Top 10 most beautiful pieces you've heard

Started by EigenUser, February 28, 2015, 03:29:43 PM

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USMC1960s

One of my all time favorite pieces is this. Absolutely beautiful. Normally I just listen to classical music, but this particular piece makes me toss my head back and forth like a conductor :)

Handel--Concerto Grosso # 6 in G Minor--Op.6/No.6--HWV 324--3. Musette: Larghetto.

Jo498

Quote from: USMC1960s on September 24, 2015, 04:18:01 AM
One of my all time favorite pieces is this. Absolutely beautiful. Normally I just listen to classical music, but this particular piece makes me toss my head back and forth like a conductor :)

Handel--Concerto Grosso # 6 in G Minor--Op.6/No.6--HWV 324--3. Musette: Larghetto.
Yes, this is a favorite. A similar "dreamy pastoral" piece is the polonaise/polacca from op.6#3 e minor. I also love "La paix" from the Royal fireworks. Simple, but very moving.
Tout le malheur des hommes vient d'une seule chose, qui est de ne savoir pas demeurer en repos, dans une chambre.
- Blaise Pascal

USMC1960s

#62
I just listened to those after your post, did not recognize them by their descriptions. Two beautiful pieces.

North Star

#63
Tarquinio Merula: Hor ch'é tempo di morire "canzonetta spirituale sopra alla nanna"
Bach: Passacaglia and Fugue in C minor
Beethoven: String Quartet in c sharp minor, Op. 131
Schubert: Fantasie in F minor, D. 940
Berlioz: Trio for two flutes & harp from L’enfance du Christ
Tchaikovsky - Piano Trio in a minor, Op. 50
Elgar: Sospiri for harp, organ & strings
Suk: About Mother
Sibelius: Symphony no. 5
Stravinsky: Symphony of Psalms
Vaughan Williams - Tallis Fantasia
Janáček: On an overgrown path - The Madonna of Frýdek
Ives: The Unanswered Question
Ravel: Ma mère l'oye
Berg: Violin Concerto
Silvestrov: Quiet Songs
Pärt: Stabat Mater
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

Jaakko Keskinen

Korngold: Violin concerto
Berlioz: Benvenuto Cellini: "Si la terre aux"
Mahler: Das Lied von der Erde: Von der Schönheit
Schumann: Das Paradies und die Peri
Shostakovich: Golden age
Sibelius: Pohjola's daughter
Sibelius: Symphony 4, movement III
Dvorak: String quartet 3
Dvorak: Golden spinning wheel
Haydn: The creation

Schubert: Symphony 5, movement 1
Mozart: K563, movement 4

"Javert, though frightful, had nothing ignoble about him. Probity, sincerity, candor, conviction, the sense of duty, are things which may become hideous when wrongly directed; but which, even when hideous, remain grand."

- Victor Hugo

Brahmsian

#65
Quote from: Alberich on September 26, 2015, 12:30:01 PM

Shostakovich: Golden age


Interesting!  I love The Golden Age ballet.  I may not necessarily call it one of the most beautiful pieces I've heard, but certainly one of the most fun, thrilling and exciting.  However, the Dance of the Diva Adagio in Act I, Scene II is indeed blissfully beautiful!  :)

Mirror Image

Quote from: ChamberNut on September 26, 2015, 12:46:47 PM
Interesting!  I love The Golden Age ballet.  I may not necessarily call it one of the most beautiful pieces I've heard, but certainly one of the most fun, thrilling and exciting.  However, the Dance of the Diva Adagio in Act I, Scene II is indeed blissfully beautiful!  :)

+1 8)

Wieland

That's difficult, but lets try

Beethoven 9, 3rd movement
Beethoven op. 132 Heiliger Dankgesang
Bruckner 7, 2nd movement
Bruckner 8, 3rd Movement
Mahler 2, final Movement with chorus
Mahler 3, final movement
Mahler 9, final movement
Mahler Lied von der Erde, Der Abschied
Strauss, 4 letzte Lieder
Wagner, Parsifal, Vorspiel und Transformation scene
Schostakowitsch, VC 1, Passacaglia

upps.. already one to many, but I dont know which one to delete


North Star

Quote from: Wieland on September 27, 2015, 08:44:16 AM
upps.. already one to many, but I dont know which one to delete
That's how we tend to roll, in any case.  8)
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

ludwigii

#69
Schnittke : Peer Gynt
Prokofiev : Piano Concerto no. 2
Beethoven : Piano Sonata op.109
Schubert : Piano Sonata D 845, op.42
Mozart : Piano Concerto no.23 K. 488
Bach : Concerto BWV 1052 in D minor
Tomas Luis de Victoria : Versa est in luctum (motet)
Shostakovich : Symphony no. 4
William Walton : Symphony no.1
Haendel : Dixit Dominus (1707) HWV 232
"I have forced myself to contradict myself in order to avoid conforming to my own taste."
Marcel Duchamp

amw

Quote from: amw on February 28, 2015, 04:44:53 PM
Beauty you say?

