Clara Schumann - Works for Solo Piano

Started by George, February 02, 2015, 06:08:20 PM

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George

I recently have become curious about Clara Schumann's works for solo piano. I have two main questions:

1. How are they? Do they rate well alongside other romantic composers works?

2. Which performance of her works do you prefer?

Thanks! 
"I can't live without music, because music is life." - Yvonne Lefébure

Brian

I seemed to like a HIPish recording when I heard it a year ago, but the write-up is so breezy that my skeptical side throws a red flag and begs to listen again with fresh ears. Clara did not work well with large solo formats, but she could unfurl a tune nearly as well as Mendelssohn.

As a side note, her youthful piano concerto is a tiny piece; the outer movements are of little interest but the slow movement is a very peculiar trio for piano, one cello, and timpani (!).

George

#2
Quote from: Brian on February 02, 2015, 06:39:49 PM
I seemed to like a HIPish recording when I heard it a year ago, but the write-up is so breezy that my skeptical side throws a red flag and begs to listen again with fresh ears. Clara did not work well with large solo formats, but she could unfurl a tune nearly as well as Mendelssohn.

As a side note, her youthful piano concerto is a tiny piece; the outer movements are of little interest but the slow movement is a very peculiar trio for piano, one cello, and timpani (!).

Thanks, Brian! Have you happen to have heard the 3CD set on CPO?

EDIT - It's on Spotify
"I can't live without music, because music is life." - Yvonne Lefébure

mc ukrneal

Quote from: George on February 02, 2015, 06:42:38 PM
Thanks, Brian! Have you happen to have heard the 3CD set on CPO?

EDIT - It's on Spotify
The playing is generally fine and so is the music, as long as expectations are realistic. The sound in that set is good, though with a slight bit of reverb. I can't compare, but I remember there was another set out there. If you like this sort of thing, you will probably like it.
Be kind to your fellow posters!!

Sergeant Rock

Quote from: Brian on February 02, 2015, 06:39:49 PM
As a side note, her youthful piano concerto is a tiny piece; the outer movements are of little interest but the slow movement is a very peculiar trio for piano, one cello, and timpani (!).

Apparently I like the Concerto more than Brian does. It's chock full of attractive melodies. If no masterpiece, it is of its time and a good example of the early Romantic concerto. I can forgive much: She was only 14 when she began composing it, 15 when she finished (Robert did the orchestration).

Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Brian

Quote from: Sergeant Rock on February 03, 2015, 04:03:12 AM
Apparently I like the Concerto more than Brian does. It's chock full of attractive melodies. If no masterpiece, it is of its time and a good example of the early Romantic concerto. I can forgive much: She was only 14 when she began composing it, 15 when she finished (Robert did the orchestration).

Sarge
I like it plenty, but the Naxos recording I heard is slow and kinda dead in the outer movements. I think it was with some kind of southern Italian youth orchestra.

George

Quote from: Sergeant Rock on February 03, 2015, 04:03:12 AM
Apparently I like the Concerto more than Brian does. It's chock full of attractive melodies. If no masterpiece, it is of its time and a good example of the early Romantic concerto. I can forgive much: She was only 14 when she began composing it, 15 when she finished (Robert did the orchestration).

Sarge

Thanks, Sarge. Did you hear the solo set on CPO?
"I can't live without music, because music is life." - Yvonne Lefébure

Sergeant Rock

#7
Quote from: Brian on February 03, 2015, 04:28:04 AM
I like it plenty, but the Naxos recording I heard is slow and kinda dead in the outer movements. I think it was with some kind of southern Italian youth orchestra.

An orchestra of women, actually. I prefer the other recording of the concerto I have (with the Bamberger Sinfoniker on the Tudor label).

Quote from: George on February 03, 2015, 04:34:21 AM
Thanks, Sarge. Did you hear the solo set on CPO?

I have not. I do have the single CD CPO made earlier and like it well enough.



Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Brian

Quote from: Sergeant Rock on February 03, 2015, 04:42:16 AM
A orchestra of women, actually. I prefer the other recording of the concerto I have (with the Bamberger Sinfoniker).

Oops, now I seem sexist.  :( It's been a few years! I'll listen to the Bamberg SO recording today if it's on NML.

Mandryka

Quote from: George on February 02, 2015, 06:08:20 PM
I recently have become curious about Clara Schumann's works for solo piano. I have two main questions:

1. How are they? Do they rate well alongside other romantic composers works?

2. Which performance of her works do you prefer?

Thanks!

You should check out her 16 variations on a theme by Robert Schumann.
Wovon man nicht sprechen kann, darüber muss man schweigen

George

Quote from: mc ukrneal on February 02, 2015, 07:21:05 PM
The playing is generally fine and so is the music, as long as expectations are realistic. The sound in that set is good, though with a slight bit of reverb. I can't compare, but I remember there was another set out there. If you like this sort of thing, you will probably like it.

Thanks for sharing this. After listening to the set via Spotify on my home stereo, I am finding the sound to be too reverberant.
"I can't live without music, because music is life." - Yvonne Lefébure

Todd

I've listened to a small selection of Clara Schumann's solo works.  Sheila Arnold included a nice recording of a piece on her Brahms disc.  By far, the strongest advocate for Clara's music I've heard so far is Ragna Schirmer in this mixed rep disc:

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amw

Most of her surviving music was written before she was 21 & reveals strong influences of, in particular, Chopin & Mendelssohn. There are some small masterpieces but in general I have to agree with Charles Rosen that lack of encouragement & training and a deeply internalised prejudice against female composers prevented her from ever reaching musical maturity.

The piano music set is at least as good as that of as any other "minor" composer of the era though (eg Spohr, Moscheles, Weber, Dietrich, Bargiel, Herzogenberg etc)