Favorite 20th/21st century pieces that aren't symphonies

[some guy]

There is a perception that "band" music is somehow for kids, with the equally absurd companion perception that strings make your ensemble more grown up.

Oh well.

Hats off, again, to arpeggio for his attempts to alter our perceptions.

(Also, to Brian, I like a lot of Holmboe, enough to have purchased most of his music on disc over the years. But it's Four Symphonic Metamorphoses that I listen to most frequently.)

[pjme]

I definitely like to explore the band repertoire.
Yasuhide Ito's "Gloriosa" is quite an ambitious work that calls for a large band and (optional?) singers.

"Commissioned in 1989 and premiered in 1990 by the Sasebo Band of the Maritime Self-Defense Force of Kyushu, southern Japan.

Gloriosa is inspired by the songs of the Kakure-Kirishitan (Crypto-Christians) of Kyushu who continued to practice their faith surreptitiously after the ban of Christianity, which had been introduced to that southern region in the mid-16th century by Roman Catholic missionary Francisco Xavier. The worship brought with it a variety of western music.

Though Christianity was proscribed in 1612 by authority of the Tokugawa Shogunate in Edo (today Tokyo), Kakure-Kirishitan continued advocating sermons and disguised songs. Melodies and lyrics such as Gregorian chant were obliged to be "Japanized". For example, the Latin word "Gloriosa" was changed to "Gururiyoza." This adaptation of liturgy for survival inspired Ito to write this piece in order to reveal and solve this unique cultural mystery.

The composer explains:
"Nagasaki district in Kyushu region continued to accept foreign culture even during the seclusion period, as Japan's only window to the outer world. After the proscription of Christianity, the faith was preserved and handed down in secret in the Nagasaki and Shimabara areas of Kyushu region. My interest was piqued by the way in which the Latin words of Gregorian chants were gradually 'Japanized' during the 200 years of hidden practice of the Christian faith. That music forms the basis of Gloriosa."

I. Oratio
The Gregorian chant "Gloriosa" begins with the words, "O gloriosa Domina excelsa super sidera que te creavit provide lactasti sacro ubere." The first movement Oratio opens with bells sounding the hymn's initial phrases. The movement as a whole evokes the fervent prayers and suffering of the Crypto-Christians.

II. Cantus
The second movement, Cantus showcases a brilliant blend of Gregorian chant and Japanese elements by opening with a solo passage for the ryuteki, a type of flute. The theme is based on San Juan-sama no Uta (The Song of Saint John), a 17th-century song commemorating the "Great Martyrdom of Nagasaki" where a number of Kyushu Christians were killed in 1622.

II. Dies Festus
The third and final movement, Dies Festus, takes as its theme the Nagasaki folk song, Nagasaki Bura Bura Bushi, where many Crypto-Christians lived."
Source: https://bravomusicinc.com/original-concert-band-series-c-1_10/gloriosa-symphonic-poem-for-band-full-score-p-1934.html

I'm sure it will appeal to lovers of Respighi, Walton/Prokofiev (as film composers), Rozsa and other composers who are not afraid of grandiose gestures, braying horns and spectacular (pomposo)percussion.

https://www.youtube.com/v/HL0htrubtgc

I was reminded of Edward Gregson's "The sword and the crown" .
https://youtu.be/snxg-xMqP64