Passacaglia?

Started by dylanesque, April 03, 2013, 10:58:45 AM

Previous topic - Next topic

0 Members and 2 Guests are viewing this topic.

dylanesque

Hi Everyone,
Whilst listening to Brahms 4th Symphony I was reading on Wiki that the fourth movement is Passacaglia. I tried to understand what the term means from Wiki but am finding it difficult to understand .
Please would someone from this great forum explain it in terms I would understand.
Kind Regards
Darren

Karl Henning

A series of variations, but not on a melody (as, for instance, the Brahms Variations on a Theme of Handel), but the variations are built on a harmonic progression.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Parsifal

The Passacaglia can also be described as a set of variations above a common bass line.  As a contrast with Brahms' use of the Passacaglia, you might enjoy listening to a more traditional example such as the passacaglia from J. S. Bach's Passacaglia and Fugue in c-minor. 

http://en.wikipedia.org/wiki/Passacaglia_and_Fugue_in_C_minor,_BWV_582

The piece is widely recorded and can be found on youtube, etc.  A more modern example might be Britten's passacaglia from Peter Grimes.

Opus106

Regards,
Navneeth

Mirror Image

Passacaglia movement from Shostakovich's Violin Concerto No. 1 -

http://www.youtube.com/v/mbzprkgFbtY

Mirror Image


North Star

"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

Mirror Image

Quote from: North Star on April 03, 2013, 12:05:34 PM
You haven't posted this one yet, John...

http://www.youtube.com/v/qsxLFbNahiI

Nope, not yet, but here's another one in the meantime that I love, the Passacaglia from Penderecki's Symphony No. 3:

http://www.youtube.com/v/8eLB9VRtD8w

North Star

Quote from: Mirror Image on April 03, 2013, 12:24:49 PM
Nope, not yet, but here's another one in the meantime that I love, the Passacaglia from Penderecki's Symphony No. 3:
Wow, seems like I need some more Penderecki!
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

Mirror Image

#9
Quote from: North Star on April 03, 2013, 12:30:41 PM
Wow, seems like I need some more Penderecki!

I'm not the greatest Penderecki fan in the world, but his Symphony No. 3 is quite good, especially that movement. I own most of the Naxos series, but I'm missing a few of the newer releases.

Szykneij

Quote from: Opus106 on April 03, 2013, 11:20:52 AM
http://www.youtube.com/v/1atQFLYbzuk

http://en.wikipedia.org/wiki/BWV_582


If a picture is worth a thousand words, Navneeth, this video is worth a million. Excellent visual representation of what's happening musically!
Men profess to be lovers of music, but for the most part they give no evidence in their opinions and lives that they have heard it.  ~ Henry David Thoreau

Don't pray when it rains if you don't pray when the sun shines. ~ Satchel Paige

Mirror Image

#11
Some other great Passacaglia movements IMHO are the ones from Britten's Violin Concerto and Peter Grimes.

TheGSMoeller

Quote from: Mirror Image on April 03, 2013, 04:18:29 PM
Some other great Passacaglia movements IMHO are the ones from Britten's Violin Concerto and Peter Grimes.

Britten must have loved the Passacaglia, add in the Cello Symphony, Cello Suite No. 3, Nocturnal and String Quartet No. 3.  :)

Mirror Image

Quote from: TheGSMoeller on April 03, 2013, 04:24:09 PM
Britten must have loved the Passacaglia, add in the Cello Symphony and String Quartet No. 3.  :)

I forgot about those! Nice works!

TheGSMoeller


TheGSMoeller

#15
My favorite Passacaglia with have to go to Heinrich Ignaz Franz Biber and his Passacaglia for Solo Violin in G major. It's utterly fascinating how Biber sustains the repeated bass line throughout with only one instrument performing, whether it's audible or ghostly floating in support of the melody. I know this is not the only solo instrument passacaglia, but IMO it's the best.


http://www.youtube.com/v/ZCSEEvEm3uc

Cato

Quote from: Mirror Image on April 03, 2013, 11:52:42 AM
Webern's Passacaglia:

http://www.youtube.com/v/hZelEcPZU8A

This work RAWKS! 

And here is a great performance, with an equally great performance of Schoenberg's incredible Pelleas und Melisande still available from assorted sellers via Amazon at decent prices:

"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

Mirror Image

Quote from: Cato on April 03, 2013, 04:46:57 PM
This work RAWKS! 

And here is a great performance, with an equally great performance of Schoenberg's incredible Pelleas und Melisande still available from assorted sellers via Amazon at decent prices:



Completely agreed, Cato. I think my favorite performance of Webern's Passcaglia is Boulez's Berlin performance on DG. I also admire Eschenbach's on Koch a lot. I have yet to hear the Bamert performance you pictured. I'm sure it's a fine performance. I like Chailly's a lot as well.

Opus106

Quote from: Szykneij on April 03, 2013, 01:37:03 PM
If a picture is worth a thousand words, Navneeth, this video is worth a million. Excellent visual representation of what's happening musically!

There's more where it comes from (both the channel and YT in general). And for those of us who can't read a score, I think this is the next best thing, especially for highly contrapuntal works like Bach's fugues. Of course, for the sake of education, one has to put up with MIDI for a while. A small price to pay.


dylanesque, is your idea of what constitues a passacaglia clearer now than what it was? Let us know before this thread completely turns into an "Passacaglia recordings recommendation thread" ;D.
Regards,
Navneeth

Karl Henning

It's already turned into I can't tell you what a Passacaglia is, but I know how to post a YouTube video.  (Yours was surgically on point, Nav.)
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot