What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

Previous topic - Next topic

0 Members and 7 Guests are viewing this topic.

Ken B

CPE Bach, cello concerti, Suzukis, BIS

Todd





Revisiting Year III from one of my purchases of the year.
The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Que

Quote from: Drasko on August 17, 2014, 09:26:42 AM
.
[asin]B000E3J3P6[/asin]

I hope that will be reissued soon! :)

Breakfast music:

[asin]B001D7T34I[/asin]

Q

Madiel

The last one of my recent purchases finally arrived.

[asin]B00IE6ZWJQ[/asin]

Just doing a tiny bit of sampling, but quite excited by what I'm hearing. LOTS of variety in the tone colours of the different singers, which is one of the explicit selling points of the project - to do the songs in the original keys and to reflect the variety of voices that Rachmaninov originally composed for. The lower male voices sound particularly delicious.

Also, the song 'Fate' is blatantly referencing the opening of Beethoven's 5th symphony...
Nobody has to apologise for using their brain.

ZauberdrachenNr.7

Perfect for picking-up a deary & overcast, heavily humid Monday AM: the Serenade for 13

[asin]B004YP3TNM[/asin]

and then, a reprise (over the weekend I so enjoyed Schoenberg's Five Pieces for Orchestra from this recording).  I had somehow forgotten how much I liked this work but it called to me anew like a memory, a place, a friend.

[asin]B000006PKQ[/asin]

Mandryka

#28525


Ekkehard Weber and Robert Hill play BWV 1029. I had four thoughts:

1  How like a concerto this music is.
2. How subtle and wonderful the relation between the two instruments is. I think this is a real special performance for that reason.
3. How impossible it is to play this on cello and piano and get satisfying results, because the sonority of the harpsichord cutting through the gamba,
4. How impossible to imagine a performance so subtle without ideas about HIP. You know it's like Starker and Sebok or whoever would never have even imagined to play it like this, with these balances, with the voices relating like this.
Wovon man nicht sprechen kann, darüber muss man schweigen

Sergeant Rock

#28526
Haydn Symphony No.54 G major, second version (with added trumpets, flutes, timpani and an introduction to the first movement marked Adagio maestoso).




Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Todd

The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Sergeant Rock

Haydn Symphony No.54 G major, first version




Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Sergeant Rock

the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

EigenUser

Sibelius 4
[asin]B002LTJ30G[/asin]
Beethoven's Op. 133 -- A fugue so bad that even Beethoven himself called it "Grosse".

kishnevi

From the L'Oiseau-Lyre box CDs 29 and 30

(Amazon does not give a cover image for the original issue)

Brian

Second listen to this super-charming album for accordion and cello!


Karl Henning

"Papa"
Symphony № 54 in G (H.I/54), 2nd version
Adagio maestoso intro to mvt 1
AAM
Hogwood


[asin]B009LNI0T0[/asin]
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Mookalafalas

Quote from: Mandryka on August 18, 2014, 05:03:03 AM


Ekkehard Weber and Robert Hill play BWV 1029. I had four thoughts:

1  How like a concerto this music is.
2. How subtle and wonderful the relation between the two instruments is. I think this is a real special performance for that reason.
3. How impossible it is to play this on cello and piano and get satisfying results, because the sonority of the harpsichord cutting through the gamba,
4. How impossible to imagine a performance so subtle without ideas about HIP. You know it's like Starker and Sebok or whoever would never have even imagined to play it like this, with these balances, with the voices relating like this.

Great comments/review.   Lots of provocative thoughts and marvelously succinct.  Kudos.
It's all good...

71 dB

Hindemith - Mathis der Maler Symphony - New Zealand Symphony Orchestra / Franz-Paul Decker
Spatial distortion is a serious problem deteriorating headphone listening.
Crossfeeders reduce spatial distortion and make the sound more natural
and less tiresome in headphone listening.

My Sound Cloud page <-- NEW July 2025 "Liminal Feelings"

André

Jonathan Harvey: Piano Trio; Advaya; Dialogue and Song; etc. Trio Fibonacci, ATMA.

Franz Liszt: orchestral works, incl. Les Préludes, Mazeppa, etc. VSOO, Herrman Scherchen. Westminster.

Ferdinand Hérold (of Zampa fame): Le Pré aux Clercs, opera. 1959 recording with Berthe Montmart, Camille Maurane. Malibran.

Louis van Beethoven: Triple concerto. John Corigliano, Leonard Rose, Walter Hendl. NYPO, Bruno Walter. Sony.

Schubert: Symphony no. 9, "The Great", Columbia Symphony, Bruno Walter. Sony.

Johannes Brahms: Double Concerto. Francescatti, Fournier. Columbia Symphony, Walter. Sony.

Brian

Quite possibly the fastest Schubert "Unfinished" ever?



I. Allegro moderato -- 11:42
II. Andante con moto - 9:23

All repeats included.

The first movement is so much better than the usual ponderous funeral march.

Sergeant Rock

Shostakovich String Quartet No.6 G major played by the Pacifica Quartet




Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"