At Last, I've Enjoyed an Opera

Started by Holden, June 21, 2015, 03:03:52 AM

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Karl Henning

Did he tone down later editions?
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

(poco) Sforzando

Quote from: sanantonio on June 26, 2015, 04:50:49 AM
Interesting;  I have that book but don't remember the edition.  I should look at it again.  Thanks.

The second edition toned down some of the more scathing comments from the first. In that respect the original version is more fun.
"I don't know what sforzando means, though it clearly means something."

PerfectWagnerite

Quote from: (poco) Sforzando on June 26, 2015, 06:04:35 AM
The second edition toned down some of the more scathing comments from the first. In that respect the original version is more fun.

I forget which edition I read 22 years ago. The edition on Amazon still has some funny remarks like:

Confusion about the worth of an opera is bound to exist when no distinction is made between Orfeo and The Magic Flute on the one hand, and Salome and Turandot on the other.

I completely forgot about this book, yes an absolute must read.

Mandryka

Quote from: (poco) Sforzando on June 26, 2015, 04:46:21 AM
I would recommend Joseph Kerman's Opera as Drama as a starting point. It's not "lots of fun," but (though it remains controversial, especially the first edition where Kerman notoriously pilloried Puccini and Strauss) it addresses the essential problems of the genre better than any book I know.

I agree
Wovon man nicht sprechen kann, darüber muss man schweigen