Main Menu

Hitchcock

Started by James, July 31, 2013, 01:54:37 PM

Previous topic - Next topic

0 Members and 1 Guest are viewing this topic.

Your favorite Hitchcock flick?

The Lodger (1926)
0 (0%)
Blackmail (1929)
0 (0%)
The Man Who Knew Too Much (1934)
0 (0%)
The 39 Steps (1935)
0 (0%)
The Lady Vanishes (1938)
1 (5.9%)
Rebecca (1940)
0 (0%)
Foreign Correspondent (1940)
0 (0%)
Suspicion (1941)
0 (0%)
Saboteur (1942)
0 (0%)
Shadow of a Doubt (1943)
0 (0%)
Spellbound (1945)
1 (5.9%)
Notorious (1946)
1 (5.9%)
Rope (1948)
0 (0%)
Strangers on a Train (1951)
0 (0%)
Dial M for Murder (1954)
0 (0%)
Rear Window (1954)
3 (17.6%)
To Catch a Thief (1955)
0 (0%)
The Trouble with Harry (1955)
0 (0%)
The Man Who Knew Too Much (1956)
0 (0%)
The Wrong Man (1957)
0 (0%)
Vertigo (1958)
6 (35.3%)
North by Northwest (1959)
2 (11.8%)
Psycho (1960)
3 (17.6%)
The Birds (1963)
0 (0%)
Marnie (1964)
0 (0%)
Torn Curtain (1966)
0 (0%)
Topaz (1969)
0 (0%)
Frenzy (1972)
0 (0%)
Family Plot (1976)
0 (0%)
Other
0 (0%)

Total Members Voted: 17

James

Your favorite Hitchcock flick?
Action is the only truth

TheGSMoeller

Notorious.

Grant helping Bergman down the stairs at the end of Notorious is classic Hitchcock. Intensity at its finest.

lisa needs braces

Vertigo.

This film remains fascinating even after multiple viewings, because it's beautifully shot and it plays out like a tragic romance.

When Scottie utters these lines:

QuoteScottie: And then what did he do? Did he train you? Did he rehearse you? Did he tell you exactly what to do, what to say? You were a very apt pupil too, weren't you? You were a very apt pupil! Well, why did you pick on me? Why me?

...it's simply heart breaking.

snyprrr

Do You Like Hitchcock?

snyprrr

They're coming to de-cap your Thread James. Fight em with all you got!! ;)

Dancing Divertimentian

Vertigo. Just the coolest ending of all time.


Veit Bach-a baker who found his greatest pleasure in a little cittern which he took with him even into the mill and played while the grinding was going on. In this way he had a chance to have the rhythm drilled into him. And this was the beginning of a musical inclination in his descendants. JS Bach

mc ukrneal

My favorite three would be North by Northwest, Rear Window and to Catch a Thief. The last bears repeated watching well. The first has one of my favorite scenes with the plane in the fields (but here it is the anticipation of it while he is waiting). Still, Rear Window has long been my favorite. Rebeccas and the 39 Steps are also up there for me,
Be kind to your fellow posters!!

snyprrr

Can't say enough about 'Frenzy'.

Hitchcock + 1972 = Giallo Supreme

DavidW

Vertigo, but there are many that I like just about as much.

Karl Henning

Saboteur is misspelled. Just saying.

Quote from: DavidW on August 01, 2013, 06:46:11 AM
Vertigo, but there are many that I like just about as much.

I find the question about as impossible as a favorite Stravinsky piece. Different periods of Hitch's work have a different feel, which (too) is part of what I like about him.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Bogey

Rear Window, but I could live with choosing Rope.
There will never be another era like the Golden Age of Hollywood.  We didn't know how to blow up buildings then so we had no choice but to tell great stories with great characters.-Ben Mankiewicz

Karl Henning

The two versions of The Man Who Knew Too Much are both interesting (and entertaining).

Has anyone see Stage Fright (1950)?
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Quote from: k a rl h e nn i ng on August 05, 2013, 04:14:46 PM
Has anyone see Stage Fright (1950)?

I've found this at (and checked it out from) the BPL . . . will report.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

snyprrr

So, what's your fav NON-HITCH Hitch film?

Not Charade

Lisztianwagner

I vote for Spellbound.
"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

Drasko

North by Northwest followed by To Catch a Thief and The Lady Vanishes.

Karl Henning

Mr Kaplan . . . .

I am just back from the BPL where I've checked out To Catch a Thief afresh. No fooling!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

I need to watch Rear Window again . . . .
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

snyprrr


Karl Henning

Watched about a third of To Catch a Thief last night.  We all know how terrifyingly good Hitch could be when he was in earnest;  but I enjoy him when he's just out on a lark, too.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot