The most intense ending in a piece of music

Started by Bonehelm, May 26, 2007, 09:46:41 AM

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Marc

Monteverdi, Magnificat a sei voci, performed by the Monteverdi Choir & John Eliot Gardiner (with Ian Watson, organ):

http://www.youtube.com/v/nOPQE-rRC-4

The ending starting around 4:57.

alkan

#241
Quote from: TheGSMoeller on April 12, 2014, 02:06:35 PM
One that I've always found electrifying is Britten's Violin Concerto. The way the violin begins to wailingly plea in anguish, only to be left with an orchestra unwilling to resolve the plea while the soloist continues on into silence. This is the best ending to a VC I've heard, and Jansen might be my new favorite interpreter of the Britten.

I agree.     I love the alternation of major/minor in the fade-out ending .... really touching.

My absolute favourite violin concerto ending is that of Prokofiev's first VC.    I am always amazed by the the way that the virtuoso, stormy and  thrilling conflict in the middle of the last movement struggles to its climax, and then floats up to Paradise.  The hullabaloo falls away and the gates open to reveal a peaceful, sunlit landscape, complete with birdsong.   It's so unexpected and sooooo beautiful ....   

Oistrakh is the master here ...
The two most common elements in the universe are Hydrogen and stupidity.
Harlan Ellison (1934 - )

aquablob

Can a whole "piece" count, in a "work" that's not meant to be played all the way through? Maybe I'm cheating, but I'll go with Bach, WTC I (i.e., the entire B-minor fugue).

amw

Quote from: alkan on April 18, 2014, 08:54:51 AM
My absolute favourite violin concerto ending is that of Prokofiev's first VC. 

My favourite is that of John Adams's violin concerto, because it means the sonic torture of the previous 35 minutes is finally over.  ;)

alkan

Quote from: amw on April 18, 2014, 07:26:58 PM
My favourite is that of John Adams's violin concerto, because it means the sonic torture of the previous 35 minutes is finally over.  ;)

This must be the same work that is renowned for having the most stressful and intimidating beginning (of 35 minutes of sonic torture).
The two most common elements in the universe are Hydrogen and stupidity.
Harlan Ellison (1934 - )

Jaakko Keskinen

Probably ending of Götterdämmerung, Parsifal and Brahms's 1st symphony.
"Javert, though frightful, had nothing ignoble about him. Probity, sincerity, candor, conviction, the sense of duty, are things which may become hideous when wrongly directed; but which, even when hideous, remain grand."

- Victor Hugo

EigenUser

Quote from: amw on April 18, 2014, 07:26:58 PM
My favourite is that of John Adams's violin concerto, because it means the sonic torture of the previous 35 minutes is finally over.  ;)
I've never heard it. You're not a fan of Adams, I take it...

I like him reasonably well, but he isn't a favorite at all.
Beethoven's Op. 133 -- A fugue so bad that even Beethoven himself called it "Grosse".

EigenUser

What about the ending of Schoenberg's "Chamber Symphony No. 1"? Very exciting. The emphatic E-major chords in the strings augmented with shrill Bb-major triplets always make me ;D. And then the horns have that fragment of theme ending with a held fortissimo C-natural and I feel like ??? . It's like one big, heroic struggle!

8)
Beethoven's Op. 133 -- A fugue so bad that even Beethoven himself called it "Grosse".

Jay F


Beaumarchais

There are many endings that one can mention but, although it can be equalled, for me nothing beats the recording of Charles Munch and the Boston Symphony Orchestra's recording of Saint-Saens Symphony No.3 ( The Organ Symphony). It is simply overwhelming and blows the listener away into another dimension. It was an engineering triumph in its day and has remained so.
"Music is what tells us that the human race is greater than we realize."
― Napoleon Bonaparte

Linus


Brian

Havergal Brian - "Gothic" Symphony - movement V. Judex

No doubt. I've heard this live, surrounded on three sides by about 800 musicians, and it's not only the most intense ending, it might be the single loudest thing I've ever heard. (Of course, its intensity is not all about loudness!)

The only pieces I've seen live, whose endings even come close, are:
Janacek - Sinfonietta
Sibelius - Symphony No. 5
Berlioz - Symphonie fantastique
Mahler - Symphony No. 3 (first and last mvts.)
Ravel - La valse
Borodin - Polovtsian Dances with chorus
Ravel - Daphnis et Chloe
Shostakovich - Symphony No. 11

And of pieces I still wanna see live someday:
Lutoslawski - Concerto for Orchestra
Mahler - Symphony No. 2
G. Lloyd - Symphony No. 5
Roussel - Bacchus et Ariane
Scriabin - Poem of Ecstasy

Also agree with
Quote from: BachQ on May 26, 2007, 11:01:40 AM
Coda of 1st mvt of Brahms 4th Symphony
and the people who said La mer.

Beaumarchais

#252
Karajan and the Berlin Philharmonic's Deutsche Grammophon 1966 recording of Richard Strauss's Tod und Verklärung is amazing throughout but the ending is of such epic proportions that there are no words adequate to the description.
"Music is what tells us that the human race is greater than we realize."
― Napoleon Bonaparte

XB-70 Valkyrie

For me nothing can compare to the last movement of Bruckner's symphony No. 8. That horn solo near the end is like looking into another universe.
If you really dislike Bach you keep quiet about it! - Andras Schiff

Ten thumbs

Fortunately intensity is not the only property that can produce a wonderful ending.
A day may be a destiny; for life
Lives in but little—but that little teems
With some one chance, the balance of all time:
A look—a word—and we are wholly changed.

Jo498

I misread #253 as the ending of the *slow* movement of Bruckner's 8th. I'd much rather have that than the brass-blast at the end of the finale...
Tout le malheur des hommes vient d'une seule chose, qui est de ne savoir pas demeurer en repos, dans une chambre.
- Blaise Pascal