What is your favorite Martinů symphony?

Started by Mirror Image, October 21, 2013, 07:45:16 PM

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Pick your favorite Martinů symphony

Symphony No. 1
1 (11.1%)
Symphony No. 2
1 (11.1%)
Symphony No. 3
2 (22.2%)
Symphony No. 4
2 (22.2%)
Symphony No. 5
0 (0%)
Symphony No. 6
3 (33.3%)

Total Members Voted: 9

Voting closed: December 05, 2013, 06:45:16 PM

Mirror Image

Following up on the heels of Kyle's (Kyjo) Beethoven symphony poll, I figured I would post one about Martinů. A composer whose symphonies, by all standards, should be more widely performed. Now pick your favorite.

Personally, I'll have to think about this one for awhile. My first inclination is to go with Symphony No. 4, but I'll reserve judgement for now.

Archaic Torso of Apollo

Quote from: Mirror Image on October 21, 2013, 07:45:16 PM
My first inclination is to go with Symphony No. 4, but I'll reserve judgement for now.

A few years ago I would have gone with #4, but now I'm going with #6. It has a weirdly original hallucinatory quality that puts it on top for me.
formerly VELIMIR (before that, Spitvalve)

"Who knows not strict counterpoint, lives and dies an ignoramus" - CPE Bach

DavidW

#6 for me, which is just slightly above #5.

Mirror Image

Quote from: Velimir on October 21, 2013, 07:55:01 PM
A few years ago I would have gone with #4, but now I'm going with #6. It has a weirdly original hallucinatory quality that puts it on top for me.

I'm torn between them all! They're all just so good! Symphony No. 2 made quite an impression on me this year. Still unsure which one I want to pick. Symphony No. 6 is, indeed, a fine symphony.

Daverz

I don't understand the need to pick a favorite.

Mirror Image


kyjo

Tough choice (especially between nos. 4-6), but I ended up going with no. 6. There's something really magical about this work.

Sergeant Rock

Quote from: Daverz on October 21, 2013, 08:39:13 PM
I don't understand the need to pick a favorite.

There is no need to choose...but if one has a favorite, here's the place to proclaim it  8)

Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Karl Henning

Quote from: Sergeant Rock on October 22, 2013, 02:50:27 AM
There is no need to choose...but if one has a favorite, here's the place to proclaim it  8)

Sarge

Good, plain sense, as ever :)
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Sergeant Rock

The 1942 First  8)

Sarge, of the plain and dreadfully common sense
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Karl Henning

QuoteSarge, the guy who voted Eroica and then the Eighth

;D
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Brian

This one's tough. No. 2 might be my favorite - it's the one I play most - but I feel guilty about picking the "lightweight" of the six. Also love 3 and 4, and listen to 2-4 more than 1/5/6.

I'll wait a day or two and if 4 is doing well in the polls, I'll cast a vote for 2 so it has some support.  :P

DavidW

Quote from: Brian on October 22, 2013, 06:06:00 AM
I feel guilty about picking the "lightweight" of the six.

Well the cat's out of the bag so you might as well vote for your favorite! 8)

kyjo

Quote from: Daverz on October 21, 2013, 08:39:13 PM
I don't understand the need to pick a favorite.

I don't understand the need for you to ruin the fun! :P

vandermolen

Without a doubt it is Martin Turnovsky's recording of Symphony No 4, originally on Supraphon but now dirt cheap on a Warner Apex CD. The second movement has a propulsive quality unlike any other recording I know, the slow movement is very moving and the 'triumph over the odds' conclusion is incredibly inspiriting and life-affirming.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

kyjo

Quote from: vandermolen on October 22, 2013, 11:17:43 AM
Without a doubt it is Martin Turnovsky's recording of Symphony No 4, originally on Supraphon but now dirt cheap on a Warner Apex CD. The second movement has a propulsive quality unlike any other recording I know, the slow movement is very moving and the 'triumph over the odds' conclusion is incredibly inspiriting and life-affirming.

Yep, I almost chose no. 4. A life-affirming work for sure-that scherzo is something else!

Mirror Image

I'm still undecided about which Martinu symphony I should pick. :-\

vandermolen

 ;D
Quote from: Mirror Image on October 22, 2013, 06:32:11 PM
I'm still undecided about which Martinu symphony I should pick. :-\

Maybe because they are all of a uniformly high standard. I like them all but was turned on to Martinu by hearing Turnovsky's version of No 4, so I guess that I have a residual loyalty to that one in particular.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Sergeant Rock

No love for my favorites (1, 2, 5) ...at least not enough love  :(

Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"