What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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aligreto

Onslow: Piano Trio Op. 14 No. 1....




The new erato

Is that you in the picture, Jens? Very cute.

Brahmsian

Quote from: Jeffrey Smith on December 01, 2015, 05:43:11 PM

But also this:  I have the Emerson Mendelssohn cycle and liked it enough to never feel the need for any alternate.


Same here, Jeffrey:)

Brahmsian

Quote from: Gordo on December 01, 2015, 05:46:40 PM
About the Emersons: I totally agree, I am even tempted to suggest that their Mendelssohn is -with some distance- one of the best recordings that they have done.

One of their best.  One of my favourites, Gordo:)

aligreto

Rawsthorne: Oboe Concerto...





I found this to be a wistful, lyrical and sometimes poignant work, even in the Vivace final movement, that was most enjoyable.

Sergeant Rock

Quote from: Brian on December 01, 2015, 07:56:39 PM
How'd'ja like?

Love it. The opening reminds me of the Rheingold prelude. Listening to it again now.





Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Brahmsian

Quote from: Sergeant Rock on December 02, 2015, 05:39:35 AM
Love it. The opening reminds me of the Rheingold prelude. Listening to it again now.





Sarge

Wow, I will have to add this to the wishlist, along with a few other Penderecki recordings.  Love the Penderecki/Wit combination.

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot


jlaurson

Quote from: The new erato on December 02, 2015, 03:46:11 AM
Is that you in the picture, Jens? Very cute.

It's how I look in the morning, before I've listened to Bach.  :)

Mandryka

Quote from: sanantonio on December 01, 2015, 11:42:22 AM
I am not surprised that this is a good recording.  Andrew Parrott is one of my favorite directors, favoring single voices, and good singers.  I will try to find it.

When you posted that I thought I'd better listen again and I'm still convinced it's a very fine performance of a great piece of music. Hard to find, I got it through Amazon in the UK at the ASIN B0018XVSAY.

Wovon man nicht sprechen kann, darüber muss man schweigen

Tsaraslondon



Well I suppose we are now entering the silly season, so I can go back to CD10 in the Warner Schwarzkopf box. This was the original title for the gloriously over the top Christmas Album.

\"A beautiful voice is not enough.\" Maria Callas

Mandryka

#55873


After the discussion here about Willaert last week I've been revisiting his music a bit. Part of the problem is that very little of his music is recorded twice, and so where something doesn't sound so special it's hard for me to know where the problem lies - with me, with the performance or with Willaert. Here on this album of motets by Henry's Eight we have, finally, a performance of something by Willaert where I think I can see what the fuss is about: it sounds fabulous.

It's called O Crux Splendidor. The text goes through a whole bunch of different positive emotions, some public (honour, splendour) some less so (love, sweetness), all tempered by a reflection at the heart of the poem of Christ's pain. I don't know how well Willaert paints these emotions with the music, because it's not easy for me to follow what exactly is being sung when (I don't have a score.) But I can hear that, by means of his harmonies Willaert is being very expressive indeed.

Henry's eight sing with unbelievable passion and life. It's hot: their ardour sets them apart. That's what IMO Willaert needs to get it off the page,  and that's what he doesn't always get.

I don't know if this motet is in the same style as the ones which Cinquacento and Singer Pur sing. I do know that Henry's Eight make Willaert sound like a composer who composed at least one very great piece of music.
Wovon man nicht sprechen kann, darüber muss man schweigen

Brian

Quote from: Todd on December 01, 2015, 08:09:22 PM

You may want to consider Brendel and Lupu and Kovacevich and Pollini and Endres and Zacharias and Serkin, too.  Just sayin'.  (Maybe even Paul Lewis.  I've not heard his recording, but in person he was superb.)
(among recordings I already own,)
PBS, Endres, Lupu, A. Schiff, Richter...that sounds like a pretty good Saturday afternoon.  :)

Tsaraslondon



Karajan's superb 1960 recording of Sibelius's 5th with the Philharmonia Orchestra in top form.

\"A beautiful voice is not enough.\" Maria Callas

aligreto




For years I only had the Gergiev version on Philips but a couple of years ago I bought the Previn version above and I must say that I prefer the Previn.

Que

Now I have to post my own preference... :D 
Unbeated IMO by either Gergiev, Previn or Dutoit (save for the excerpts by Mravinsky)



Q

prémont

Quote from: Mandryka on December 02, 2015, 07:42:53 AM
When you posted that I thought I'd better listen again and I'm still convinced it's a very fine performance of a great piece of music. Hard to find, I got it through Amazon in the UK at the ASIN B0018XVSAY.

I have taken the chance and ordered it from Amazon.fr MP, ca 20 Euro´s.
Reality trumps our fantasy far beyond imagination.

SimonNZ



Janitsch: Sonate da chiesa e da camera - Epoca Barocca