Purchases Today

Started by Dungeon Master, February 24, 2013, 01:39:50 PM

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North Star

Dad got this, and a signature, after yesterday's concert.
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"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

AnthonyAthletic

Bruch/Mendelssohn: Violin Concertos
Beethoven: Romances/Philippe Quint (vn)

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Richard Strauss: Four Last Songs [CD]
Janowski/Isokoski/Berlin RSO

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Philippe Quint is a violinst I am none too familiar with, love his tone and crispness in the two concerti, and his control and phrasing in the beautiful Beethoven Romances (awesome sound).  Also I have been totally lost in the Strauss songs, the 4 Last hit me everytime.  A cd packed full of beauty. 'Morgen', another one of those Strauss masterpieces of sheer beauty.

"Two possibilities exist: Either we are alone in the Universe or we are not. Both are equally terrifying"      (Arthur C. Clarke)

North Star

Isokoski & Janowski's Strauss is excellent, Tony!
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

not edward

Quote from: Octave on March 15, 2014, 11:33:09 PM
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Gavin Bryars: AFTER THE REQUIEM (ECM)
I was actually iffy about this when I listened to it in its entirety several years ago (and this in spite of being a huge, pathologically-devoted Evan Parker fan); but some samples recently make me wonder if I'd like it now.  I managed to get a very cheap used copy.
Hope it goes down better seccond time around... if I were allowed only one Bryars disc, this one would be a no-brainer.
"I don't at all mind actively disliking a piece of contemporary music, but in order to feel happy about it I must consciously understand why I dislike it. Otherwise it remains in my mind as unfinished business."
-- Aaron Copland, The Pleasures of Music

AnthonyAthletic

Quote from: North Star on March 17, 2014, 06:51:42 AM
Isokoski & Janowski's Strauss is excellent, Tony!

Totally agree, its a marvellous cd all round.  Isokoski's Four Last Songs are right up there with my favourites, Popp, Norman, Janowitz, Schwarzkopf and Christine Brewer.  I would put the four last at the top of my most listened to and loved of all orchestral song cycles.

"Two possibilities exist: Either we are alone in the Universe or we are not. Both are equally terrifying"      (Arthur C. Clarke)

The new erato

Quote from: AnthonyAthletic on March 17, 2014, 07:23:10 AM
Totally agree, its a marvellous cd all round.  Isokoski's Four Last Songs are right up there with my favourites, Popp, Norman, Janowitz, Schwarzkopf and Christine Brewer.  I would put the four last at the top of my most listened to and loved of all orchestral song cycles.
You forgot della Casa, my clear favorite.  ;)

AnthonyAthletic

Quote from: The new erato on March 17, 2014, 07:42:34 AM
You forgot della Casa, my clear favorite.  ;)

Is that 1953 with Bohm, Decca Legends?  And a few other transfers "Alto" "Regis" to name two?

I didn't forget Della Casa, I haven't heard her version and from the Amazon reviews quite a few people say (Callas/Tosca, Sutherland/Norma, Della Casa/Strauss 4 Last), I get where the reviewer is coming from....tantamount to definitive?  ;)

I feel a sale coming on  ;)

"Two possibilities exist: Either we are alone in the Universe or we are not. Both are equally terrifying"      (Arthur C. Clarke)

Karl Henning

Quote from: Mirror Image on March 15, 2014, 06:05:06 PM
Just bought:



I've been waiting on this recording in like new condition to come along for many years and I'm glad I snatched it up for a good price ($7).

I'm so accustomed to the full ballet, I don't know how I should like a suite taken from The Miraculous Mandarin . . . .
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Mirror Image

Quote from: karlhenning on March 17, 2014, 08:23:57 AM
I'm so accustomed to the full ballet, I don't know how I should like a suite taken from The Miraculous Mandarin . . . .

Me too, Karl. But the excerpts sounded so nice and I do like Martinon's conducting a lot.

springrite

Quote from: karlhenning on March 17, 2014, 08:23:57 AM
I'm so accustomed to the full ballet, I don't know how I should like a suite taken from The Miraculous Mandarin . . . .

Agree. For me, the full ballet is almost uncuttable.
Do what I must do, and let what must happen happen.

Mirror Image

Personally, I don't know why a suite would even be culled from The Miraculous Mandarin. It's not that long of a work to begin with.

The new erato

Quote from: AnthonyAthletic on March 17, 2014, 08:18:56 AM
Is that 1953 with Bohm, Decca Legends?  And a few other transfers "Alto" "Regis" to name two?

Yes it is.

ritter

Quote from: Mirror Image on March 17, 2014, 08:29:49 AM
Personally, I don't know why a suite would even be culled from The Miraculous Mandarin. It's not that long of a work to begin with.
I suppose it's for it to be performable sans chorus, which would have permitted more widesread circulation (a bit like the Daphnis et Chloé suites)...What really has me intrigued is a suite from Arcana  ???...but I suppose that is just a result of too clever a cover layout by the graphic designers  ;)

springrite

Quote from: Mirror Image on March 17, 2014, 08:29:49 AM
Personally, I don't know why a suite would even be culled from The Miraculous Mandarin. It's not that long of a work to begin with.

Well, it is longer than most of Webern's works...
Do what I must do, and let what must happen happen.

Mirror Image

Quote from: ritter on March 17, 2014, 08:35:03 AM
I suppose it's for it to be performable sans chorus, which would have permitted more widesread circulation (a bit like the Daphnis et Chloé suites)...What really has me intrigued is a suite from Arcana  ???...but I suppose that is just a result of too clever a cover layout by the graphic designers  ;)

I seriously doubt Arcana exists in some kind of suite. I believe Martinon conducts the whole work.

Mirror Image

Quote from: springrite on March 17, 2014, 08:35:35 AM
Well, it is longer than most of Webern's works...

That's true, Paul. :)

springrite

Quote from: Mirror Image on March 17, 2014, 08:44:16 AM
That's true, Paul. :)

I listen to the abridged version of 4:33 often.
Do what I must do, and let what must happen happen.

Karl Henning

Quote from: Mirror Image on March 17, 2014, 08:29:49 AM
Personally, I don't know why a suite would even be culled from The Miraculous Mandarin. It's not that long of a work to begin with.

Oh, it's a good half-hour.  And in the era it was written, ballets were not typically performed complete in a concert setting, i.e., Suites of select extracts were the norm (IIRC).
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Mirror Image

Quote from: karlhenning on March 17, 2014, 08:54:53 AM
Oh, it's a good half-hour.  And in the era it was written, ballets were not typically performed complete in a concert setting, i.e., Suites of select extracts were the norm (IIRC).

I believe you're absolutely right here. It would have been easier in a concert performance to just perform the suite, but, like you and Paul, just give me the complete ballet. I just couldn't imagine listening to Ravel's Daphnis et Chloe without the chorus. It would feel so...naked. :)

springrite

Quote from: Mirror Image on March 17, 2014, 09:01:58 AM
I just couldn't imagine listening to Ravel's Daphnis et Chloe without the chorus. It would feel so...naked. :)

No, not naked. It would be like a super model's bikinis, minus the body.
Do what I must do, and let what must happen happen.