Thanks Q, I only found out about it last week and saw 2018, that must have referred to it’s transfer to a stream.

Two harpsichord only CDs pretty well devoted to fantasias by Byrd and Farnaby. Fantasia here denotes a genre in which simple variation and imitation of a motif gradually accelerates, and in the end, the density and rapidity of notes is so intense that the formal rails are transcended, like an aeroplane taking flight, slowly on the runway and then faster and faster . . . .
A whole CD of this sort of music may sound a bit academic and off putting, but it has the potential to be like an Art of the Fugue
avant la lettre. Wilson has an impressive bravura technique, something which here may well be a sine qua non. He can show imagination in the way he embelishes the music with rubato and with ornaments. He has a wonderful Hantaï like capacity for making packets of notes leap out, like discharges of static electricity from a Van Der Graaf generator. Moreover he doesn’t shrink from underlining asperities and dissonances. He never loses the thread in what is very complex music.
Wilson has a tendency to pound, as if he’s got his boots on the keyboard. For both Byrd and for Farnaby, he chose to use a copy of a Ruckers harpsichord, with the typical rich tones of a Dutch instrument. I wonder if this sense of heavy handedness is a consequence of his choice of instrument - he may have been better off with a virginal, an Italian harpsichord or an organ.
The sound is fine, particularly in the Byrd.