The ONE Beethoven Violin Sonata Cycle to Rule Them All!

Started by Gurn Blanston, June 10, 2014, 05:39:05 PM

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Gurn Blanston

Quote from: Mn Dave on June 13, 2014, 06:44:30 AM
Which one of these would I like? Preferably available on iTunes. I don't care about HIP.

Kremer and Argerich, no doubt. It is very well played and modern sound that sounds modern because it IS modern. Why, the players are even alive still!   :o  :o

8)
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Haydn: that genius of vulgar music who induces an inordinate thirst for beer - Mily Balakirev (1860)

mn dave

Quote from: Gurn Blanston on June 13, 2014, 07:13:06 AM
Kremer and Argerich, no doubt. It is very well played and modern sound that sounds modern because it IS modern. Why, the players are even alive still!   :o  :o

8)

I always think of Kremer as some wildman. Not sure why.

Gurn Blanston

Quote from: Mn Dave on June 13, 2014, 07:14:20 AM
I always think of Kremer as some wildman. Not sure why.

That being said, who better to play Beethoven for you?  He's actually a highly skilled and sensitive fiddler, but he can do 'wild' if need be. :)

8)
Visit my Haydn blog: HaydnSeek

Haydn: that genius of vulgar music who induces an inordinate thirst for beer - Mily Balakirev (1860)

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Quote from: Gurn Blanston on June 13, 2014, 07:34:37 AM
That being said, who better to play Beethoven for you?  He's actually a highly skilled and sensitive fiddler, but he can do 'wild' if need be. :)

8)

Testify, O Gurn!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Gurn Blanston

Quote from: karlhenning on June 13, 2014, 07:41:52 AM
Fancy that! 8)

One of my peculiarities. Dead composers, live players. I predict that after your death you will be on top of the 21st century world, Karl. :)

Quote from: karlhenning on June 13, 2014, 07:42:10 AM
Testify, O Gurn!

:D  I like Kremer,  I must say. I won't mention other stuff he has done that I like, since it is too OT, but there certainly IS some!  :)

8)
Visit my Haydn blog: HaydnSeek

Haydn: that genius of vulgar music who induces an inordinate thirst for beer - Mily Balakirev (1860)

Wanderer



SonicMan46

Quote from: Wanderer on June 13, 2014, 09:02:26 AM
Cerovsek/Jumppanen
Kremer/Argerich

@ Dave - be sure to sample Cerovsek & Jumppanen - all of the works are on 3 discs in a goofy wallet foldout package but w/ a superb booklet; both musicians are impressive, especially Cerovsek - from Indiana University (my son's Alma Mater), he received B.A. degrees in mathematics & music at 15 y/o, Masters degrees in both his next year, and completed his doctoral work in both at 18 years of age!  Dave :)

mn dave

Quote from: SonicMan46 on June 13, 2014, 09:45:02 AM
@ Dave - be sure to sample Cerovsek & Jumppanen - all of the works are on 3 discs in a goofy wallet foldout package but w/ a superb booklet; both musicians are impressive, especially Cerovsek - from Indiana University (my son's Alma Mater), he received B.A. degrees in mathematics & music at 15 y/o, Masters degrees in both his next year, and completed his doctoral work in both at 18 years of age!  Dave :)

I'll review samples of both cycles and make my decision. Thanks!

North Star

Oh yes, definitely listen to Cerovsek & Jumppanen, fantastic musicians whom I've heard live (Jumppanen several times in a couple of concertos, some chamber music & solo piano)
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

Geo Dude


Wakefield

Quote from: Gurn Blanston on June 13, 2014, 04:20:03 AM
Which would be splendid if it was a cycle. I greatly enjoy that disk, both of the players are among my favorites and they do well together, too.  :)

8)

I think the same goes for Sepec/Staier.
"Isn't it funny? The truth just sounds different."
- Almost Famous (2000)


Drosera

Another, much needed, vote for Schneiderhan/Kempff

prémont

Reality trumps our fantasy far beyond imagination.


Que

Quote from: Marc on June 28, 2014, 01:51:09 PM
Leertouwer & Reynolds:



What?! ??? You too? :) :) I guess it had very little circulation outside the Dutch realm.... 8)

Q

Marc

Quote from: Que on June 28, 2014, 11:03:20 PM
What?! ??? You too? :) :) I guess it had very little circulation outside the Dutch realm.... 8)

I got interested in Leertouwer in 2002, after reading a very positive review of a live concert at the Holland Festival Oude Muziek. In the years after, I enjoyed a Matthäus-Passion under his direction, and a Mozart concert, where he both conducted and played the violin. All very fine experiences, so I purchased his boxset with the Mozart violin concertos.
It took some years before I got hold of the two Beethoven 2-cds, after I joined the Dutch central library site Muziekweb. Maybe Leertouwer is not an international household name, but I find him very reliable in the World of HIP. In this particular recording, the mid-19th century pianoforte played by Reynolds is also a bonus. It's a beautiful sounding instrument and I definitely prefer it to a Steinway. I have the Seiler/Immerseel set and I like that one, too, but, in this oeuvre, Van Immerseel's Walter copy (late 18th century) is just a bit too thin for my likings.

I don't know that many integrals (no Kremer/Argerich and Faust/Melnikov f.i.), but other Beethoven violin/piano sonata sets that I rate high (despite sometimes too much violin vibrato) are Menuhin/Kempff, Grumiaux/Haskil (though the violin is too dominant) and Barati/Würtz. Overall, I think Perlman/Ashkenazy is a very solid, more robust romantic, set, too.