What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

Previous topic - Next topic

0 Members and 4 Guests are viewing this topic.

ComposerOfAvantGarde

music by Stravinsky conducted by Boulez. I am listening to this especially for Agon, which is my personal favourite of Stravinsky's ballet scores.


TheGSMoeller

Quote from: karlhenning on July 15, 2016, 03:38:35 AM
Tangentially, friends of mine drove in to downtown Boston Wednesday to have lunch with me. (I know: it sounds mad and improbable, but there it is.)  They had been on walkabout up in the wilds of Maine to celebrate their anniversary, and wanted to catch up with me on their way down to Rhode Island.  They found the road in to Boston surprisingly smooth that lunchtime.

"You well propitiated the traffic gods, then," said I.

"And it only involved the sacrifice of a small child," the husband observed philosophically.

"Thank goodness it was not your child, anyway," I said.

"We won't miss him," said the wife cheerfully.

Ha! Love it.  ;D

Ken B

Quote from: andolink on July 15, 2016, 12:18:03 AM
Could you elucidate?

For me, at present, Watchorn is the bencmark in this repertoire with Kenneth Weiss right up there too.

It's hard to really, since I haven't listened enough to be fair. But: rushed, with a harsh metallic sound from the instrument. i really think I hate the instrument.

NikF

Quote from: karlhenning on July 15, 2016, 04:37:35 AM
(* ломать стол *)

Ya znayu 'stol' = 'table', no, ya ne ponimayu 'lomat'.



e: Of course..."Pounds the table". ;D

(Ya zabyl kak gavorit po-russki)
"You overestimate my power of attraction," he told her. "No, I don't," she replied sharply, "and neither do you".

Karl Henning

No surprise:

Bartók
Concerto for Orchestra (1942–43, revised 1945) Sz. 116
NY Phil
Lenny
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Quote from: NikF on July 15, 2016, 05:59:39 AM
Ya znayu 'stol' = 'table', no, ya ne ponimayu 'lomat'.



e: Of course..."Pounds the table". ;D

(Ya zabyl kak gavorit po-russki)

:-)

(Well, it's more like breaks, ruins, I suppose.  But then, that table has taken rather a pounding.)
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Brian


Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Brian

Quote from: karlhenning on July 15, 2016, 06:08:15 AM
(* Ещë раз ломать стол *)
Hypothesis: this is Russian for "pounds the table"

EDIT: Google Translate renders it "Esche time breaking table"

Karl Henning

Quote from: Brian on July 15, 2016, 06:22:15 AM
EDIT: Google Translate renders it "Esche time breaking table"

Aye, a mystery.  Ещë раз means simply, once again.  For some reason, writing it with ë (which reflects the vowel's pronunciation) throws Google Translate off.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Mirror Image

Quote from: Conor248 on July 14, 2016, 11:35:38 PM
Yes, this is a very nice piece for sure.
I have a few Sculthorpe Discs and I do like his music. I guess I should listen to him more often too - I am not being very patriotic by leaving it a long time between listens :D.

He's a great composer no question about it and one of my favorites. Some listeners seem to be quite 'Eurocentric' and don't really realize that there's marvelous classical music being produced all over the world and not just in Europe. What I like about Sculthorpe's music is it is music that does seem to evoke the landscapes of your country. His series of tone poems: Earth Cry, Mangrove, and Kakadu are reason enough to listen to this man's music.

Mirror Image

#69251
Quote from: ComposerOfAvantGarde on July 15, 2016, 01:37:27 AM
This is so cool that you can imagine the desolation of the outback and the hot sun....this is my favourite Sculthorpe work and maybe it is the way the piece is orchestrated, or maybe the image on the cover has influenced my perception of the work, but it reminds me of the uninhabited areas and solitary beaches along the coast of Gippsland region in Victoria where I have been a number of times. I have never been to the outback, but I can only imagine that there would be a very similar feeling of isolation in a huge open area in the desert.

It's certainly among my favorite Sculthorpe works as well, but I'll be honest and say I haven't heard a work of his that I actually didn't enjoy. He was an incredibly consistent composer and one of things I do like about his music is that there's a unity in his oeuvre it seems. He's been known to reuse a melody of his and orchestrate it in a different way and this gives that melody a whole new life. One area of his oeuvre that I'm becoming more familiar with are his string quartets. What amazing works these are! Do you own many recordings of his music?

Karl Henning

JSB
Concerto for 2 Violins and Orchestra in d minor, BWV1043
Yehudi Menuhin & Isaac Stern
NY Phil
Lenny

Recorded at Carnegie Hall, 18 May 1976

Mixed feelings about this.  I have been listening to this very concerto in a couple of period-truer recordings;  but it is not quite an objection to the "insufficiently reformed" character of this performance.  It's the frequency of a too-sweet vibrato in the soloists (as if they need to go back to the Turkish bath and sweat some more of the Brahms out, first);  and the numerous times that the soloists want to press faster than the band.  No question that the two violinists are legends, and I'm just a bloke;  but I cannot shake the feeling that it is an uneasy match of performers and music, at best.  (Of course, it's a historic document.)
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Mandryka

#69253


Charles Rosen plays Mozart, including a really very distinctive K 310. Does anyone know anything about this one? is it really Rosen? What is the provenance? Dates etc? If it's not Rosen it's a real imaginative musician, at least in the A minor sonata.

I found it on spotify, it's for sale as a download on Amazon.

Added: just received this link with more info.

http://www.sa-cd.net/showtitle/2562
Wovon man nicht sprechen kann, darüber muss man schweigen

Wanderer


prémont

Reality trumps our fantasy far beyond imagination.

aligreto


Karl Henning

#69257
Feels somewhat crazy that I can honor the day with this piece, but I am not at all convinced that I have heard it before.

First-Listen Fridays!

Copland
Concerto for Piano and Orchestra
the composer at the piano
NY Phil
Lenny

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

aligreto

Webern: Four pieces for violin and piano, Cello sonata and Three little pieces for cello and piano....



Karl Henning

Quote from: karlhenning on July 15, 2016, 08:35:30 AM
Feels somewhat crazy that I can honor the day with this piece, but I am not at all convinced that I have heard it before.

First-Listen Fridays!

Copland
Concerto for Piano and Orchestra
the composer at the piano
NY Phil
Lenny


By turns exquisitely lyrical, and bumptious good fun (not that any of that is a surprise).  I am certain this really has been a first listen.  (Well, a first and second listen:  I went right back again.)  "Back-Beat Aaron," they call him.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot