Shakespeare

Started by Karl Henning, July 16, 2014, 05:15:08 AM

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Karl Henning

Quote from: Karl Henning on December 07, 2025, 02:55:52 PMI don't know how much "lighter" it is, but as it arrived today: Olivier's Richard III.
And Martin Scorsese hosting discussion of the film's restoration. A friend (IRL) posted that King John is one of his favorite plays, so I'm watching. 
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Quote from: Karl Henning on December 08, 2025, 01:10:49 PMAnd Martin Scorsese hosting discussion of the film's restoration. A friend (IRL) posted that King John is one of his favorite plays, so I'm watching.
I should never have guessed that King John would be the first of the Histories I watched. And now I've finished Henry V
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

(poco) Sforzando

Quote from: Madiel on December 06, 2025, 11:12:46 AMI don't doubt usage of references to black or dark. The problem is the last step of linking that to a particular label and claiming that Claudius and Hamlet are somehow being portrayed as being a different race. Shakespeare knew how to depict a character as being a different race. He did it in other plays.

I Amazon-ordered the book and it arrived within days, so I'll want to see for myself. Whatever else, it's clearly a substantial work of scholarship, published by Cambridge University Press. See the review here: https://www.spenserreview.org/article/id/97/

The issue of Shakespeare and race is also discussed in Farah Karim-Cooper's recent (2023) "The Great White Bard: How to Love Shakespeare while Talking about Race." Karim-Cooper discusses other plays where race would seem to be a factor, like Antony and Cleopatra and The Tempest (Caliban: "This thing of darkness I acknowledge mine").
"I don't know what sforzando means, though it clearly means something."

JBS

Quote from: (poco) Sforzando on Today at 05:29:43 AMI Amazon-ordered the book and it arrived within days, so I'll want to see for myself. Whatever else, it's clearly a substantial work of scholarship, published by Cambridge University Press. See the review here: https://www.spenserreview.org/article/id/97/

The issue of Shakespeare and race is also discussed in Farah Karim-Cooper's recent (2023) "The Great White Bard: How to Love Shakespeare while Talking about Race." Karim-Cooper discusses other plays where race would seem to be a factor, like Antony and Cleopatra and The Tempest (Caliban: "This thing of darkness I acknowledge mine").

That review is a relative accurate assessment of Smith's book, although it simplifies some of his arguments (unavoidable I suppose in any review).

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