What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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Karl Henning

Chopin
Ballade № 1 in g minor, Op.23 (B.66)
Владимир Давидович [ Vladimir Davidovich (Ashkenazy) ]
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Mirror Image

Quote from: Mirror Image on December 14, 2017, 05:14:24 AM
G'day, all!

Now playing:



This was a fantastic performance all-around. Dare I say it's one of Slatkin's best performances? Okay...I dare!

Mirror Image

Now playing Fantasia Concertante on a Theme of Corelli:


Karl Henning

Busoni
Berceuse élégiaque, Op.42 (BV 252a)
BBC Phil
Järvi
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

anothername


Brian


Mahlerian

Monteverdi: Vespers of 1610
Boston Baroque, dir. Pearlman
[asin]B000003D2F[/asin]
"l do not consider my music as atonal, but rather as non-tonal. I feel the unity of all keys. Atonal music by modern composers admits of no key at all, no feeling of any definite center." - Arnold Schoenberg

North Star

First-listen Thursday
Mompou
Volodos

[asin]B00BAC76MM[/asin]
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

Josquin13

#104268
Quote from: San Antonio on December 13, 2017, 03:52:49 PM
The Orlando Consort is a reliable group in this repertory.  Have you listened to their on-going Machaut series being released on Hyperion?  There are four volumes so far.  The aim is to record his entire body of songs, etc.  I've enjoyed them.

Yes, I've heard their Machaut in the first two volumes.  I've yet to collect the last two.  There's so much to get to!  I've enjoyed their Machaut as well, though I'm not sure if its my favorite Machaut to date, even if I am grateful to them for taking on such a valuable project.  But I've yet to sit down and compare their Machaut to other favorite recordings (such as Thomas Binkley's, Ensemble Musica Nova, Liber unUsualis, Medieval Ensemble of London, etc.).

I also may slightly prefer the original line up of singers in the Orlando Consort.  For example, I don't think I've ever heard better counter-tenor singing than on the Orlando's Josquin Motet disc.  Though that's certainly not a criticism of the current line up, which is very fine too.

Thread duty--right now, I'm listening to the music of Johannes Ciconia, performed by La Morra, a favorite group of mine.  They've recorded the complete works ("Opera Omnia") by Ciconia with the ensemble Diabolus in Musica in this highly recommendable box set:

[asin]B0053SQSNM[/asin]

For me, Ciconia was one of the great composers in music history.



Ken B

Sibelius
Symphony 2
Pittsburgh, Maazel

Cato

Quote from: k a rl h e nn i ng on December 14, 2017, 06:40:47 AM
Busoni
Berceuse élégiaque, Op.42 (BV 252a)
BBC Phil
Järvi


Excellent work!  In one sense, a companion to the Nocturne Symphonique.

https://www.youtube.com/v/nxv0x-lPLbY
"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

San Antone



Pärt: Kanon Pokajanen
Estonian Philharmonic Chamber Choir | Tõnu Kaljuste

aligreto

Mahler: Symphony No. 2 [Sinopoli]....





I find this to be a strong, assertive interpretation. The performance is powerful, dark, brooding and sometimes angry, always noble and very well portrayed.

Mandryka



Pomerium, Busnoys,  Very Good.
Wovon man nicht sprechen kann, darüber muss man schweigen

Ken B

Beethoven
Symphony 8
Cleveland, Maazel

always one of my favourite Beethoven cycles.

Mahlerian

Quote from: aligreto on December 14, 2017, 07:58:57 AM
Mahler: Symphony No. 2 [Sinopoli]....





I find this to be a strong, assertive interpretation. The performance is powerful, dark, brooding and sometimes angry, always noble and very well portrayed.

Can you tell me which lieder are represented by the "6 Fruhe Lieder" mentioned on the cover?
"l do not consider my music as atonal, but rather as non-tonal. I feel the unity of all keys. Atonal music by modern composers admits of no key at all, no feeling of any definite center." - Arnold Schoenberg

San Antone


aligreto

JS Bach: Partitas Nos. 2 & 3 BWV 826 & BWV 827 [Leonhardt]



aligreto

Quote from: Mahlerian on December 14, 2017, 09:42:30 AM



Can you tell me which lieder are represented by the "6 Fruhe Lieder" mentioned on the cover?


Selbtstgefuhl
Fruhlingsmorgen
Nicht wiedersehen
Zu Strassburg auf der Schanz
Ablosung im Sommer
Um schlimme Kinder artig zu machen


Mahlerian

Quote from: aligreto on December 14, 2017, 10:04:54 AM

Selbtstgefuhl
Fruhlingsmorgen
Nicht wiedersehen
Zu Strassburg auf der Schanz
Ablosung im Sommer
Um schlimme Kinder artig zu machen


Thanks.  I see they're all from his collection Lieder und Gesange, rather than reaching back to the earliest extant songs (which is fine, because those songs weren't very good anyway).
"l do not consider my music as atonal, but rather as non-tonal. I feel the unity of all keys. Atonal music by modern composers admits of no key at all, no feeling of any definite center." - Arnold Schoenberg