What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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Ken B

This very appealing collection of American Flute Concerti.

[asin]B00003E497[/asin]

Highlights are Thomson, in a french mood, and Siegmeister, in a light New York one.

not edward

Julius Eastman: Gay Guerrilla (Jeroen van Veen playing multitracked).

Despite the confrontational title, a comparatively restrained essay in post-minimalism. I'm rather taken by the harmonic processes going on here, which strike me as understated but effective: I'd be happy to hear some more of his music getting revived.
"I don't at all mind actively disliking a piece of contemporary music, but in order to feel happy about it I must consciously understand why I dislike it. Otherwise it remains in my mind as unfinished business."
-- Aaron Copland, The Pleasures of Music

kishnevi

Quote from: Ken B on September 16, 2014, 06:28:07 PM
This very appealing collection of American Flute Concerti.

[asin]B00003E497[/asin]

Highlights are Thomson, in a french mood, and Siegmeister, in a light New York one.

I have that CD; remember it as being somewhat fluffy but enjoyable.
And coincidentally,  listening now to some flute concertos of a different era and place
CPE Bach  Flute Concertos in B flat (Wq167/H435), A (Wq 168/H438) and G (Wq 169/H445)
Eckart Haupt flute
Kammerorchester 'Carl Philip Emmanuel Bach"
Hartmut Haenchen conductor
Christine Schornsheim harpsichord
recorded in 1985   
CD6 of the Brilliant CPE Bach Edition.

Come to think of it, these can also be described as fluffy but enjoyable.

Ken B

Quote from: Jeffrey Smith on September 16, 2014, 06:46:05 PM
I have that CD; remember it as being somewhat fluffy but enjoyable.
And coincidentally,  listening now to some flute concertos of a different era and place
CPE Bach  Flute Concertos in B flat (Wq167/H435), A (Wq 168/H438) and G (Wq 169/H445)
Eckart Haupt flute
Kammerorchester 'Carl Philip Emmanuel Bach"
Hartmut Haenchen conductor
Christine Schornsheim harpsichord
recorded in 1985   
CD6 of the Brilliant CPE Bach Edition.

Come to think of it, these can also be described as fluffy but enjoyable.
Yes. The Thomson has a bit more to it, but not enough to feel out of place. All would make attractive fillers on a concert.

amw

Quote from: edward on September 16, 2014, 06:31:35 PM
Julius Eastman: Gay Guerrilla (Jeroen van Veen playing multitracked).

Despite the confrontational title, a comparatively restrained essay in post-minimalism. I'm rather taken by the harmonic processes going on here, which strike me as understated but effective: I'd be happy to hear some more of his music getting revived.
I have the 3cd set of pretty much all of his music that has survived. It's got some of the most powerful music to come out of Downtown, and therefore quite frustrating.

Mirror Image

Now:



Listening to the Cello Concerto. An exceptionally fine work and performance.

Todd

The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Brian

Quote from: Mirror Image on September 16, 2014, 07:00:41 PM
Listening to the Cello Concerto. An exceptionally fine work and performance.
Maybe it's the overt heart-on-sleeve sentimentality, or the big generous melodies, or the scoring that's so effective and emotional despite being mostly very simple and straightforward, but the Cello Concerto is my favorite Weinberg, and I haven't found anything else to put alongside it. Most of his work (certainly the solo cello sonatas) is much thicker, denser, more cerebral and more secretive.

Consider this an invitation to compare the concerto to other Weinberg works.

listener

SMETANA: Wedding Scenes (orchestrated by Josef Hüttl from piano pieces)
OSTRČIL: Peasant Festival, op. 1
Film Symphony Orch.,  Zbyněk Vostřák and Otakar Pařík, cond.
And on the reverse" GOUNOD"  Faust  - Ballet Music
Prague S.O.,  Václav Smetáček, cond.
CARPENTER: Krazy Kat     John POWELL: Rhapsodie Nègre*
GILBERT: The Dance in Place Congo   WEISS: American Life
L.A. Philharmonic O.,  Lawrence Foster (Weiss), Calvin Simmons, cond.
Zita Carno, piano*
"Keep your hand on the throttle and your eye on the rail as you walk through life's pathway."

Mirror Image

Now:





Outstanding performance. Petrenko is a force to be reckoned with in Shostakovich.

Que


Harry

Starting the morning with Madrigali! New Acquisition, first listen.  Goodmorning to all.

http://walboi.blogspot.nl/2014/09/monteverdi-claudio-1567-1643-complete.html?spref=tw
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

The new erato

Quote from: Brian on September 16, 2014, 05:58:34 PM
My favorite Cras album is the one with flute quintet and amazing string trio.
Thank you, I'll need to check that one out while the Timpani offer on europadisc still stands (until end of October, though). I think that may be one of only a couple of Cras albums on Timpani I don't have. 

Wanderer

.[asin]B0033BJSFG[/asin]

String Quartet No.1 & Piano Quintet

Wanderer

Quote from: Harry's on September 16, 2014, 10:42:28 PM
Starting the morning with Madrigali! New Acquisition, first listen.  Goodmorning to all.

http://walboi.blogspot.nl/2014/09/monteverdi-claudio-1567-1643-complete.html?spref=tw

Looks great, Harry. Good morning!


Quote from: Mirror Image on September 16, 2014, 05:50:16 PM
I really like the Lindberg Violin Concerto and who better to perform than Batiashvili? One of my favorite violinists for sure.

Mine, too. The Lindberg concerto was the main reason I bought this, I can't even recall how many Sibelius VC's I have any more. She nails them both.


Quote from: Baklavaboy on September 16, 2014, 05:25:45 PM
...And liked it so much I had to get this (which I'm now playing)
[asin] B000BQV52A[/asin]
   
  I don't know what it is about his playing that seems so warm and inviting. It's like he takes you by the hand and pulls you up next to the piano.  There is a clip in a "Great pianists" DVD where Cortot is playing the piano while gently explaining directly to the audience (the camera is up very close) that when you play you stop thinking and just begin to channel the music and then his eyes go out of focus and either through showmanship or artistry, you suddenly get the impression that Cortot has disappeared and the spirit of the music is just coming through him and out of the piano.  I get the same feeling from this Gulda.  I have no idea how he ranks as an "authentic" Beethoven interpreter, but I've never heard Beethoven sound this human and approachable.

There's a reason some of us here have been recommending this set for years. Enjoy!

Madiel

I've kept listening repeatedly over recent days to Dvorak's 7th Symphony, as performed by Nikolaus Harnoncourt and the Royal Concertgebouw Orchestra.

It says this is a live recording. I may have to rethink my slight wariness of live recordings, because the sound is pretty clear and there isn't a cough or splutter or anything.
Nobody has to apologise for using their brain.

Harry

Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Madiel

#30157
Now listening to the 2 polonaises that Chopin wrote when he was 7. And trying to believe that they were written by a 7-year-old. Especially the G minor.
Nobody has to apologise for using their brain.

Karl Henning

Henning
Annabel Lee, Op.111
The Libella Quartet


The recording can be heard here.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Brahms
Pf Quintet in f minor, Op.34
Members of the Nash Ensemble
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot