Favourite symphony no. 3

Started by Cosi bel do, November 26, 2014, 06:49:16 AM

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The greates of all third symphonies ?

Beethoven's (Eroica)
Mendelssohn's (Scottish)
Schumann's (Rhenish)
Brahms's
Bruckner's
Tchaikovsky's (Polish)
Saint-Saëns's (Organ symphony)
Mahler's
Sibelius's
Scriabin's (Divine Poem)
Glière's (Ilya Muromets)
Prokofiev's
Rachmaninov's
Khachaturian's
Gorecki's (of Sorrowful Songs)
Other (which one ?)

Jay F

Surprising results. I like Mahler's 3rd so much more than his 9th, and I voted for Mahler in this poll. I think of Beethoven's 9th as being his greatest symphony, and I like it more than his 3rd, yet he's kicking Mahler's ass so far in this poll. I thought it would be the opposite, with the winners being Mahler's 3rd and Beethoven's 9th.

amw

Brahms & Beethoven sit at the top of the heap

Stravinsky, Gerhard, Nielsen, Myaskovsky, Carter (Symphonia: sum fluxae pretium spei), Harris & Berwald are the second tier

Schumann, Schubert, Sibelius, Hartmann, Sessions, Hindemith (Symphonia serena), Dvořák, Martinů, Vaughan Williams, Mendelssohn, etc (many), make up the third tier

There is a fourth tier consisting of works I am largely neutral to, and then a fifth circle of hell reserved for Scriabin, Gorecki and Rachmaninov

(NB I have not heard the Bruckner, Mahler or Tchaikovsky ones)

Ken B

Quote from: amw on November 26, 2014, 11:56:30 AM

There is a fourth tier consisting of works I am largely neutral to, and then a fifth circle of hell reserved for  ... Gorecki


That's where I go on chilly days. It's warm, wonderful, and toasty here. I think the Kord version is best.

Jo498

Are the Stravinsky symphonies usually treated as numbered? I have never seen numbers for them. Should we nominate Berlioz' Romeo & Juliette as his third (or whatever it would be). And Bruckners "3rd" would be between his 5th and 9th out of almost 20 or so, depending on the version...

(I have to re-check RWV 3rd, I thought this was one of those pastoral bores, but maybe I misremember)
Tout le malheur des hommes vient d'une seule chose, qui est de ne savoir pas demeurer en repos, dans une chambre.
- Blaise Pascal

Karl Henning



Quote from: Jo498 on November 26, 2014, 12:12:52 PM
Are the Stravinsky symphonies usually treated as numbered?

No.

As to Berlioz, I should go back to Barzun, but I seem to recall his enumerating his symphonies in his correspondence.  It seems a bit odd to us, now, since each work has unique forces ... but the composer felt he was taking after LvB's example.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

amw

Quote from: Jo498 on November 26, 2014, 12:12:52 PM
Are the Stravinsky symphonies usually treated as numbered? I have never seen numbers for them.
No, they're not. And there's some uncertainty over whether Symphonies of Wind Instruments counts. I am using the broadest possible definition of third symphony >.>

Quote
(I have to re-check RWV 3rd, I thought this was one of those pastoral bores, but maybe I misremember)
Yes, that describes it pretty well. If the first thirty seconds aren't your thing, skip the remaining 31 minutes.

If you don't mind the style, stick through it. Its pastoral surface is a disguise for an understated elegy for the dead of WWI. A cow looking over a gate in Flanders Fields. Except for one climax in the finale it avoids all theatrics and histrionics, simply but effectively conveying the sense of memory and nostalgia: then they were here, now they are gone. RVW served in a logistical role in WWI and lost several of his closest friends, so it's not hard to read this interpretation into the Pastoral.

Then when you've started to hear it this way, re-listen to the 5th, which becomes one of the most affecting WWII symphonies. The greater passion and eloquence of its mis-titled Romance (more of a Threnody) is understandable in the context of the darkest year of the War, with Nazi victory seeming a certainty, and its long (very long) coda over a D pedal point is astonishingly clear-eyed in its evasion of all triumph or tragedy, after a finale that first proposed victory and then slid into insecurity and the possibility of defeat: "whatever happens, it won't bring them back." We don't get another finale like this until Shostakovich's 8th.

You probably have to be an RVW fan in the first place to be sympathetic to these interpretations, otherwise the two symphonies will just bore you stupid. They're my favourites by him though.

Jay F


amw

Quote from: Jay F on November 26, 2014, 12:47:43 PM
Why not? May I send you a copy?
No need, I have Qobuz. Thanks :)

I am not yet sympathetic to Mahler's music. What I've heard so far (symphonies 1, 6, 7, 9 & Das Lied + songs) has not been of much interest, though I do like some of the Wunderhorn and Rückert-Lieder.

Jo498

#28
I don't know any RVW well, although I have had the complete symphonies since 2006 or so. Many years before that, probably in the mid/late 1990s I borrowed a disc with two of his symphonies from a friend, I think it was 3+5 and I was bored to death and didn't bother with the composer for years. Only after I heard some other pieces like the Tallis variations, the phantasy quintet and the 4th or 8th symphonies I took a little interest. But I am still not really a fan.

I like the Roussel 3rd (again I piece I forgot about, maybe because I have never heard his 1 or 2) and also Stravinsky's "in C". To me those "neutral, technical" titles like "Symphony in C" or "Symphony in three movements" (my favorite) seem to express a distancing from the austro-germano-slavic tradition of weighty numbered symphonies.
Tout le malheur des hommes vient d'une seule chose, qui est de ne savoir pas demeurer en repos, dans une chambre.
- Blaise Pascal

J.A.W.

The Eroica would be my favourite, because of its importance and because I love it :) Second would be Mahler, third Brahms.
Hans

ritter

Quote from: J.A.W. on November 26, 2014, 01:12:26 PM
The Eroica would be my favourite, because of its importance and because I love it :) Second would be Mahler, third Brahms.
Same here, except that Brahms would fall off my list, replaced by Enesco...

vandermolen

#31
Aaron Copland: Symphony 3. Can't believe this has not been mentioned.

Also :)

Honegger
VW
Elgar (reconstructed)
Hovhaness
Miaskovsky
Daniel Asia
DAVID DIAMOND ( a masterpiece )
William Schuman
William Alwyn
Eduard TUBIN
Prokofiev
BAX (his greatest symphony)
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Drasko

1. Brahms
2. Sibelius
3. Martinu
4. Bruckner

Dax

Szymanowski - am I on my own?

Honourable mention for Honegger.

not edward

Beethoven stands alone at the top for me, but if it weren't for him I'd have a really rough time sorting out Berwald, Brahms, Honegger, Lutoslawski, Norgard and Tippett. (I think Norgard would win.)
"I don't at all mind actively disliking a piece of contemporary music, but in order to feel happy about it I must consciously understand why I dislike it. Otherwise it remains in my mind as unfinished business."
-- Aaron Copland, The Pleasures of Music

Cato

KARL AMADEUS HARTMANN composed a Third Symphony!  8)

Yes, Prokofiev's name belongs in the list also!

Quote from: Dax on November 26, 2014, 02:59:13 PM
Szymanowski - am I on my own?

No!  Also an all-around fave!

Quote from: Dax on November 26, 2014, 02:59:13 PM
Honourable mention for Honegger.

Probably the best of his 5! 

"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

Dancing Divertimentian

Veit Bach-a baker who found his greatest pleasure in a little cittern which he took with him even into the mill and played while the grinding was going on. In this way he had a chance to have the rhythm drilled into him. And this was the beginning of a musical inclination in his descendants. JS Bach

Moonfish

"Every time you spend money you are casting a vote for the kind of world you want...."
Anna Lappé

Mirror Image

Torn between so many choices but I think I'll have to go with ol' Ralph here, so his Pastoral gets my vote. 8)

Bruckner is God

As much as I love the Eroica, I will have to say Mahler's 3rd. I have heard it live tons of times and it never fails to move me to tears.