarinet and piano; and then Arnie's Op.29 Suite.




Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Todd

The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Spineur

#78859
Film opera on Rimsky Korsakov, The Tsar bride

Most of the roles (but not all) are doubled actor/singer

[asin]B000Q66PY8[/asin]

Great actors, sets, costumes, chorus.  The cinematography is fantastic.  Direction: Yevgeny Svetlanov, bolshoi opera orchestra.
Only the mono sound leaves to be desired.

Gripping film-opera.  A masterpiece.