1. Brahms Violin Sonata No. 1, Op. 78 - I. Vivace ma non troppo

2-6 in some order
Chopin Nocturne in A-flat Op. 32 no. 2
Brahms String Sextet No. 2, Op. 36 - I. Allegro non troppo
Vaughan Williams Symphony No. 5 in D - III. Romanza
Schubert Quintet D956 - II. Adagio
Mozart Piano Concerto No. 27, K. 595 (complete)

I can't think of anything else that deserves to be considered on the same level.
Actually I thought of something else:

Schumann Davidsbündlertänze No. 14. Zart und singend

Sergeant Rock

I'm going to squeeze this in to my list: Tchaikovsky Pas de deux from The Nutcracker.

https://www.youtube.com/v/hXcCwfymxaY


Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Florestan

#72
Besides any 10 randomly picked works by Schubert, OTOMH

Bach - Goldberg Variations, Aria
Bach - The Well Tempered Clavier, Book I, Prelude I
Bach - Cantata BWV 208, Aria: Schafe können sicher weiden
Francois Couperin - Troisieme concert royal, Musette
Vivaldi - The Four Seasons (complete)
Mozart - Eine Kleine Nacht Musik (complete)
Mozart - Don Giovanni, Aria: La ci darem la mano
Mozart - Don Giovanni, Aria: Batti, batti, o bel Masetto
Mozart - Le Nozze di Figaro, Aria: Non piu andrai
Mozart - Le Nozze di Figaro, Aria: Voi che sapete

(to be continued)

"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part. ." — Claude Debussy

Mandryka

Schubert Nachthelle
Scriabin Prelude and Nocturne for the Left Hand, Op.9
Tchaikovsky Méditation, Op.72 No.5
Szymanowsky Etude Op 4 No. 3
Chopin Nocturne Op. 27/1
Albeniz Iberia "Evocacion"
Albeniz/Godowski Tango
Bach - Cello Suite No 2 in D minor, BWV 1008 - Prelude
Granados Mazurka "Escenas Poeticas"
Wovon man nicht sprechen kann, darüber muss man schweigen

some guy

Beauty is indeed a quibblesome creature, but judging from the lists, there's not really that much quibble hereabouts.

Beauty means more or less "pretty."

I much prefer Rilke's sense of things:

"...beauty is nothing but the beginning of terror
which we are barely able to endure, and it amazes us so,
because it serenely disdains to destroy us."

Berlioz, Benvenuto Cellini
Mahler, symphony #6
Yoshihide, Turntable Solo
Bokanowski, L'étoile absinthe
Noetinger & eRikm - What A Wonderful World
Nielsen, symphony #4
Shostakovich, symphony #4
Neumann, inner piano (not a "piece," more like a "set." A video on youtube entitled "inner piano.")
Sachiko M, 1:2
Brümmer, La cloche sans vallees

Again, ten is a silly number.

Really really silly.

(Well, on further reflection, it's "most beautiful" that is truly silly.)

James

Action is the only truth

James

There is an abundance of beauty to be found within the creative outputs of many of the Greats, but to be selective .. 

Bach, Dona nobis pacem
Wagner, Parsifal Prelude
Brahms, Ballades
Grieg, Lyric Pieces
Fauré, Nocturne no. 13
Strauss, Four Last Songs
Debussy, Sonata for flute, viola & harp
Stravinsky, Symphonies of Winds
Bartók, String Quartet no. 6
Webern, Symphony op. 21
Tippett, Piano Concerto
Stockhausen, Kontakte
Ligeti, Melodien
Gubaidulina, Offertorium
Viñao, Son Entero
Dutilleux, The Shadows of Time
Lansky, Ride
Action is the only truth

some guy

Quote from: James on April 16, 2016, 02:21:50 PM
Huh?
You realize, do you not?, that "Beauty means more or less 'pretty'" is not what I think, but a conclusion drawn from the pieces listed in previous posts.

Mostly, the word beauty is used to refer to things that are smooth, regular, pleasant, and (relatively) easy to understand.

But only mostly. There are plenty of people--me being one of them--who distinguish between beautiful and pretty, and who consequently see beauty in rough, irregular, harsh, and puzzling things.

Of course, and I wasn't gonna bring this up, again, being a wee bit shy about riding my hobby-horses to death, but "beauty" as I understand it is not a characteristic of objects nor is it, as the expression goes, in the eye of the beholder, but is an experience. It is what happens when an object and a perceiver enter into a relationship. It is not a quality (as in "a characteristic"); it is a consequence of a successful experience.

amw

I'm not sure I determine things by "prettiness" in music, since I think of that as a visual quality. Beauty in music is for me the "quality" of how much the piece breaks my heart, haha. It's completely instinctual and, I find, favours pieces that are relatively static—beauty does not seem to be a very developmental thing.

At the same time, part of the reason that e.g. the first movement of Brahms's first violin sonata is for me the most beautiful piece of music ever composed lies in the irregularities, the holes, the way it's not quite enough on its own and one's mind needs to fill in the gaps. For example the main theme on its own is an unanswered whisper of heartache; but the potential "answers"—developments and consequents—one can imagine, but that Brahms never wrote, are more beautiful in the imagination than any actual music could be, in the same way our imagination supplies scarier monsters in horror films than could ever be shown on screen. Maybe that's a bit fanciful.

The same is true of e.g. the Schubert adagio, where we get a unique and deeply immersive texture, but with no melody except the one supplied by our imagination (perhaps derived from the broken, halting first violin phrases), or the Mozart piano concerto, always hinting at beautiful and dissonant things but never actually supplying them (also I think one of his most radical works) and etc. So I sort of get what you're saying, although I still find it really difficult to articulate why Brahms Op. 36/i is "more beautiful" than Op. 18/i or whatever >__>

James

Quote from: some guy on April 17, 2016, 01:55:53 AMYou realize, do you not?, that "Beauty means more or less 'pretty'" is not what I think, but a conclusion drawn from the pieces listed in previous posts. Mostly, the word beauty is used to refer to things that are smooth, regular, pleasant, and (relatively) easy to understand. But only mostly. There are plenty of people--me being one of them--who distinguish between beautiful and pretty, and who consequently see beauty in rough, irregular, harsh, and puzzling things.

Man, you are so full of yourself.

Beauty is something we find very attractive .. it entails more than surface.
Action is the only truth