What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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SimonNZ


kyjo

Quote from: ritter on August 18, 2019, 12:52:56 PM
Jacques Ibert's  ballets Le chevalier errant (suite) and Les amours de Jupiter:

[asin]B00SZ0OO7C[/asin]
Enjoyable and atmospheric (probably too atmospheric, reminiscent of cheapish film music at times  ::)).

I enjoy a lot of music that has been described as "cheapish film music". So, thanks for the recommendation! :P
"Music is enough for a lifetime, but a lifetime is not enough for music" - Sergei Rachmaninoff

SymphonicAddict


SymphonicAddict



Glagolitic Mass: A fantastic recording of my all-time favorite mass (along with Beethoven's Missa Solemnis). However, something I've always noticed in nearly every recording of this work is the few fluency of the soloists. It seems like they struggle to sing.




Sonata for piano duo in F major: As almost every work of this composer, it's a lovely piece with some memorable tunes. The 3rd movement has a melody that seems coming from the Bach's Brandenburg Concerto No. 1.

JBS

Bought the most recent [in the US] BBC Music Magazine, Vol 27 No 11 [August 2019]
Just finished listening to it.
Contents
Ravel Sheherazade  Sarah Connolly, BBC Natl Orch Wales, Thomas Sondergard conductor
Debussy Nocturnes BBC Natl Orch Wales, Pascal Rophe conductor
Boulanger  Faust et Helene BBC Symph Orch, James Gaffigan conductor Vocalists: Katarina Dalayman (Helene), Samuel Sakker (Faust), Benedict Nelson (Mephistopheles)

Anyone interested in Boulanger will probably want this CD. Faust et Helene was her winning entry for the Prix de Rome in 1913. Half an hour long, based on an episode in Goethe's Faust Part II, seems much better than the Prix de Rome entries I have heard from Debussy and Ravel.

Hollywood Beach Broadwalk

Karl Henning

Quote from: Madiel on August 18, 2019, 03:08:48 AM
Home Internet is dead so no pictures from me.

Dvorak, The Noon Witch.
Holmboe, Sinfonia in Memoriam. I'd forgotten how beautifully luminous the first movement is...

Both excellent.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Daverz

Myaskovsky: Symphony No. 23

[asin]B000XCTD5S[/asin]

Two beautiful slow movements followed by a rollicking finale.  Based on this, Myaskovsky was one of the great British composers.

Que


vandermolen

Quote from: Daverz on August 18, 2019, 07:49:44 PM
Myaskovsky: Symphony No. 23

[asin]B000XCTD5S[/asin]

Two beautiful slow movements followed by a rollicking finale.  Based on this, Myaskovsky was one of the great British composers.
Haha. I think that it's one of the most approachable and immediately engaging of the Miaskovsky symphonies. He uses quite a few folk tunes which perhaps makes the work sound a bit 'British'. It was written during his period of evacuation to the Caucasus during World War Two, hence the local folk tunes.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

vandermolen

Quote from: Irons on August 18, 2019, 03:47:25 AM
Coincidently I picked up the Dyson on Friday. I listened to the Overture and Concerto with the Symphony to follow. I have not formed an opinion of the Concerto da Chiesa on a single playing. Not the type of work to grab you by the lapels.

I like this CD very much and prefer the performance of the Symphony to the one on Chandos, good as that one is as well.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Madiel

#140431
It has been 5.5 months since my last Bach cantata...



BWV 102.

EDIT: The opening chorus and the alto aria are both very impressive.
Every single post on the forum is unnecessary. Including the ones that are interesting or useful.

Madiel

Holmboe, Concerto for oboe and viola

Every single post on the forum is unnecessary. Including the ones that are interesting or useful.

Irons

Quote from: Daverz on August 18, 2019, 07:49:44 PM
Myaskovsky: Symphony No. 23

[asin]B000XCTD5S[/asin]

Two beautiful slow movements followed by a rollicking finale.  Based on this, Myaskovsky was one of the great British composers.

I have always thought Russian and British music are often cut from the same cloth.
You must have a very good opinion of yourself to write a symphony - John Ireland.

I opened the door people rushed through and I was left holding the knob - Bo Diddley.

Irons

Quote from: vandermolen on August 18, 2019, 09:10:26 PM
I like this CD very much and prefer the performance of the Symphony to the one on Chandos, good as that one is as well.

Good to know. After such a positive response I will give the disc the attention it deserves.
You must have a very good opinion of yourself to write a symphony - John Ireland.

I opened the door people rushed through and I was left holding the knob - Bo Diddley.


Irons

Sibelius: 2nd Symphony.



The first Sibelius symphony I heard (Gibson). Over forty years ago and I can still recall that WOW moment.
You must have a very good opinion of yourself to write a symphony - John Ireland.

I opened the door people rushed through and I was left holding the knob - Bo Diddley.

Traverso

Bach

6 Schübler Chorales BWV 645-650
18 Leipzig Chorales  BWV 651-668

The Amsterdam Baroque Choir
Christian Müller organ  Leeuwarden

Ton Koopman


Andy D.

Quote from: k a rl h e nn i ng on August 18, 2019, 07:18:28 PM
Exquisite!

Oh man the Boulez Schoenberg! (drool drool) Wish I was you, dude (not just because you're such a fine composer and friend :) )

Me:

Enjoying maestro Malcom Arnold's music for winds (Naxos).

Madiel

Sibelius, In Memoriam



I noted when I was busy sampling Sibelius orchestral recordings and choosing what to buy that Segerstam, in both of his recordings, plays this far slower than anyone else. Which is a general habit of his in any case, but when it comes to a piece called In Memoriam that is essentially a funeral march, it makes a hell of a lot of sense. He gives the piece far more weight than rival conductors.

And it certainly does sound like something composed in the same era as the 4th symphony.
Every single post on the forum is unnecessary. Including the ones that are interesting or useful.