Your favorite chamber music composer

Started by Jay F, September 15, 2014, 04:54:10 PM

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Who is your favorite composer of string quartets, quintets, trios, and so forth?

Schubert
1 (3.1%)
Shostakovich
3 (9.4%)
Beethoven
9 (28.1%)
Mozart
1 (3.1%)
Brahms
6 (18.8%)
Haydn
5 (15.6%)
Other (please specify)
7 (21.9%)

Total Members Voted: 30

HIPster

Wise words from Que:

Never waste a good reason for a purchase....  ;)

Israfel the Black

It's a toss up between Brahms and Beethoven. I must contemplate this some more before I vote.

mszczuj


NLK1971

QuoteBeethoven

Yeah, against the might of Beethoven's string quartets, nothing else stands any real chance.

Florestan

Quote from: NLK1971 on September 19, 2014, 02:06:21 PM
Yeah, against the might of Beethoven's string quartets, nothing else stands any real chance.

Oh, please! Come on, guys! If that were true, it would mean that anybody writing string quartets after Beethoven was just wasting his, and our, time.  ;D

That's exactly like Orfeo claiming that any Andante not written by Haydn is worthless.

Bullshit, either way!

"Great music is that which penetrates the ear with facility and leaves the memory with difficulty. Magical music never leaves the memory." — Thomas Beecham

Jo498

Quote from: Florestan on September 20, 2014, 07:36:24 AM
Oh, please! Come on, guys! If that were true, it would mean that anybody writing string quartets after Beethoven was just wasting his, and our, time.  ;D

It would not necessarily mean that. It would just mean that they were not quite as great as Beethoven's, which could still mean extraordinary good.
Tout le malheur des hommes vient d'une seule chose, qui est de ne savoir pas demeurer en repos, dans une chambre.
- Blaise Pascal

North Star

Quote from: Florestan on September 20, 2014, 07:36:24 AM
Oh, please! Come on, guys! If that were true, it would mean that anybody writing string quartets after Beethoven was just wasting his, and our, time.  ;D

That's exactly like Orfeo claiming that any Andante not written by Haydn is worthless.

Bullshit, either way!
It's not exactly the same, as writing one beautiful Andante is enough to prove Orfeo wrong, but in order to show that NLK1971 is wrong, one would have to write a large enough group of quartets - say 6, like Bartók, or 15, like Shostakovich. One-offs like Ravel or Dutilleux, can't really be thought of as achievements of the same order.
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

Mandryka

Quote from: North Star on September 20, 2014, 08:08:47 AM
It's not exactly the same, as writing one beautiful Andante is enough to prove Orfeo wrong, but in order to show that NLK1971 is wrong, one would have to write a large enough group of quartets - say 6, like Bartók, or 15, like Shostakovich. One-offs like Ravel or Dutilleux, can't really be thought of as achievements of the same order.

Or you might just do something which is so revolutionary - which so redefines the genre - that Beethoven and Haydn sound henceforward  like quaint old grandaddies with nothing important to say any more - just museum pieces, of interest only to academics.

I'm thinking of Lachenmann.
Wovon man nicht sprechen kann, darüber muss man schweigen

The new erato

Quote from: Mandryka on September 20, 2014, 08:19:33 AM
Or you might just do something which is so revolutionary - which so redefines the genre - that Beethoven and Haydn .......
Just what those two guys did.

Florestan

Quote from: Mandryka on September 20, 2014, 08:19:33 AM
Or you might just do something which is so revolutionary - which so redefines the genre - that Beethoven and Haydn sound henceforward  like quaint old grandaddies with nothing important to say any more - just museum pieces, of interest only to academics.

That's equally bullshit.
"Great music is that which penetrates the ear with facility and leaves the memory with difficulty. Magical music never leaves the memory." — Thomas Beecham

not edward

#50
Quote from: Mandryka on September 20, 2014, 08:19:33 AM
Or you might just do something which is so revolutionary - which so redefines the genre - that Beethoven and Haydn sound henceforward  like quaint old grandaddies with nothing important to say any more - just museum pieces, of interest only to academics.

I'm thinking of Lachenmann.
Might be interesting to ask Lachenmann about Beethoven and Haydn...


In thread duty: Brahms. (Beethoven wins on string quartets, Brahms on everything else.)
"I don't at all mind actively disliking a piece of contemporary music, but in order to feel happy about it I must consciously understand why I dislike it. Otherwise it remains in my mind as unfinished business."
-- Aaron Copland, The Pleasures of Music

Madiel

#51
Quote from: Florestan on September 20, 2014, 07:36:24 AM
That's exactly like Orfeo claiming that any Andante not written by Haydn is worthless.

Which is not what I claimed. Bloody hell you're annoying.

After telling me to calm down on the orchestral thread, you come over here and deliberately, flagrantly misrepresent what I said. And while everyone else is happily posting their favourites, you are STILL treating this as if you have to fight people over their personal preferences.

I expressed my love for Haydn's orchestral andantes. MINE. On a thread about favourite composers, not objectively best composers. And at no stage did I say that other composer's andantes are worthless.  I wouldn't say something so gob-smackingly stupid in a hundred years. For starters, I didn't even pick Haydn as my favourite orchestral composer. So just fuck off already.
Every single post on the forum is unnecessary. Including the ones that are interesting or useful.

Brian

Quote from: edward on September 20, 2014, 11:02:03 AM
Might be interesting to ask Lachenmann about Beethoven and Haydn...

Kind of like asking Feldman about Sibelius?

EigenUser

Quote from: Brian on September 20, 2014, 04:46:40 PM
Kind of like asking Feldman about Sibelius?
I think that Sibelius was one of Feldman's favorite composers, along with Bartok.
Beethoven's Op. 133 -- A fugue so bad that even Beethoven himself called it "Grosse".


Brian


North Star

"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

EigenUser

Beethoven's Op. 133 -- A fugue so bad that even Beethoven himself called it "Grosse".

johnshade

The sun's a thief, and with her great attraction robs the vast sea, the moon's an arrant thief, and her pale fire she snatches from the sun  (Shakespeare)