What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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Que

I see my Willaert post made some waves....

Probably less controversial:

[asin]B00005KKNQ[/asin]

Comment by the Mrs: "rather old fashioned violin playing...".  Quite right! :)
And I like it that way, it definitely gives the Franck sonata  added charm. ... 8)

Q

aligreto

Quote from: ComposerOfAvantGarde on November 27, 2015, 02:34:19 AM
A wonderful friend of mine sent me this recording recently, so I've just started listening to it, starting at no. 1!



I'm loving the sound on this one. And I think Solti gets the strings to play measured tremolos at the start of the 7th, which makes this recording sooo much more awesome than most! Epiiiiic


That was one of the earliest Mahler cycles that I bought and I always thought well of it.

Mandryka



Alamire do John Taverner's  antiphon Gaude Plurium. It lasts a long time for early music, a good quarter of an hour, and builds up tension very effectively. I've decided I like Taverner a lot, at least here and in the masses, because the music seems somehow unconstrained and  exciting, full of interesting events. Not at all drab. The performance seems quite satisfactory:  clear, small scale and expressive.
Wovon man nicht sprechen kann, darüber muss man schweigen

aligreto

Cherubini: String Quintet from this....



The new erato

#55564
This is fully up to the very high standards of the 3 previous Casella volumes in this series.

[asin]B015HNXSNK[/asin]

Harry

Quote from: Mandryka on November 27, 2015, 09:35:36 AM


Alamire do John Taverner's  antiphon Gaude Plurium. It lasts a long time for early music, a good quarter of an hour, and builds up tension very effectively. I've decided I like Taverner a lot, at least here and in the masses, because the music seems somehow unconstrained and  exciting, full of interesting events. Not at all drab. The performance seems quite satisfactory:  clear, small scale and expressive.

Wovon man nicht sprechen kann, darüber muss man schweigen.
Thats a great line, keep to it!
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

The new erato

Quote from: Harry's corner on November 27, 2015, 09:53:48 AM
Wovon man nicht sprechen kann, darüber muss man schweigen.
Thats a great line, keep to it!
Quite the opposite, I've found Mandryka's posts on early music to be among the most illuminating here. I learn something from them all the time.

Harry

Quote from: The new erato on November 27, 2015, 10:22:53 AM
Quite the opposite, I've found Mandryka's posts on early music to be among the most illuminating here. I learn something from them all the time.

Right, well obviously you seem only to see that aspect of Mandryka, and overlook the insults towards the Willaert discs.
Meaning there is nothing to learn from me.
I had enough.
Everyone is welcome to my blog, but I will not post on this forum anymore.
I am done with it.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

North Star

Quote from: Harry's corner on November 27, 2015, 09:53:48 AM
Wovon man nicht sprechen kann, darüber muss man schweigen.
Thats a great line, keep to it!
Quote from: Harry's corner on November 27, 2015, 10:27:37 AM
Right, well obviously you seem only to see that aspect of Mandryka, and overlook the insults towards the Willaert discs.
Meaning there is nothing to learn from me.
I had enough.
Everyone is welcome to my blog, but I will not post on this forum anymore.
I am done with it.
Well, instead of being offended by others' reactions to your insults, you could have voiced your different opinion of the music in the first place, and not a blatant ad hominem, Harry. Respecting a forum member whom you have insulted does not necessarily mean disrespecting your learnedness on the subject.



First-listen Friday (this recording)
Vaughan Williams
Five Tudor Portraits
Elizabeth Bainbridge & John Carol Case
Bach Choir
New Philharmonia Orchestra
Sir David Wilcocks
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

Rinaldo

Inspired by the discussion in the Organ thread..

[asin]B00M8AQZFO[/asin]
Disc #5, the Grigny Hymnes.
"The truly novel things will be invented by the young ones, not by me. But this doesn't worry me at all."
~ Grażyna Bacewicz

North Star

Digging deeper into the RVW Collector's Edition box

First Listen Friday

Vaughan Williams
Benedicite for soprano, chorus, & orchestra
Heather Harper
Bach Choir
Sir David Wilcocks & LSO


First Listen Friday (this recording)

Symphony no. 5
Royal Liverpool Phil
Handley
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

SimonNZ



Rossini String Sonatas - I Musici

Mandryka

#55572
Quote from: Rinaldo on November 27, 2015, 11:23:49 AM
Inspired by the discussion in the Organ thread..

[asin]B00M8AQZFO[/asin]
Disc #5, the Grigny Hymnes.

That disc has recordings of Grigny hymns made 30 years apart - at Poitiers in 1996 and at Sarlat in 1965. I like the liturgical presentation of the Poitiers.
Wovon man nicht sprechen kann, darüber muss man schweigen

The new erato

#55573
Quote from: Harry's corner on November 27, 2015, 10:27:37 AM
Right, well obviously you seem only to see that aspect of Mandryka, and overlook the insults towards the Willaert discs.
Meaning there is nothing to learn from me.
I had enough.
Everyone is welcome to my blog, but I will not post on this forum anymore.
I am done with it.
Well, one cannot insult a disc. And I find it very strange that you cannot accept anybody seeing things differently from you, particularly when their opinions are well argued. I learn from you both all of the time, but this is not a competition about who is the most right. No learning without discussion and argument, so long as it is civil. I agree that if you only want to present your own view without anybody disagreeing, a blog seem to be a better media than a discussion forum for you. Sorry to see you go, but that's your choice and I sincerely hope to see you back in a less combative mood.

aligreto

I spent my Friday evening in the company of a 3 LP set of Verdi's Il Trovatore sung by, among others, Callas and Di Stefano....





....and a very pleasant time I had too  :)

Wakefield

Quote from: king ubu on November 27, 2015, 01:47:40 AM
first spin, sounds wonderful:

[asin]B00K2GSRTI[/asin]

A strangely beautiful and anomalous jewel. Truly splendid, indeed.
"Isn't it funny? The truth just sounds different."
- Almost Famous (2000)

Sergeant Rock

George Lloyd Symphony No.8, Downes conducting the Philharmonia




Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Mirror Image

Now:



A new acquisition. Listening to Symphony No. 3 in A minor, Op. 44. Outstanding! Perhaps even greater than my current favorite: Ashkenazy/RCO.

Mirror Image

Quote from: The new erato on November 27, 2015, 09:44:28 AM
This is fully up to the very high standards of the 3 previous Casella volumes in this series.

[asin]B015HNXSNK[/asin]

The misstep in this Casella Noseda series, IMHO, was Sinfonia (Symphony No. 3). It felt like the slow movement wasn't given much thought and the details seemed like they were just glanced over. There is a bit of a 'pet symphony' of mine, so I would like to think I know what I'm talking about, but I actually don't have a clue in reality. ;) ;D

Mirror Image

Quote from: Marsch MacFiercesome on November 27, 2015, 06:28:41 AM
^ I like it.

I like the Decca Dorati better.

And I like the thirties Stokowski bestest.

Remember I said it's one of the best I've heard. ;) I think quite highly of Abbado and Boulez (on Sony) as well. But there are so many great performances of this classic available.