Your favourite organ moments in orchestral (or choral-orchestral) music

Started by Maestro267, July 12, 2024, 07:17:20 AM

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vandermolen

Quote from: Roasted Swan on January 16, 2025, 05:27:13 AMThere is a very fine version of the Roman Empire Overture on an old Unicorn recording slightly improbably conducted by Sir David Willcocks and the Royal College of Music Orchestra.  Opulent recording and no allowances required for a nominally student orchestra;


Brilliant! Thanks - will look out for it.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

André

The first chords and the opening of the Judex crederis movement in Berlioz' Te Deum. Hair-raising stuff.

arpeggio


Cato

Quote from: arpeggio on January 23, 2025, 04:33:31 PMHas anyone mentioned the Mahler Eighth?


You just did!  ;D   Yes, the opening itself is an excellent example!
"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

Cato

The low C on an organ pedal is part of the start of Also Sprach Zarathustra by Richard Strauss: the organ is used to great effect throughout the work.


"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

Cato

Another favorite came to mind: the ghostly Roman army returning down the Via Appia in Respighi'sThe Pines of Rome uses an organ!


"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

vandermolen

Quote from: Cato on February 02, 2025, 04:30:12 PMAnother favorite came to mind: the ghostly Roman army returning down the Via Appia in Respighi'sThe Pines of Rome uses an organ!


Mine too Leo!
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).