New to Wagner - Just purchased this big box set.

Started by Chris L., March 23, 2015, 10:48:20 AM

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king ubu

Es wollt ein meydlein grasen gan:
Fick mich, lieber Peter!
Und do die roten röslein stan:
Fick mich, lieber Peter!
Fick mich mehr, du hast dein ehr.
Kannstu nit, ich wills dich lern.
Fick mich, lieber Peter!

http://ubus-notizen.blogspot.ch/

jochanaan

Quote from: PerfectWagnerite on April 26, 2015, 02:05:53 PM
...Completely agree with the almost super-human orchestral demands. Wagner saves some of the most difficult music for the END of each opera where the orchestra is pretty well burnt out. For example the rather exposed piccolo part in the Magic Fire Music at the end of Die Walkuere.
Quote from: Alberich on April 27, 2015, 02:52:22 AM
Piccolo must be really difficult to play because I learned to play the magic fire fairly easily on piano and I am so bad at playing instruments I can't even be described as a beginner.
As orchestral instruments go, piccolo is not particularly difficult, and piccolo players are used to being "exposed," since they are always heard if they play at all. ;D That part is not technically difficult, but it does require precision.  The violin parts there are much more demanding.  And as you say, the orchestra has already been playing for four-plus hours...!  Although not continuously.  While Wagner wrote more on average for the orchestra than most other opera composers, there are in fact many rests for every section of the orchestra.
Imagination + discipline = creativity

Karl Henning

Quote from: jochanaan on May 14, 2015, 08:29:35 AM
As orchestral instruments go, piccolo is not particularly difficult, and piccolo players are used to being "exposed," since they are always heard if they play at all. ;D

This composer accepts the challenge!  8)
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

MishaK

Quote from: PerfectWagnerite on April 26, 2015, 02:05:53 PM
As many times as the Metropolitan Opera has presented this work I don't ever recall it being performed on 4 consecutive nights. It is probably for practical reasons as well - the demand on the audience to sit through 4 consecutive evenings is a bit much.

Not to mention the challenge for busy New Yorkers to find four consecutive nights on which they are free to go to the opera.